I am really taken with this piece and could look at it all day, there is something I find most engaging about it…perhaps it sings to the biologist in me. The artist Decimart is from Jerez de la Frontera in Spain and appears to travel around for his work.
I am most pleased that I managed to get pictures of the piece at different stages of its development, but am sorry that I missed out on meeting the artist himself. This was a particularly tricky spot to work in, especially on the Saturday, because of the high winds that funneled through this space. In fact some of the boards, including this one, had to be secured more firmly in place or they would have blown away.
In spite of the wind and rain, Decimart has managed to produce one of my favourite pieces of the festival. I would dearly love to see him make a return in the future.
So here he is again, popping up in Dean Lane, the man with the best graff name ever, Stupid Stupid Meathole. Here he presents us with yet another grotesque image all pink and fleshy with eyes and teeth.
I don’t think that his subjects could be described as monsters, rather they resemble human body parts that have been placed in a blender and scrambled for a moment or two before being slapped onto a wall. A very different and creative idea going on here. All good fun.
Octofly Art is the creation of an Italian artist called Sylvia who likes to paint monsters and creatures, and let’s face it, who doesn’t love a cuddly monster? Reading the profile of the artist in the Upfest programme, it would seem that she has only recently started using spray cans for her street pieces when previously she used to use brushes.
There is a definite style here with strong clean lines and solid fills, and it is really interesting to see from the ‘in progress’ picture how she is building up the layers before adding in the outline and details.
I notice that she was painting next to Stelle Confuse (Stelleconfuse) another Italian artist whose Upfest 2018 piece I have already posted on Natural Adventures.
Tea or Spray? – not entirely sure I know what she means, but surely there is only one answer to that question at Upfest.
I can’t think for the life of me why it has taken me so long to post this piece. Not only is it a really great piece, it is also signed by the artist so no excuses. It is by 3rdeye, a Bristol based artist whose Upfest 2018 piece I recently posted.
This is a different take on his monsters than I am used to, being quite structured and symmetrical, where normally they are quite organic. I think the symmetry works perfectly on this set of doors. A lovely old one (January 2016) sees the light of day.
This was not the main piece by Si2 (Hull Graffiti) at Upfest this year, but a lovely gift to leave behind. Si2’s wheelie bins can be found all over the place, generally wherever the artist has been. To get a utility box thrown in for good measure is an extra treat.
Si2 has a great knack for creating deep shadows on his monster faces that give them a texture and almost 3D feel to them. The strong prime colours might also help them to stand out. You would have a heart of stone not to raise at least a small smirk on seeing these creations.
I was not 100 percent convinced my his official piece this yer, but will need to take anothert look before writing a post about it. These are however, delightful.
Another fabulous new wall for Upfest 2018 – they have done very well this year with opening up these new walls – by Bristol artist 3rdeye. This is an impressive wall but may not have had the foot-fall of other Upfest venues as it was a little off the beaten track.
3rdeye is an artist who cut his teeth on the streets as a graffiti artist in the eighties, but has since developed this further into studio work of paintings and illustrations as well as offering workshops. His rather nice website shows the full range of his work and activities.
This wall plays host to a hoard of friendly monsters set on a vibrant orange background. It is a colourful and child-like piece, and all the better for it, and I am particularly drawn to the little monster launching itself off a column which is actually a real feature of the wall of the house.
This piece amply demonstrates that street art does not have to be edgy or threatening to be great and that bright child-like ideas have great appeal. Great piece, great wall.
The first thing that grabs your attention about this work is probably the bright pink colour, characteristic of the artist Stupid Stupid Meathole. Next is the faintly grotesque character/monster of the piece, but equally memorable is the fantastic name that the artist has chosen. Always distinct and always eye-catching.
I haven’t posted too much of Stupid Stupid Meathole’s work, because it only appears on the streets occasionally. If I see it I will always snap it and post it because I am rather strangely drawn to it. SSM never disappoints, but may shock a little and might not be to everyone’s taste. I however am a bit of a fan as it is always great to see something a bit different…a bit imaginative.