I tend to prepare posts in advance for my street art blogs, perhaps as many as twenty pieces lined up and prepped for written content to be added. It is sorting and sizing the images that takes the most time. Downloading a stream of conscious thought can be surprisingly quick, largely because most of it is conversational nonsense, like this, and comes naturally.
I say all of this because it is quite coincidental that this lovely piece by Benjimagnetic, which has been lined up for some time, is ready for posting just two days after I met the artist for the first time.
I have noticed that Benjimagnetic seems to be toying with some different design ideas lately and moving away from his quite scratchy abstract writing and transitioning into more solid and colourful pieces, while keeping the essence of his style. It is a difficult transition to describe, but it is definitely happening. For me, I have to say that I am definitely liking his new work a lot, and hope this is more than just a passing phase. A superb tunnel piece.
Here we have another classy piece of writing from Benjimagnetic on the roundabout. Although he is going through a simplification of his rather busy and frenetic style, the work is so unmistakably his.
The colour selectionsare rather nice, with the pale blue border and 3D shadow working well with the red letters. The shapes of the letters are rather pleasing, and the shadings, both blue and red are very nicely crafted. Another fine piece of graffiti writing from Benjimagnetic.
Throughout the whole of the last year, Benjimagnetic has been consistently turning out superb BEN pieces, and this is one of the more recent one of them. I love the way that he has been developing his style and that recently he has simplified the look of his work without compromising his technical ability.
This piece from the tunnel is notable for its extraordinary fills, particularly in the blue segments. This graffiti writing is clean and sharp, and the white border that lifts the letters is superbly consistent – the work of an experienced hand. It must surely be time for a Benjimagnetic gallery?
As gentrification marches on apace, there is a bit of a squeeze on the number of walls that artists can paint, and in North Bristol this is has been exacerbated by the loss of The Bearpit, which has become an inert, dead urban space that people pass through. Utilitarian and functional, but perceived to be safe, and the homeless people have been moved on to be homeless somewhere else. I have a feeling that the discredited Rudi Giuliani, who was praised at the time, moved the ‘bums’ out of Manhattan, without actually addressing the issue of homelessness. Perception is everything for politicians. Smoke and mirrors.
The point I was clumsily trying to make is that the M32 Cycle path is unlikely to be developed any time soon and has become more popular than ever for street artists and graffiti writers, whit a much higher turnover than a few years ago.
This is a very nice piece by Benjimagnetic, which has replaced a rather ordinary throw up that had trashed the Halloween piece from Smak last year. Benjimagnetic has been turning out pieces with alarming regularity lately and I am struggling to keep up with posting them, but at least I can now read them (I think) because mostly they say BEN. Always good to find a new Benjimagnetic piece.
At last a piece by Benjimagnetic that I can actually read. It quite clearly spells out BEN, much like many of his other pieces, but this one more legibly. It is interesting to note that Benjimagnetic is painting a few of these less cryptic pieces at the moment demonstrating that he is clearly not a one trick pony.
I hadn’t particularly been looking for this, and when I first saw it, wasn’t too clear who it was by until the penny dropped with the BEN and the little hollow highlights (that look like ‘V’s) that are such a trademark of the artist. Silver and Gold work well in this piece and which again are quite unusual colour selections that I wouldn’t normally associate with Benjimagnetic. A nice modest piece.