Kid Crayon, Greville Smyth Park, Upfest 24, Bristol, May 2024
This combination character and graffiti writing piece by Bristol’s Kid Crayon was something of a rarity at Upfest this year. It seems fitting that Kid Crayon was selected to paint this wall, because for me, he kind of represents the ‘Bristol school’ of street art, and although the styles of Bristol are enormously varied, somehow KC encapsulates them in his art.
Kid Crayon, Greville Smyth Park, Upfest 24, Bristol, May 2024
The piece is a tribute to Jack Black, who KC obviously admires, and he openly states “This is not the greatest Montana burner in the world, no, this is just a tribute!”. This statement shows Kid Crayon’s modesty, because this is an accomplished piece, perfectly presented for an Upfest audience. It would have been nice to see a bit more graffiti writing at this year’s festival – maybe next time. More of Kid Crayon’s work in this gallery.
Angie Jerez, North Street, Upfest 24, Bristol, May 2024
With the sheer number and quality of large murals at this year’s Upfest, it was easy to become complacent, and I nearly missed this wonderful piece, by Angie Jerez, above Kask, which when you stroll on the ‘wrong’ side of the road in North Street, is quite easy to do, which I why I always walk up one side and back the other side.
Angie Jerez, North Street, Upfest 24, Bristol, May 2024
This mural, featuring two birds and plant seed heads, way above the clouds has been beautifully designed around the stacked windows above the wine bar. The limited number of colours draws attention to the fine detail of the design itself, and the stylised birds are glorious. I don’t know anything about Angie Jerez other than what appears in her Upfest Biography, and that she is originally from Bogotá in Colombia, but now lives in Atlanta. What a brilliant thing that she came to Bristol to paint at Upfest.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
I think that it is fair to say that at Upfest 2024 we have seen the painting of more large scale ‘marquee’ murals than ever before, some replacing previous artwork and others appearing on new walls. The team at Upfest have done a remarkable job on negotiating with property owners, and presumably the council too, to free up so many new and wonderful spaces.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
This outstanding portrait piece is by Lionel David and was painted on a new wall, a little walk away from the main centre of Upfest activity, and as a result may not have been seen by as many visitors as some of the other pieces on the main drag. Lionel David has not only painted a beauty, but he has been clever too by incorporating the wall that runs alongside the house, and as a result the piece needs to be viewed from a particular spot in the adjacent plot, which the artist has marked out on the ground. Not only did he paint the low wall, but on the main wall he has painted the girl’s body and arm in full, so there is some repetition.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
There is no doubting Lionel David’s incredible skills, and it is clear to see that he has been schooled in art. Lionel David has a great website, but it is in German, so I have used Google Translate to give you his biography, as follows:
Lionel David is a visual artist from Switzerland who discovered his love for painting in 2017. He specializes in spray can murals.
Studying fine arts at the Lucerne University of Applied Sciences from 2019 to 2022 broadened Lionel David’s horizons and emphasized the importance of context in his work. His style combines photorealism with graphic elements and is often inspired by nature.
The artist is currently concentrating on portrait painting and experimenting with compositions to further explore artistic boundaries. With dedication and innovation, he succeeds in inspiring people with his lively and gentle works.
Further to this incredible portrait piece, which he finished earlier than expected, Lionel David had time to paint an ‘extra’ in Dean Lane, which although unfinished looked amazing. Dibz and Fade were in the process of contacting the artist to see if he would mind if they ‘augmented’ the portrait piece, but before they could send their message, another artist had started painting over it, so this ‘extra’ lasted less than 24 hours.
Lionel David, Dean Lane , Upfest 24, Bristol, May 2024Lionel David, Dean Lane , Upfest 24, Bristol, May 2024Lionel David, Dean Lane , Upfest 24, Bristol, May 2024
3rdeye, Raleigh Road, Upfest 24, Bristol, May 2024
A little bit out of the way, but well worth the extra walk is this wonderful piece by 3rdeye, a Bristol artist whose work crops up from time to time around the city. The fact that this is a new wall for Upfest 2024, gives us an element of certainty that it will remain intact for some while, unlike some of his street pieces that exist for all too short a time.
3rdeye, Raleigh Road, Upfest 24, Bristol, May 2024
This is a beautifully clean and well designed piece featuring one of his monster characters, set in a woodland landscape (a tree and a toadstool) with a blazing sun beating down (if only). There are lots of eyes (I guess the artist’s name betrays his obsession with eyes) surrounding the character, and a couple of abstract triangle things, of which the one on the left looks a little bit like a traffic sign, which once seen in that way can’t be unseen (sorry). This is a lovely piece, typical of 3rdeye’s quirky ideas.
Audrey Kawasaki, Raleigh Road, Upfest 24, Bristol, May 2024
Upfest really is an extraordinary opportunity to see street art form all corners of the globe, and with it a huge variety of cultural styles, to add to the broad ‘school of Bristol’ street art and graffiti. This is a wonderful piece from Audrey Kawasaki, a Japanese-American artist who lives and works in Los Angeles.
