5. Street Art – Page 158 – Natural adventures

6092. Upfest 2024 (19)

Karl Read, West Street, Upfest 24, Bristol, May 2024

Karl Read is something of a regular at Upfest, which is a great thing, and with each passing festival his work gets better and better. Painted over a stunning piece by Irony (one of my favourite of all time) cannot have been easy, but what Karl Read has replaced it with is worthy of this spot.

Karl Read uses large stencils for his work, and certainly in the past I have seen him struggle in windy conditions, but he has absolutely nailed his technique in this piece. The contrast between the black and white figures and the colourful peace sign made out of ‘Lego’ building blocks is a clever mechanism to bring focus to different parts of the work. The message is a poignant one in a troubled landscape of conflicts in Gaza and Ukraine. This is a stunning stencil from a great artist.

Irony, West Street, Bristol, October 2021, Upfest 21

6091. Upfest 2024 (18)

Goin, Spotted Cow, Upfest 24, Bristol, May 2024

Goin is a brilliant stencil artist, who has visited Bristol a number of times, usually in association with Upfest. I met him one time when he was doing a little ‘extra’ piece on a non-legal wall, and he was reluctant to give anything away. I knew who he was because I recognised his style, but didn’t let on. This is a wonderful piece painted on the side of the Spotted Cow pub in North Street.

There is a simplicity to Goin’s work that makes it more meaningful in a way than some of the extraordinary multi-layered stencil pieces crafted by master technicians. The skill here is in telling a story, and the title of the piece ‘stop bullying’ provides enough to see what is going on. A young forlorn schoolgirl with a bag slung over her shoulder, all in greyscale, is equipped with a large red boxing glove, perhaps to protect herself. There is so much to take away from this piece and the imagery sticks in the mind. One of Upfest most consistent visiting artists.

6090. Upfest 2024 (17)

Rainbo, Hen and Chicken, Bristol, Upfest 24, May 2024

This vertical rectangular wall outside the Hen and Chicken has played host to a number of wonderful Upfest murals over the years, and this one by Rainbo is yet another super example. The piece I believe is called ‘Etherial Cloud Drakes’ and is a rather cheerful looking dragon painted because 2024 is the Chinese Year of the Dragon.

Rainbo comes from Hong Kong, and her artistic style reflects her heritage to some extent. To understand what I mean, you can look at more of her work from this gallery on her website. Interestingly her use of the word ‘drake’ in the title of the piece is actually a European name given to a particular type of dragon in legend and heraldry (had to look it up). Overall this piece is nicely thought out to fit the space and beautifully executed with some sumptuous colours and fine detail.

6089. Upfest 2024 (16)

Jacqui Butterworth, North Street Standard, Bristol, Upfest 24, May 2024

This is a particularly popular wall, although sometimes a little tricky to photograph. It is outside the North Street Standard and for this year’s Upfest has been stunningly painted by Jacqui Butterworth. After admiring the photorealism of the piece, the first question or thought has to be that there is a rather special story going on here, with plenty of symbolism. Interpretation is another matter though.

The mural starts with some steps leading up to a grand piano upon which a black and a white swan have made themselves at home. Two cygnets are in attendance and the one beneath the piano is lying down with some roses scattered on the floor.

The ‘harp’ inside the piano is reflected on the shiny underside of the piano lid, although I note that the black swan isn’t, implying that it is a figment of the viewer’s imagination. There are so many details to enjoy, such as the toppled wine glass above the keyboard, the shiny glint on the lid prop and the patterns on the castors. This is a beauty indeed, and conjures up the music of Tchaikovsky’s Swan Lake. Bravo Jacqui!

6088. M32 roundabout J3 (581)

Ra is an occasional and always very welcome visitor to Bristol, and his choice of wall to paint this beautiful piece is interesting. This wall used to be the home of a fabulous mural by Michele Curtis and the Paintsmiths celebrating Roy Hackett, a Jamaican, who arrived in Britain in 1952 and became co-founder of the Commonwealth Co-ordinated Committee (CCC) which was started 1962. Unfortunately the wall was re-rendered, painted and then subject to the tagging and bombing that walls like this are subject to. This piece by Ra is the best piece, in my opinion, to adorn the wall since.

The stylised and beautifully decorated blue hand is in a pose with the middle finger and thumb touching is, I believe a mudra that represents energy and health, and it provides us with a feeling of balance. Certainly this piece feels in balance, with a complementary background and some flashes of light surrounding the hand. A wonderful spiritual piece which is beautifully executed.

