7.2. Upfest 2017 – Page 12 – Natural adventures

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Just occasionally at Upfest, it is impossible to write about one piece without writing about a piece adjacent to it. This happens particularly with the portrait boards, most of which were in North Street Green this year.

Stelle Confuse, Upfest, Bristol, July 2017

The piece on the left is by Stelle Confuse, an artist from Florence, who is one of the most active protagonists of sticker and stencil art in Italy. Here his message is clear and simple – Plant a tree, plant peace. It is a fine stencil piece, with extraordinarily beautiful patterning and shading of the leaves.

Max Syther Oughton, Upfest, Bristol, July 2017

The piece on the right is by Max ‘Syther’ Oughton, and artist based in East Anglia. This is another beautiful work which has an added three dimensional element in the shape of bird boxes attached to the tree.

I don’t know if it was deliberate or coincidental, but it is great to see two interpretations of trees in two very different styles. Both beautiful.

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Anyone who was at Upfest 2016 would have been utterly charmed by the incredible tree frogs by JXC. It was one of my favourite pieces from last year, and I wrote about it here.

This year he was afforded a larger wall, one that Voyder wrote ‘Bristol’ on last time round. Instead of tree frogs, JXC treated us to an extraordinary seascape with a rather intimidating octopus in the foreground and some naval mines in the background.

This was another of the pieces that probably took longer to create than might have been expected, due to the constant rain interruptions over the three days of the festival.

The mouth on the side of the octopus isn’t the octopuss’s beak, rather is it a shark mouth inked onto its side. JXC’s work is heavily inkled with words and drawings that resemble tattoos, creating an interesting effect o the surface texture of the subject.

There is a story going on in this piece which is a little tricky to decypher. The words ‘Just Lie’ appear under the shark but I’m not sure what that refers to. Nice to see a smiley on the bomb – some ironic commentary there?

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Upfest always has a knack of introducing you to something just that little bit different, and for me this year, the most interesting finds were several sculptures dotted around the place by Will Coles.

Will Coles is a sculptor born in Warwickshire but who has spent time in Suffolk, as a child and in London and Glasgow, before moving to Sydney, Australia. He has now returned and is living somewhere in Europe (his own words).

His street work, judging by his website, is eyecatching to say the least. He has a subversive streak and takes a long look at modern culture upon which his works offer an interesting commentry. This particular piece may make the viewer uneasy on several levels. Add together the images and messages with the tarnished brass plaque appearance of the piece and you have a classy piece, which will shock. Because of its location and ‘part of the street funrnitue’ appearance, many who came to Upfest will have totally missed the piece.

Luckily he did another one in Blue, just in case you missed the first one.

Serendipitously, I found another of his pieces in Bristol this afternoon, and didn’t know it was by him until I started a little research to write this post. Funny how things like that happen.

I definitely like his work, and will keep my eyes peeled to see what else he left behind in Bristol after Upfest.

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This bright piece is by Cheltenham-based K8TB or Katy Barnfield. K8TB specialises in working with carbon fibre to produce her artworks. Together with Terry Barnfield, she works on carbon fibre commissions from their website.

K8TB volunteers for the Stop Bullying Project in Cheltenham and she does this with artist Lee Crew. Together they raise awareness of bullying and organise hundreds of artists from all over the world to personalise standard issue school exercise books. What is not clear to me is whether this was a collaboration between the two or just K8TB alone.

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I chalk up my sixtieth post from Upfest 2017 with this beautiful design from, Mary Rouncefield, a local Bristol-based artist who is building up a body of work concerned with human rights issues.

Mary Rouncefield, Upfest, Bristol, July 2017

The symmetrical central patterns in white are decorated with simple leaves and four bright red humming birds, all set on a black background. I am not sure, but I would guess that there is a lot of symbolism going on here. It is certainly an unusual and striking piece. The artist’s biography notres continue:

‘Exhibitions in the past year have included ‘Alienation’ with Art Number 23 at galleries in New York, Philadelphia and London. I was very pleased to have been awarded Highly Commended by Red Line Art Works, for my art work commenting on the growing prevalence of firearms worldwide in crimes of violence against children attending school. Alongside this though, I have been experimenting with spray paint and produced ‘a series of canvases with a tropical theme.’

