East Street – Natural adventures

7224. East Street

This stunning shutter piece by Hazard was another that I found during Upfest when wandering around south of the river. Sundays in East Street is a good time to visit, as the shutters are down, revealing all sorts of hidden gems like this one.

Hazard, who used to live and paint in Bristol, is now living in Leeds (I think) but returns quite often for commissions and, I guess, to catch up with friends. She painted a beauty at this year’s Upfest (to come) but I can’t find out much about this shutter piece. The portrait piece looks like it has been here for maybe a year as there are some splatter marks along the bottom of the piece, and there is a rather unhelpful tag ‘Aura’ which fortunately doesn’t damage the piece too much.

An elegant portrait piece from Hazard.

7698. East Street

During my rather long walks during Upfest I was lucky enough to find a few pieces that I hadn’t been aware of before, including this stencil piece by Stewy in East Street. Stewy’s work falls into two broad categories – wildlife stencils or portrait stencils of well known people.

This piece, squeezed in between a phone box and shopfront, features Martin Parr, an English documentary photographer and photojournalist who died in December last year. His major projects were rural communities (1975–1982), The Last Resort (1983–1985), The Cost of Living (1987–1989), Small World (1987–1994) and Common Sense (1995–1999). Stewy has a knack for producing these modest stencils of remarkable people in informal poses. Great piece, great placement.

7370. East Street

Looking back again over 2025, we were privileged to have another visit by French wheatpaster Tian, in the spring, around the East Street, Dean Lane and North Street areas of Bedminster.

Although I posted several of these wonderful wheatpastes at the time, on going back through my archive I found these three that I had not previously posted.

I have always liked Tian’s work, it is so different from most of the street art we see in Bristol. His themes and ideas are interesting and his execution always suitable. Wheatpastes may not be to everyone’s taste, and often the owners of the walls on which they are posted get pretty fed up, but they are ephemeral and prone to becoming dislodged in our damp climate. I look forward to his next visit to the city.

7011. East Street

More paste-up magic from Tian in East Street. The French artist has left a trail of pieces on each of his visits to Bristol, and it is so much fun following his footsteps trying to locate each one. On previous trips he has occupied North Bristol, but this most recent one was concentrated in the East Street area.

The wonderful work in sepia tints and blue is a cut-out from a stencil. I imagine Tian first works on the stencil, and then once completed, prints dozens of copies, which he then cuts out and takes on his travels to paste up where he can. I have never seen his work outside Bristol, but I expect a trip to France would probably sort that out.

6919. East Street

Mr Penfold and Mul, East Street, Bristol, April 2025

This is a recent picture of a piece that I think was painted during Upfest last year, when Mul was visiting and dropped a few pieces about town. Here he has teamed up with Mr Penfold to create a fun and colourful collaboration.

Mul is known for his heart characters with legs and an eye. I’m not sure where Mul calls home, but occasional visits to Bristol are always very welcome. Mr Penfold is perhaps more commonly associated with his abstract commissions on shopfronts, but he intermittently produces these wonderful cartoon characters, presumably for fun. A tidy collaboration.

6909. East Street

This is another outstanding piece of paste up work from Tian in East Street. Not only is the subject beautifully worked, but the placement, inside a phone booth, is perfect. The cut-out is taken from a piece of work called ‘Combative Jaq’… I’m not sure that I know too much more about it.

I love the sepia tints contrasting with the blues of the woman’s clothes. The selection of the photograph and the alteration of it is superb. I realise that wheatpastes are not to everyone’s taste, particularly the authorities, but they are a darn sight better than the stream of advertising posters and hoardings that we are subjected to on every street in every town and city.

6910. East Street

Mr Crawls and Mote, East Street, Bristol, April 2025

On my wanderings in the East Street area of Bedminster, looking for Tian Paste ups, I came across this hoarding with a few treats on it. I think that this collaboration was painted last year when Mote and Mr Crawls were in full flow, painting together frequently all over the city.

Mr Crawls, East Street, Bristol, April 2025

To the left, the Mr Crawls character is quite unlike anything I have seen from him before, although his underlying style is unmistakable. The rather strange monster, in great green tones, is perhaps most notable for its psychedelic eyes, and ‘puckered’ upper lip.

Mote is no stranger to painting monsters, and here he has assembled five one-eyed beasts is some of his favoured colours. The chrome background for the collaboration gives me a pretty good date range (a little bit like carbon dating), which they first introduced at the end of 2023. A satisfying find.

6901. East Street

Tian’s visit to Bristol filled me with excitement, and the ‘treasure hunt’ he left behind on East Street, left me with a very memorable hour or so while walking the dog a few weeks back. His wheatpastes may go unnoticed by many, but not by me.

The Japanese lady in a kimono is taken from a piece called ‘le kimono d’invisibilité’, and just looks so incongruous with its surroundings and yet blends in as if she has always been there. A stunning piece from an artist who has mastered content and placement. One of the very best.

6193. Upfest 2024 (38)

Ivan Tortajada, Upfest 2024, East Street, Bristol, May 2024

Ivan Tortajada is a Spanish artist from Valencia whose stylised portrait pieces are unusual and fantastical. You can only fully get a feel of his work by checking out his website, which I thoroughly recommend. In this Upfest piece, he has cleverly brought together two characters on perpendicular surfaces and incorporated the large caterpillar that has occupied this wall for as long as I can remember.

The portrait on the left is painted with warm colours in his highly illustrative style. The character appears to be glancing at the caterpillar and is holding a lighted match, I hope without malicious intentions.

The adjacent portrait is in colder blue colours is also looking on at the caterpillar and appears to be holding a disc that the bug is resting on. The portrait is beautifully worked with stripes of graded blues, and a touch of yellow where there is reflected light. This is a beguiling piece and one that so cleverly fits into the selected spot, working with the existing caterpillar, rather than against it.

5467. East Street

Andy Council, East Street, Bristol, August 2023

A rare foray into a part of Bedminster last week, looking for something that wasn’t there, led me to East Street, long after the shops had shut, which meant only one thing, a glimpse at closed shutter artwork that I hadn’t even been aware of before and which might have been there for some time. Among the discoveries was this gem from Andy Council.

From the signature, it looks like Andy Council painted this composite dinosaur piece in 2022, so it is possible that it was painted as an extra piece for Upfest, but more likely it might have been a permitted or commissioned piece from the shop store owners. As with much of Andy Council’s work, the whole monster character is made up of different components, including buildings and mechanical joints. He has thrown in a few toadstools for good measure too. I was most happy to come across this, especially as the things I was looking for didn’t even seem to exist.

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