It looks like Flava136 may have spent a few days in Bristol a week or two back and during that visit he left us two very nice pieces indeed, this being the first one. Flava136 has worked hard on perfecting his monster style and his execution seems to improve with each new piece I see.
Although this piece didn’t last too long, it certainly made a lasting impression. When I took this picture, Varo was painting next to it. He offered to move his trolley, but I said that trolleys were all part of the picture and he needn’t bother. It almost looks like Flava136’s monster is about to devour the trolley. I love the way that Flava136’s work is becoming this mash-up of abstract and character art. Great colours too. This is a lovely fresh piece.
I am going to be honest with you. My excitement at finding this collaboration piece by Nugmoose and Mudra was a little offset by the rather creepy and unsettling nature of the images. Nugmoose likes to experiment with alien forms and Mudra’s work is always pushing creative boundaries. The result in this case is decidedly odd, and the location slightly dingy.
Having said all that is it great that these two, and Slakarts too, have hit upon a friendship that is highly productive just at the moment. In this piece, Nugmoose’s figure is being drawn towards a hand clutching some flowers. The monster appears to have lost its eyes and is navigating its way forward using the sense of smell. Is that what is going on here? A weird piece, but a nice one to have found.
The same place, the same artist, the same year (2017) as my last post, but a different character piece. Many readers will be familiar with Nevergiveup’s rabbits, but fewer might remember that he went through a phase of painting monsters. It is funny how he abandoned these in favour of the bunnies.
This one in The Bearpit (RIP) is beautifully sprayed in chrome on a red background… a rather gentle looking monster, not very menacing. These framed boards in The Bearpit were a perfect place for artists to showcase their work. Unfortunately taggers and some antisocial behaviour ultimately led to the removal of these boards and application of anti-graffiti paint. I haven’t been to The Bearpit for about two years, but nobody can take away my memories.
On a recent trip to St Werburghs tunnel it was so very nice to be greeted by this monster face piece from CD.TC. There has definitely been an uptick in the frequency with which CD.TC has been hitting the walls this year, unless I have been missing something in the past.
This was painted at the same time as a Daz Cat piece a few yards away and the two will often be found painting together. I haven’t yet had the pleasure of meeting either of them, but they are out so often, it is only a matter of time.
This particular piece by CD.TC is rather more elaborate than usual, and I am guessing he took a little more time over it. The addition of horns creates an even more terrifying character. There is sure an influence of tribal masks in his pieces. Nice work.
It was during a recent impromptu paint jam along the M32 cycle path that I was lucky enough to meet Zake for the first time. I had seen him paint once before, but not stopped for a chat. Luckily I arrived just as everyone was finishing off, so I had the double delight of not only meeting so many artists, but also taking photographs of the pieces in their freshest possible state.
This is a rather likeable monster figure with long arms extending from a stumpy body. I like the direction his work is taking and it has come a long way from his earlier column pieces at the M32 spot. I like to look at details in pieces and here he has added a little window to the right of the piece, and the light cast has given a little bright highlight on the monster’s back. These little things matter. Lovely piece.
I had to go back into my archives to dig this little beauty out by Daz Cat and CD.TC that had managed to get left behind. Daz Cat in particular appears to be going through a bit of a purple patch at the moment, but both artists are getting out and about.
On the left of the collaborative piece is a Daz Cat cat in browns and greens with a red surround on a white buffed wall – colours that extend across the whole piece that makes it one of those colour/style sharing collaborations. The cat is holding one half of a sign which reads ‘More peace, fuck police’, and it was painted in the wake of the Black Lives Matter movement gaining pace during the summer after the George Floyd killing.
On the right is a wonderful and slightly grotesque character from CD.TC. I love the hand clutching a pencil, it has something really cool about it. These two artists would appear to be firm friends, along with Kool Hand, and their collaborations are a prominent feature on the Bristol street art scene.
Sometimes artists tend to come into view with increasing frequency. Now I don’t know whether that is because I am noticing them more but that they have always been there or whether they are actually painting walls more often. Whatever the reason, I am definitely seeing work from CD.TC these days and that is a good thing.
This column piece at the M32 Spot is very nicely done and it has to be said that his portrait orientation style suits columns very well, a bit like Zake. The monster face contains many of the elements that we see in CD.TC’s work including great big teeth and swirly eyes. The monster appears to be consuming city buildings and smoking a cigarette. So much going on in this fun piece.
Cheltenham is home to a small number of artists, but thanks in large part to Dice67 and his Cheltenham Paint Festival, it is firmly on the street art map of the UK. One of those local artists (although he might be from Gloucester, I can never quite remember) is Flava136 whose piece for this year’s festival was simply beautiful.
It is just such a pity that we don’t see more of his work in Bristol. His monster character is becoming more and more stylised and the design elements becoming more prominent. This piece is so clean and tidy and is a great showcase of his fine work. Flava136 is an artist I’ve yet to meet, but I’m sure it will happen soon enough.
We don’t get to see early enough work from Flava136 in Bristol although the artist tends to keep himself pretty busy in Cheltenham where he lives, so when you come across a piece it is always a nice surprise.
Flava136 always creates these pieces which are incredibly clean, and by that I mean the lines are sharp and the fills nice and solid. In style I would say there is some similarity with Nevergiveup’s rabbits. I love these toothy monsters and think that Flava136 is a classy artist.
I was familiar with the M32 Spot some time before I started photographing street art, because I used to drop my then 12 year old son off for wet-weather skateboarding. The M32 Spot DIY skatepark was pretty much the only (free) skate park option when it rained, and for a skating obsessed boy this was the destination of choice. That boy turns 18 next weekend. Where did that time go?
This lovely piece by Feek, like so many pieces by the artist, really chimes with the skating community. The painting features a monster contributing to the DIY building of the skate park. My favourite bit… his signature in the teeth.