I think this piece s one of those with a tropical theme.

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Another set of three paste ups from the prolific Jimzina at Upfest this year. The first was the largest I saw and was A2 size roughly. The girl in glasses, clutching a ring doughnut can still be found on North Street just by the hoardings near the Standard.

All of Jimzina’s pieces carried the same theme, a young lady presented on the front of a menu or drinks list – very distinctive. The next one looks rather different to most of them, in that the girl doesn’t have black hair, instead she is wearing a pink flower to go with her pink lips.

The final one of these three looks a bit like what I would call ‘saucy-sophisticated’. Is that too much of a label seen through the lens of a middle-aged man?

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It takes a little while to get to grips with this piece by Pref ID, but it is a really clever piece of writing. A quick look at his website indicates how he likes to disguise slogans by conflating all the words into one, creating something of a letter puzzle.

In this piece just off North Street Pref ID has written the words ‘Mind Bending’ – the blue letters say MIND and the white ones BENDING. It is a sophisticated work and has been really skilfully executed. Quite a different kind of piece.

My attempt to chat with the artist was not overly successful. I approached him and asked him who he was (a not unreasonable question at a street art festival), to which he replied “who the f*ck are you!” – so I told him who I was. He didn’t speak again. Maybe he was just having a bad hair day, or maybe he just took an instant dislike to me, who knows? It is a first though. I have met cagey artists and exuberant ones, modest ones, happy and sad ones, but this is the first time I have encountered such grumpiness. None of this however detracts from just how good this piece is.

I shall be more careful in future if I see Pref ID in town.

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I met Falko One in East Street on the Sunday of Upfest. It was early in the morning and showers were threatening. He had already started on the first of three commissioned elephants he was planning to complete in the day, but was doubtful because of the rain. This is a man who likes to paint elephants, and he does it really well.

Falko One it turns out is one of the most well known street artists in South Africa and has been working for almost thirty years inspiring others and growing the graffiti culture there. He is best known for his elephants.

As with several other pieces at Upfest, it was great to see the artist in action and how he went about creating his piece. I think what you see here is someone very much at ease with the subject. He has a great understanding of the proportions, shape and movement of elephants and can create these amazing pieces in no time at all.

The colours and shading, also bring a unique aspect to his art. I mean who ever saw a pink elephant before…hic?

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On the hoardings in Raleigh Road, there were some really high quality pieces, including this rather posh whale by Boaster. His Upfest profile reads:

‘Hailing from Nottingham,graffiti artist Boaster brings his own style to his quirky, gritty and sometimes macarbe characters. Part of crews The Shrunken Heads(SH) and In Living Colour(ILC), this long standing painter continues to ruin peoples walls up and down the country!!!’

Which all sounds rather fun.

There is a nice story here of a rather grumpy looking, well-heeled whale, and it is difficult not to admire the pipe, top hat and monocle. I am not familiar at all with Boaster’s work, but you can see more on this Global Street Art page.

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I am always chuffed when I see pieces by Bristol artists at Upfest. The street/graffiti art scene here is so strong and it is great for the city to showcase its own artists to visitors from Bristol itself and from further afield.

Sled One, I have said countless times on Natural Adventures, is one of my favourite street artists and was very busy at Upfest, producing two pieces in South Street Park. I caught up with him for a while and asked him how it was that he doesn’t do so much street work these days. It turns out, and I think I knew this anyway, that he is now working with the Paintsmiths and doing a lot of commissioned work. This he says adds pressure on his free time. He also said it was a different way of doing things and that working to a brief can be quite stressful.

This wonderful piece is creative and utterly bonkers. I do like reptiles in street art, somehow they work so very well. The expression on the chameleon’s face is well observed, and the eye is excellent. Hope to see more of his stuff before too long. Perhaps those nice people at The Paintsmiths could give him some time off.

	paulh121 on 7360. St Werburghs tunnel…
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	hitandrun1964 on 14 years

	paulh121 on 7360. St Werburghs tunnel…
	paulh121 on 14 years
	hitandrun1964 on 7360. St Werburghs tunnel…
	beth on 14 years
	hitandrun1964 on 14 years

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