Wretched Warleggan
not a decent bone in his
body; a scoundrel.
by Scooj
– apologies for all the Cornwall haikus at the moment. Still under the influence of holiday.
388. Upfest 2016 (32)
This artist has appeared regularly on this blog and requires no introduction. Aspire’s birds are in inspiration and a tonic for those who live in the city of Bristol. He is a prolific artist who brightens up the some of the darker places for example; The Bearpit and walls and hoardings in the Stokes Croft area.
This is not the first Blue Jay that I have seen by Aspire, and I hope he will continue to do more. This one is special though, in that it was produced for Upfest and will remain intact for at least a year as it is within the playground of Ashton Gate School, in the company of some other great street art.
Alas! I didn’t make it to this site on the Saturday, and missed the opportunity of seeing Aspire at work and of meeting him. Note to self…make better use of the Saturday at Upfest 2017.
“You are beautiful when you are who you are”
Wheal Coates
For generations
children have dropped stones down the
shaft; a distant ‘plop’.
by Scooj
Shoreditch
Strolling through Shoreditch
shutter working overtime
utterly vibrant.
by Scooj
387. Upfest 2016 (31)
I used to play five-a-side football with someone called Karl Read, but it wasn’t this Karl Read. This one is a stencil artist from the South Coast and created this amazing portrait in one of the key locations for Upfest. Last year, the wall was home to Robers Wass’ beautiful fox.
There is something about the tones and lines that reminds me a lot of Copyright’s work, of which there is quite a lot in the area, and at first I thought it might be one of his, but then I looked closer.
Once again, one of the real pleasures of being at the festival was to be able to see the artists at work. In this instance, Karl was working with some really large pieces of card that were not entirely cooperating.
The more observant viewer, and one that gets to this final sentence, might spot a reflection of the author of this post (that’s me) in the glass door in the feature image. Vanity publishing!
First day
Dawning of a new
era; so beautiful in
her school uniform.
by Scooj
386. Upfest 2016 (30)
This is one of the most incredible stencils I saw at Upfest this year. It is by p0g0, a French artist now living in Southampton. I watched him putting the final touches to this work, but would have loved to seen the early layering of the stencil.
The skill of the artist has turned the relatively mundane subject matter into something really special. The piece is called ‘Dirty Converse’.
It is no surprise to learn from his short bio in the Upfest programme that P0g0 was a finalist in the Stencil Art Prize 2015, and winner of the 2015 Stencil Art Awards in Bristol.
Lobster pots
Newquay harbour wall
where untidy heaps of pots
are left out to dry.
by Scooj
385. Upfest 2016 (29)
On the Saturday of Upfest 2016 I was not sure who the artist was on this wall. He was high up on a scaffold tower, and seemed only to have started his piece.
The wall in Greville Road is one of the least photogenic ‘art walls’ in Bristol. It is high up and surrounded by bright skies with the sun during the day behind the wall and so the face is usually in shade. The previous occupant was a hand by Jody.
Even on the Sunday and the Monday the wall was only half done, so I was still in the dark about the artist. I returned a few days after the Festival and the full picture was revealed…a most fantastic work by Cosmo Sarson.
His ‘Breakdancing Jesus’ remains one of the most celebrated pieces in Bristol, and this is equal to it. The colours of this work are wonderful as the figure floats under the multicoloured surface and his half-naked body is reflected in swirls. This really is one of the highlights of the festival and so worth waiting for.
384. Upfest 2016 (28)
After seeing all of his wonderful wheatpastes in Stokes Croft whilst ‘on tour’ in the UK, it was a real treat to find this fabulous Tian work at Upfest this year. This time his work was not a paste up, but nevertheless unmistakably a Tian piece.
I love his work, and in this piece there is a continuation of his use of sepia tones for the main subject. The whole work shows how accomplished Tian is using different techniques and materials. I am not too sure who is in the picture, but I guess she is famous.
I was rather hoping that while Tian was in Bristol, he might do another series of wheatpastes, but so far I haven’t found anything. I very much look forward to his next visit.
Natural adventures 