This is a curious collaboration from painting pals CD.TC and Daz Cat. I don’t know why, but the whole thing doesn’t quite work for me. I love the work of both of these artists, so it is surprising to me when I see something that looks a little bit clunky.
The piece on the left is by CD.TC in which he combines his letters, in full caps, with one of his trademark monster faces breaking the letters up in thee middle. The monster is nicely done and the letter details and decorations well thought out.
To the right is the Daz Cat contribution, and I think that this is where I have a bit of an issue. I don’t like the letters in the mouth, and I’m not too sure the paw clutching an arrow adds much to the piece. Also, the way that the two pieces join I feel is a bit average really. I can only put this down to Daz Cat having a bit of a bad hair day when he painted this, because it bucks the trend of some truly outstanding pieces he has painted recently.
It is a very good thing indeed that Flava136 has decided to visit Bristol several times recently, and long may it last – perhaps he should move here, that would be nice. His work is some of the cleanest you could hope to see, and by that I mean that everything, from the Emulsion backdrop to all the elements in his work are left with clean lines. There are no border lines tidying up little blemishes. Everything is perfectly painted, and this takes a lot of skill and patience.
The customary monster, with big teeth, is joined by a green smiley and decorated with all sorts of shapes, lines and colour schemes. The truth being tyold, I don’t think I can get enough of his pieces, each one being turned out immaculately. I don’t think I have seen a scrappy piece from the artist, ever. Superb piece, and more to come.
As a long-time admirer of Flava136’s work, it was a real treat to meet the artist for the first time during a paint jam on the long wall at Cumberland Basin. As is so often the case when meeting these folk, he was an awful lot younger than I had expected, but isn’t that what old people say about everyone?
Watching Flava136 bring this piece together was an education, and his skill and technique shone through in his ability to keep such clean lines throughout. The design and colour selections of this one are quite exceptional, and I think this might be my favourite of his yet.
Featuring a kind of mash-up of a monster and some abstract artwork, Flava136’s work is always instantly recognisable and definitely a crowd-pleaser. Although he doesn’t live in Bristol, he manages to visit reasonably regularly which can only be a good thing. Excellent piece.
It is always great to see pieces in Bristol by DFC1848, whose work over the last three years has just gone from strength to strength. His cartoon character pieces have developed from two rather basic forms into a wide portfolio of different animals and monsters, all with a element of goodness about them.
This is a particularly creative monster on one of the concrete walls of the Purdown Battery. DFC1848 tends to do solid fills in hie pieces, but the incorporation of details is adding sophistication. I am really enjoying the progress of this artist whose footsteps I’d like to follow.
It would seem that with a little encouragement from Daz Cat, CD.TC has managed to get out and paint a little in the last few weeks, which is great to see, and here the two combine in this rather nice collaboration in the middle of the tunnel.
On the left CD.TC’s monster character is spraying upwards to creat the letters CD.TC and on the right a Daz Cat is dipping a piece of pizza into a can of something with GYS on the side. The cat has two left arms, don’t ask me why. I don’t know what GYS stands for in this piece, but a quick Google search revealed it can mean ‘Get your stuff’ or ‘get you some’ or ‘graveyard shift’. You can decide for yourself what you think it might mean in this context. A nice low-key collaboration.
One of the particularly nice things about this column piece from CD.TC is that I was able to watch the artist at work, meeting him for the first time in the process. Although, by his own admission, he is not the most productive of Bristol’s artists, his pieces are memorable and tend to have quite a long lifespan which might be attributed to the spots he chooses to paint.
This double monster face piece works perfectly on the column and shows off the artists talents to perfection. His work is usually neat and tidy and in some way quite compelling to look at. He has done himself a lot of favours by prepping the wall nicely before commencing with this piece.
CD.TC painted this alongside Daz Cat, a painting pal, whose piece I posted a week or two back. In terms of style (rather than content) I would liken CD.TC’s work to Conrico’s in that both have a bit of a paintbrush style to their work. That might not be very clear, but I think I know what I mean. Expect this one to be around for a while.
I can’t be a hundred percent certain whether this was a collaboration or simply two pieces that had been painted adjacent to one another, but the black background leads me to believe it is the former.
On the left is another wonderful piece from Flava136 painted on a recent visit to Bristol from his native Cheltenham/Stroud kind of area. It is an absolute scorcher with a lot of complex things going on in the fills and shadings of the goofy monster. Lovely precise work.
To the right of the curved wall is a rather nice chrome set of letters spelling out VEK with a fine blue and green border, reflecting the colours of the 2DAE piece at the top of the wall, which I don’t think is a part of the collaboration, although I wouldn’t swear to it. Veks is having a bit of a busy time at the moment. I wonder how much all of these artists will be getting out once we resume a more ‘normal’ pre-Covid situation.
It looks like Flava136 may have spent a few days in Bristol a week or two back and during that visit he left us two very nice pieces indeed, this being the first one. Flava136 has worked hard on perfecting his monster style and his execution seems to improve with each new piece I see.
Although this piece didn’t last too long, it certainly made a lasting impression. When I took this picture, Varo was painting next to it. He offered to move his trolley, but I said that trolleys were all part of the picture and he needn’t bother. It almost looks like Flava136’s monster is about to devour the trolley. I love the way that Flava136’s work is becoming this mash-up of abstract and character art. Great colours too. This is a lovely fresh piece.
I am going to be honest with you. My excitement at finding this collaboration piece by Nugmoose and Mudra was a little offset by the rather creepy and unsettling nature of the images. Nugmoose likes to experiment with alien forms and Mudra’s work is always pushing creative boundaries. The result in this case is decidedly odd, and the location slightly dingy.
Having said all that is it great that these two, and Slakarts too, have hit upon a friendship that is highly productive just at the moment. In this piece, Nugmoose’s figure is being drawn towards a hand clutching some flowers. The monster appears to have lost its eyes and is navigating its way forward using the sense of smell. Is that what is going on here? A weird piece, but a nice one to have found.
The same place, the same artist, the same year (2017) as my last post, but a different character piece. Many readers will be familiar with Nevergiveup’s rabbits, but fewer might remember that he went through a phase of painting monsters. It is funny how he abandoned these in favour of the bunnies.
This one in The Bearpit (RIP) is beautifully sprayed in chrome on a red background… a rather gentle looking monster, not very menacing. These framed boards in The Bearpit were a perfect place for artists to showcase their work. Unfortunately taggers and some antisocial behaviour ultimately led to the removal of these boards and application of anti-graffiti paint. I haven’t been to The Bearpit for about two years, but nobody can take away my memories.