Anyone that reads my posts regularly will know that over the last couple of years or so I have been closely following the progress of Tom Miller. A young art student who I believe has recently graduated from UWE in Bristol. He recently held a successful exhibition entitled ‘Paracosm’ at the It’s All 2 Much gallery in Stokes Croft.
I was driving home not long ago and spotted Tom at work on one of the arches, so I pulled over, and chatted with him while he was taking a break and eating his lunch. He is genuinely such a nice guy and utterly modest about his work. It is great in Bristol that we have quite a few fine artists who cross over into street art, widening the spectrum of what we are fortunate enough to see.
I am not sure if this piece has a name, but it is characteristically effervescent with ideas and thoughts merging with the human body…where physical meets metaphysical in art form.
Nothing demonstrates this meeting of worlds better than a close up of the character’s ‘head’. Needless to say I am a huge admirer of his work, and look forward to his next piece. It is to his credit and the respect in which he is held, that this piece has remained untagged and in pristine condition for at least a fortnight…a rarity in these parts.
Since I first ‘found’ Leonard Lane about two years ago, I have been back many times to see if there is any new art down there. Sometimes I get lucky, and this was one of those occasions.
This is an unusual piece by an unknown artist (please let me know if you know who painted it), who seems to have used the narrow alleyway to practice some outdoor fine art. The reclining woman is nicely painted, but it is the face that steals it for me – really nicely done.
It seems incongruous placed alongside graffiti and tags, but somehow it enhances the piece somewhat. A bit like a DIY PichiAvo piece. I would love to know more about this unusual piece, but suspect it will remain a bit of a mystery.
A recent piece by Tom Miller in one of his favourite locations, the arches at the Carriageworks in Stokes Croft. This is a much calmer piece that we are used to from this artist whose surreal style challenges and provokes us. Not so much of the frenetic stuff flying about the place, but we do see a merging of body parts, in this case a hand and the head.
It is no secret that I am an admirer of Miller’s work, and have been from the first piece I saw at the same location back in December 2015. This piece plays on ideas, dreams and imaginings…light shining down from an umbrella. All very odd, but interesting to look at. The figure is set against a black background which gives the whole piece a clean appearance.
I am very glad that I photographed it when I did, even with the van parked right up against it (illegally I might add) because a day or two later it had been tagged and defaced. Pity.
Well this is the one really, a very very special piece by Andrew Burns Colwill.
In a modest setting behind the Harbourside shops and restaurants stands a container. Painted on the side of the container is one of the best pieces of free street art in Bristol. It is amazing. I have watched as people shuffle past it without looking and then someone will glance at it and recognise what a magnificent work it is. Certainly one of my favourite pieces in Bristol…ever.
There is an elaborate story unfolding in this picture. In the middle we have two figures sitting at an hourglass table playing a game of chess. One is a modern/future man, the other on the left looks to be ancient Mayan or something like that clutching a scroll. There are remnants of a bridge behind them one side built of wood the other of stone, representing the eras these two characters come from, maybe.
Then if we zoom out a little we see more of their surroundings. Above them, floating in the air lifted by balloons with faces, is an island with a city – what it represents I am not sure, but some similar motifs were portrayed in Colwill’s Upfest piece from last year. To the right, the ruined stone bridge can be seen in its full glory, and a bomb shell is sticking out of the ground. To the left the bridge becomes closer to its environmental beginnings…more organic, and there are flowers in the foreground.
Taking another look to the right we observe evidence of civilisation in the form of a stone city on the hill, married with weapons of destruction.
Further to the right still, soldiers are emerging from a war torn forest – looking like a scene from the Great War.
To the left hand side we can see pyramids through the mist in the distance, so maybe the red-robed character is ancient Egyptian. On this side too, there are more figures, tribesmen wielding spears lurk in the trees.
The whole piece would be a fine addition to any art gallery, but here it is for all to see if only they would look. I believe the picture to be about the struggle between the environment and our close connection to it and the consequences of progress. Now I am no expert and I haven’t had the pleasure of talking to Colwill so my description and conclusion are based on what I see. What do you see? Have you looked?
There are few things more satisfying than wandering aimlessly around streets you have never walked down before and revelling in the architecture, bustle, characters and of course the street art. On one such recent walk I found this beauty. A stunning portrait by James Cochran or aka Jimmy C.
Aka Jimmy C grew up in Australia and studied visual arts at the University of South Australia before moving to London where he lives now. His very distinctive aerosol pointillist style reminds me of the post-impressionists like Van Gogh or Seurat.
There is always something very special that happens when fine art and graffiti fuse. Another example might be Bristol’s Tom Miller. This particular piece was painted back in 2011 but still looks so very fresh. A great work.
It is Easter Sunday today. I wish you a happy day. This is a recent piece by the extremely prolific Tom Miller. It can be found on the south tunnel end wall of the Bearpit, which is the exact site of another of his recent works featured here.
His ‘imaginite’ concept is in full flow here, combining hard reality with soft imagination. I find his works counselling, and am always excited when I discover a new piece such as this one.
Probably more accustomed to a gallery wall, it looks like Miller really enjoys creating his street pieces.