Here we have another classy piece of writing from Benjimagnetic on the roundabout. Although he is going through a simplification of his rather busy and frenetic style, the work is so unmistakably his.
The colour selectionsare rather nice, with the pale blue border and 3D shadow working well with the red letters. The shapes of the letters are rather pleasing, and the shadings, both blue and red are very nicely crafted. Another fine piece of graffiti writing from Benjimagnetic.
Throughout the whole of the last year, Benjimagnetic has been consistently turning out superb BEN pieces, and this is one of the more recent one of them. I love the way that he has been developing his style and that recently he has simplified the look of his work without compromising his technical ability.
This piece from the tunnel is notable for its extraordinary fills, particularly in the blue segments. This graffiti writing is clean and sharp, and the white border that lifts the letters is superbly consistent – the work of an experienced hand. It must surely be time for a Benjimagnetic gallery?
This is an absolute gem of a collaboration from a little while ago by Hemper and Benjimagnetic, who will often be seen side by side painting Bristol walls, having said that, I still have yet to meet Benjimagnetic.
On the left is is a gorgeous gloopy, fluid piece of writing from Hemper with some outstanding fills and drips adorning the letters (HEMS). The piece is finished off with a little mist of green yellow around the boundary providing a bit of movement and depth. A very nice piece of writing indeed from this master of the craft.
To the right of the Hemper writing is a very tidy piece for graffiti from Benjimagnetic, spelling out BEN (I assume). In recent months, Benjimagnetic has reined in his work a little from the rather busy style he has, into something calmer and easier on the eye. Personally I like this new direction and find it easier to engage with his newer work. The geometric patterns are still there, but with out too much fuss. Another fine collaboration from this pair.
I don’t understand what is going on in Bristol at the moment, but some truly magnificent pieces are being painted over far too quickly. Maybe we have too many artists (is that a thing?) or maybe we don’t have enough ‘safe’ walls (probably), whatever the reason, there is a lot of great art that has a very short lifetime. This collaboration from Hemper and Benjimagnetic is one of these ephemeral pieces.
The artists have worked really well together here and their pieces appear to be a bit of a fusion, each mimicking the other one’s style. They have matched the colour scheme across the two pieces, and on the left is this exquisite HEMS (difficult to see) so skilfully crafted.
To the right is the Benjimagnetic half spelling BEN and equally expertly sprayed. It would seem that in working together on this, both artists have raised their game, particularly Benjimagnetic, whose work at the moment is entering a new level. This is simply a beautiful collaboration.
I don’t know if I am imagining things, but since this whole pandemic malarkey began it seems like there have been more collaborative walls than one would normally expect, and I wonder if it is a way for artists to legitimately socialise, whilst keeping a distance, with people they care about. Maybe it is just a perception, but I feel there has been a collaborative explosion.
This wonderful piece from the magnificent Benjimagnetic was painted alongside Hemper, Turoe and Veks and demonstrates a slight change of direction he has been on lately in which he has moved away from his busy and frenetic style, but managed to retain the abstract nature of his letters. This piece most likely spells out BEN, but it is nicely disguised. A very nice piece indeed with some fabulous colour transitions.
Both of these artists have had a very busy year in terms of throwing paint at walls. Benjimagnetic and Hemper are not artists I would normally pair up, but they have painted together in the past and continue to do so from time to time. Benjimagnetic’s style is much more consistent, whereas with Hemper, each piece is incredibly individual.
On the left is a fascinating piece from Benjimagnetic spelling BEN, which is much less frenetic and busy than his usual offerings. The yellow outline, where you can make out his letters, is sitting over a blockwork pattern, and the whole efect is compelling. Two little speech bubbles state: ‘Stand in the balance’ and ‘Hold your head up’
To the right Hemper has created a sensational piece of writing spelling out HEMS in beautifully curvy letters which are filled to perfection with various colourful shades and bubbles. The whole thing is set on a very atmospheric green background with a few subtle shout-outs. ‘Free assembly is a right… …not a privilege’ is a sentiment very close to many Bristolian hearts at the moment. Kill the bill.
More great work from Benjimagnetic who is on fire these days, this time with a nice piece of heavily disguised writing at Dean Lane. This one was painted alongside Acer One who also seems to have had a new lease of life in recent weeks.
Benjimagnetic has used his favourite colour palette of reds, purples and blues, but rather than spelling BEN as is usual he has spelt something else here. My usual uselessness at reading his writing means that I can’t tell you what this says… it starts with a T but I lose it after that. Whatever it says, it is still a fine piece.
As gentrification marches on apace, there is a bit of a squeeze on the number of walls that artists can paint, and in North Bristol this is has been exacerbated by the loss of The Bearpit, which has become an inert, dead urban space that people pass through. Utilitarian and functional, but perceived to be safe, and the homeless people have been moved on to be homeless somewhere else. I have a feeling that the discredited Rudi Giuliani, who was praised at the time, moved the ‘bums’ out of Manhattan, without actually addressing the issue of homelessness. Perception is everything for politicians. Smoke and mirrors.
The point I was clumsily trying to make is that the M32 Cycle path is unlikely to be developed any time soon and has become more popular than ever for street artists and graffiti writers, whit a much higher turnover than a few years ago.
This is a very nice piece by Benjimagnetic, which has replaced a rather ordinary throw up that had trashed the Halloween piece from Smak last year. Benjimagnetic has been turning out pieces with alarming regularity lately and I am struggling to keep up with posting them, but at least I can now read them (I think) because mostly they say BEN. Always good to find a new Benjimagnetic piece.
At last a piece by Benjimagnetic that I can actually read. It quite clearly spells out BEN, much like many of his other pieces, but this one more legibly. It is interesting to note that Benjimagnetic is painting a few of these less cryptic pieces at the moment demonstrating that he is clearly not a one trick pony.
I hadn’t particularly been looking for this, and when I first saw it, wasn’t too clear who it was by until the penny dropped with the BEN and the little hollow highlights (that look like ‘V’s) that are such a trademark of the artist. Silver and Gold work well in this piece and which again are quite unusual colour selections that I wouldn’t normally associate with Benjimagnetic. A nice modest piece.
This is another wall which I was foolish enough not to photograph in its entirety. It is actually a three-way collaboration between Awkward, Acer One and Benjimagnetic. Sometimes I wonder if I get carried away taking pictures without actually thinking about what I am doing.
On the left-hand side of the wall is a beautiful letter piece from Acer One with the letters TCF bookended by two rather frightening character faces by Awkward. I have seen an Awkward/Benjimagnetic collaboration before, but it is great to see all three artists together.
On the right is the Benjimagnetic contribution and is yet another fine piece from him. I have an awful lot of catching up to do with his pieces and I will try and dig them out of my files when (if ever) there is a lull in street activity.