Audrey Kawasaki, Raleigh Road, Upfest 24, Bristol, May 2024
There is a strong mix of eastern and western cultures coming together in this beautiful piece, where the tiger represents the east and the girl the west, perhaps. Audrey Kawasaki (who has a fabulous website) appears to use this styling in a lot of her work and also I detect some Art Nouveau influences in her work that makes it super-interesting.
Audrey Kawasaki, Raleigh Road, Upfest 24, Bristol, May 2024
Audrey Kawasaki’s composition in this mural is outstanding with the two central characters surrounded by crows and feathers and framed in a red ‘cloudy’ border. There is definitely a story in this piece, and it compels the viewer to want more. Clever and beautiful work from the visitor this year’s Upfest.
Anna Higgie, North Street, Upfest 24, Bristol, May 2024
There are some pieces that don’t require lengthy explanations or commentary because their beauty speaks for themselves and this gorgeous mural by Anna Higgie painted for Upfest 2024 is one of those.
Anna Higgie, North Street, Upfest 24, Bristol, May 2024
Anna Higgie is an illustrator, originally from Australia, but now based in Bristol and who works out of a studio in Stokes Croft. I have posted a couple of her pieces on Natural Adventures before, but I think her street work is occasional and that she focuses on her illustrations. This bright and striking floral piece is so good, and if I am honest, deserves a rather nicer wall than this one, but perhaps the beauty of the piece is enhanced by the slightly grubby surroundings. This piece could hang happily in a gallery or home (with a wall big enough)… for example my home! As ever at Upfest it is always gratifying to see a good mix of local, national and international artists represented.
Karl Read, West Street, Upfest 24, Bristol, May 2024
Karl Read is something of a regular at Upfest, which is a great thing, and with each passing festival his work gets better and better. Painted over a stunning piece by Irony (one of my favourite of all time) cannot have been easy, but what Karl Read has replaced it with is worthy of this spot.
Karl Read, West Street, Upfest 24, Bristol, May 2024
Karl Read uses large stencils for his work, and certainly in the past I have seen him struggle in windy conditions, but he has absolutely nailed his technique in this piece. The contrast between the black and white figures and the colourful peace sign made out of ‘Lego’ building blocks is a clever mechanism to bring focus to different parts of the work. The message is a poignant one in a troubled landscape of conflicts in Gaza and Ukraine. This is a stunning stencil from a great artist.
Irony, West Street, Bristol, October 2021, Upfest 21
Goin is a brilliant stencil artist, who has visited Bristol a number of times, usually in association with Upfest. I met him one time when he was doing a little ‘extra’ piece on a non-legal wall, and he was reluctant to give anything away. I knew who he was because I recognised his style, but didn’t let on. This is a wonderful piece painted on the side of the Spotted Cow pub in North Street.
Goin, Spotted Cow, Upfest 24, Bristol, May 2024
There is a simplicity to Goin’s work that makes it more meaningful in a way than some of the extraordinary multi-layered stencil pieces crafted by master technicians. The skill here is in telling a story, and the title of the piece ‘stop bullying’ provides enough to see what is going on. A young forlorn schoolgirl with a bag slung over her shoulder, all in greyscale, is equipped with a large red boxing glove, perhaps to protect herself. There is so much to take away from this piece and the imagery sticks in the mind. One of Upfest most consistent visiting artists.
Rainbo, Hen and Chicken, Bristol, Upfest 24, May 2024
This vertical rectangular wall outside the Hen and Chicken has played host to a number of wonderful Upfest murals over the years, and this one by Rainbo is yet another super example. The piece I believe is called ‘Etherial Cloud Drakes’ and is a rather cheerful looking dragon painted because 2024 is the Chinese Year of the Dragon.
Rainbo, Hen and Chicken, Bristol, Upfest 24, May 2024
Rainbo comes from Hong Kong, and her artistic style reflects her heritage to some extent. To understand what I mean, you can look at more of her work from this gallery on her website. Interestingly her use of the word ‘drake’ in the title of the piece is actually a European name given to a particular type of dragon in legend and heraldry (had to look it up). Overall this piece is nicely thought out to fit the space and beautifully executed with some sumptuous colours and fine detail.
Jacqui Butterworth, North Street Standard, Bristol, Upfest 24, May 2024
This is a particularly popular wall, although sometimes a little tricky to photograph. It is outside the North Street Standard and for this year’s Upfest has been stunningly painted by Jacqui Butterworth. After admiring the photorealism of the piece, the first question or thought has to be that there is a rather special story going on here, with plenty of symbolism. Interpretation is another matter though.
Jacqui Butterworth, North Street Standard, Bristol, Upfest 24, May 2024
The mural starts with some steps leading up to a grand piano upon which a black and a white swan have made themselves at home. Two cygnets are in attendance and the one beneath the piano is lying down with some roses scattered on the floor.
Jacqui Butterworth, North Street Standard, Bristol, Upfest 24, May 2024
The ‘harp’ inside the piano is reflected on the shiny underside of the piano lid, although I note that the black swan isn’t, implying that it is a figment of the viewer’s imagination. There are so many details to enjoy, such as the toppled wine glass above the keyboard, the shiny glint on the lid prop and the patterns on the castors. This is a beauty indeed, and conjures up the music of Tchaikovsky’s Swan Lake. Bravo Jacqui!
Natural adventures 