Michele Curtis and the Paintsmiths, Byron Street, Bristol, May 2019

6087. Cumberland Basin

Mr Underbite, Cumberland Basin, Bristol, June 2024

Now, this is what I like. Mr Underbite is a bit of a favourite of mine, and to find his melancholic character dotted about the place is always a real pleasure. The fact that he has switched things up with this small piece in Cumberland Basin makes it all the more pleasurable.

Mr Underbite has used this small section of wall really well, presenting his character in three separate sections, each containing a part of the face, a deconstruction if you like. Anyone familiar with Mr Underbite’s work would immediately recognise this piece and attempt to reassemble it in their heads. To anybody else, this might look a little abstract and unfathomable. What a great way to play with a character. For reference, a typical Mr Underbite piece is shown below.

Mr Underbite, River Avon, Bristol, March 2024

6086. Cumberland Basin

Mr Crawls and Mote, Cumberland Basin, Bristol, May 2024

I’m not sure how old this collaboration by Mr Crawls and Mote is, but it can’t be all that old, because it contains some fairly recent features incorporated into each of their work. The reason I am a bit puzzled is that the fencing in front of the wall looks like it has been there a while. All I can think is that they moved it out of the way to paint and then put it back afterwards.

Mr Crawls, Cumberland Basin, Bristol, May 2024

To the left is a a stylised cartoon bird by Mr Crawls, which is a development of his earlier birds that we used to see about the place. There is something slightly more figurative about the artwork, and it is a direction that the artist is going in that I am definitely enjoying.

Mote, Cumberland Basin, Bristol, May 2024

Like other artists, street artists appear to go through ‘periods’ and I would call this Mote’s ‘eye’ period, where he is playing with different presentations of eyes. The mouth of this one seems to almost be leaning in to Picasso territory, or maybe something a little more surreal. Lots more fun from these to to come, but I was happy with finding this collaboration which was just a little bit off the beaten track.

6085. Cumberland Basin

Acer One, Cumberland Basin, Bristol, May 2024

A bit of a quick one today, because I have an early start and a very long day running another workshop, so today’s posts were (are being) written last night after a long weekend away. This is a shame, because there is quite a lot to say about this unusual and very clever piece by Acer One.

There are two words in this circle, ‘CONRAD’ in gold and ‘BUKEM’ in black. These names relate to Acer One’s love of drum and bass and are tributes to MC Conrad and LTJ Bukem. At that point my knowledge about this piece drops off a cliff. How Acer One conceived and then executed this piece is what makes him so very special. This is the work of a very talented artist.

Not content with this triumph, Acer One also had a little play with some anamorphic art just around the corner, I mean, why not? Many attempt and fail with this king of trickery, but Acer One has managed to do a good job, and if only my photography was up to scratch you’d see how well he did. Acer One is an artist who is always pushing boundaries and developing his technical skills. Great work.

6084. M32 Cycle path (267)

Benjimagnetic, M32 Cycle path, Bristol, May 2024

It is great to see Benjimagnetic out and about again after a bit of a winter lull. He appears to have returned with a slight upgrade to his style that feels rather fresher and is exciting. The colours of this piece shout out loudly and attract the eye, with the orange splashes rounding things off so well.

The letters BEN can be seen if you know to look for them. Benjimagnetic is known for his tidy designs and styling made up of thin lines, which can be seen throughout this piece. Well finished and classy, this is a lovely piece by the artist, and a taste of things to come.

6083. M32 roundabout J3 (580)

Sometimes you come across a great piece of graffiti writing without having the faintest idea about who the artist is or where they are from, and this piece by Urge is one of those. I think I only found out who Urge was by doing some investigation using Instagram, but other than finding an Instagram account, I am not much wiser. I do know that he isn’t from Bristol.

The graffiti writing itself is really beautifully presented and from the hand of a skilled writer. The letters, in a graded series of slate grey tones, spell out URGE and are emphasised with a splash of pinks exploding out from the edge of the piece. Classy stuff from the visiting writer.

	M. on 7612. M32 roundabout J2 (…
	Sheree on 7613. David Street
	paulh121 on 7611. St Werburghs tunnel…
	cjsmissionaryministe… on Morning motivation
	hitandrun1964 on Sea Spurge (Euphorbia par…

	M. on 7612. M32 roundabout J2 (…
	Sheree on 7613. David Street
	paulh121 on 7611. St Werburghs tunnel…
	cjsmissionaryministe… on Morning motivation
	hitandrun1964 on Sea Spurge (Euphorbia par…

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