East Street – Natural adventures

7768. East Street – Upfest 2026 (37)

Philth and n4T4, Upfest 2026, East Street, Bristol, May 2026

I first saw these two, Philth and N4T4, painting alongside each other, but not collaborating at Upfest 2016. Each of them was painting a portrait in their distinct styles. Since then, N4t4 appears to have stuck with his beautiful portrait pieces, and Philth has transitioned towards elaborate and stunning floral patterns.

This is a wonderful spot, above Hunters (an estate agent I think) which can be seen from quite a distance away, so you have plenty of time to enjoy it as you approach. This is one of those collaborations where the whole piece presents as one, with the portrait by N4T4 and the flower ‘print’ by Philth.

There is something rather dreamy about this piece, perhaps it is the predominant purple tone. Beautifully sited, framed and executed. Did you even notice the windows? More Upfest mmagic from the pair.

7739. East Street

Another revelation while wandering about in East Street during Upfest 2026, was this lovely shutter piece by Inkie. Being a Sunday, the shutter was down on the front of this National Health Service pharmacy.

Some lovely words ‘Love NHS Community’ written in superb chunky Inkie style, sit on top of a subtlely patterned background. This is a lovely commission, offering community art in a shared community space. Bravo Bedminster NHS and Inkie.

7724. East Street

This stunning shutter piece by Hazard was another that I found during Upfest when wandering around south of the river. Sundays in East Street is a good time to visit, as the shutters are down, revealing all sorts of hidden gems like this one.

Hazard, who used to live and paint in Bristol, is now living in Leeds (I think) but returns quite often for commissions and, I guess, to catch up with friends. She painted a beauty at this year’s Upfest (to come) but I can’t find out much about this shutter piece. The portrait piece looks like it has been here for maybe a year as there are some splatter marks along the bottom of the piece, and there is a rather unhelpful tag ‘Aura’ which fortunately doesn’t damage the piece too much.

An elegant portrait piece from Hazard.

7698. East Street

During my rather long walks during Upfest I was lucky enough to find a few pieces that I hadn’t been aware of before, including this stencil piece by Stewy in East Street. Stewy’s work falls into two broad categories – wildlife stencils or portrait stencils of well known people.

This piece, squeezed in between a phone box and shopfront, features Martin Parr, an English documentary photographer and photojournalist who died in December last year. His major projects were rural communities (1975–1982), The Last Resort (1983–1985), The Cost of Living (1987–1989), Small World (1987–1994) and Common Sense (1995–1999). Stewy has a knack for producing these modest stencils of remarkable people in informal poses. Great piece, great placement.

7370. East Street

Looking back again over 2025, we were privileged to have another visit by French wheatpaster Tian, in the spring, around the East Street, Dean Lane and North Street areas of Bedminster.

Although I posted several of these wonderful wheatpastes at the time, on going back through my archive I found these three that I had not previously posted.

I have always liked Tian’s work, it is so different from most of the street art we see in Bristol. His themes and ideas are interesting and his execution always suitable. Wheatpastes may not be to everyone’s taste, and often the owners of the walls on which they are posted get pretty fed up, but they are ephemeral and prone to becoming dislodged in our damp climate. I look forward to his next visit to the city.

7011. East Street

More paste-up magic from Tian in East Street. The French artist has left a trail of pieces on each of his visits to Bristol, and it is so much fun following his footsteps trying to locate each one. On previous trips he has occupied North Bristol, but this most recent one was concentrated in the East Street area.

The wonderful work in sepia tints and blue is a cut-out from a stencil. I imagine Tian first works on the stencil, and then once completed, prints dozens of copies, which he then cuts out and takes on his travels to paste up where he can. I have never seen his work outside Bristol, but I expect a trip to France would probably sort that out.

6919. East Street

Mr Penfold and Mul, East Street, Bristol, April 2025

This is a recent picture of a piece that I think was painted during Upfest last year, when Mul was visiting and dropped a few pieces about town. Here he has teamed up with Mr Penfold to create a fun and colourful collaboration.

Mul is known for his heart characters with legs and an eye. I’m not sure where Mul calls home, but occasional visits to Bristol are always very welcome. Mr Penfold is perhaps more commonly associated with his abstract commissions on shopfronts, but he intermittently produces these wonderful cartoon characters, presumably for fun. A tidy collaboration.

6909. East Street

This is another outstanding piece of paste up work from Tian in East Street. Not only is the subject beautifully worked, but the placement, inside a phone booth, is perfect. The cut-out is taken from a piece of work called ‘Combative Jaq’… I’m not sure that I know too much more about it.

I love the sepia tints contrasting with the blues of the woman’s clothes. The selection of the photograph and the alteration of it is superb. I realise that wheatpastes are not to everyone’s taste, particularly the authorities, but they are a darn sight better than the stream of advertising posters and hoardings that we are subjected to on every street in every town and city.

6910. East Street

Mr Crawls and Mote, East Street, Bristol, April 2025

On my wanderings in the East Street area of Bedminster, looking for Tian Paste ups, I came across this hoarding with a few treats on it. I think that this collaboration was painted last year when Mote and Mr Crawls were in full flow, painting together frequently all over the city.

Mr Crawls, East Street, Bristol, April 2025

To the left, the Mr Crawls character is quite unlike anything I have seen from him before, although his underlying style is unmistakable. The rather strange monster, in great green tones, is perhaps most notable for its psychedelic eyes, and ‘puckered’ upper lip.

Mote is no stranger to painting monsters, and here he has assembled five one-eyed beasts is some of his favoured colours. The chrome background for the collaboration gives me a pretty good date range (a little bit like carbon dating), which they first introduced at the end of 2023. A satisfying find.

6901. East Street

Tian’s visit to Bristol filled me with excitement, and the ‘treasure hunt’ he left behind on East Street, left me with a very memorable hour or so while walking the dog a few weeks back. His wheatpastes may go unnoticed by many, but not by me.

The Japanese lady in a kimono is taken from a piece called ‘le kimono d’invisibilité’, and just looks so incongruous with its surroundings and yet blends in as if she has always been there. A stunning piece from an artist who has mastered content and placement. One of the very best.

	Laura Newhampshire on 7773. Cumberland Basin
	paulh121 on Cheba
	beth on Cardigan Bay
	Sheknowsallblog on 7773. Cumberland Basin
	beth on Cheba

	Laura Newhampshire on 7773. Cumberland Basin
	paulh121 on Cheba
	beth on Cardigan Bay
	Sheknowsallblog on 7773. Cumberland Basin
	beth on Cheba

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