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Tiniest fledglings
no tail feathers to speak of
ground-hugging test flights.
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by Scooj
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Tiniest fledglings
no tail feathers to speak of
ground-hugging test flights.
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by Scooj
One of Bristol’s biggest losses (in street art terms) in recent years was the departure of Aspire, who took up residence in the old smoke, making the opposite decision to the one I made many years ago. I definitely know where I’d rather live, and it is not in London. On the upside, Aspire does come to visit Bristol from time to time, and he always seems to dazzle us during Upfest.

Aspire specialises in creating the most beautiful pictures of birds and in this Upfest piece he has perfectly captured my favourite British bird, the Goldfinch. His work is never complete without his trademark pixelation, and it is interesting to see from this work in progress, that he adds the pixels at the end of the painting process.

I love this piece, it feels very uncluttered, and the neutral skyline background serves to lift the goldfinch out from the boards. If you are interested in seeing more of Aspire’s work, I recommend you take a little look at a gallery I compiled in 2018, and updated today.
I leave you with three Haiku poems I wrote about goldfinches:
Charm
Goldfinches return
colours exaggerated
in bright winter sun
Lucky Charm
One…two…five…seven…
nine goldfinches together
in our silver birch.
Haiku 7
Vibrant tricolor
and flanking golden flashes
majestic goldfinch
This is an extraordinary piece from TEAone for Upfest 2022, and one of my firm favourites this year. From a distance, the piece has a photorealistic quality, looking like an old photograph from a scrapbook or something like that. The effect is quite amazing.

TEAone manages to create an incredible atmosphere in this scene with what looks like a continental street. It is set in a warm climate, with the air conditioning units and washing hanging out to dry, and the archway and shopfront and awning have all the hallmarks of a European country, and the word Cucina suggests it would be Italy. I absolutely love this piece… it fills my nostrils with the smells of abroad and a longing to be where this is. I can lose myself in this piece and forget that I am standing in the middle of Bedminster. Bravo TEAone.
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Across the decking
like a bullet, a fledgling
It’s maiden voyage
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by Scooj
I have met Goin only once and it was at an Upfest a few years ago. He had just finished a stencil piece in a spot that was not a recognised Upfest wall (let’s call it) and was looking rather sheepish. I tried to strike up a conversation with him, but he wished to keep his anonymity intact and was backwards in coming forwards (and who can blame him). Things have moved on since then, and Goin has created this magnificent wall for Upfest 2022.

I had to have a couple of goes at photographing this piece, because there were shadows running across the wall in my first attempts. This was one of the first walls to be completed at this year’s Upfest, and is a real statement piece. Big, bold and simple the girl in greyscale is wearing a beret, but the only revolution here is for love. The only colour is a red badge on her beret and the heart cushion she is clasping to her chest. The piece feels important and significant and is a strong message in these uncertain and troubling times.
I don’t see enough of Inca the Mole’s work, not because he isn’t painting, but more because I don’t seem to be very good at finding his spots. I couldn’t miss this one in St Werburghs tunnel though on my last visit there.

This piece of graffiti writing from The Mole is absolutely fabulous. The letters are really crisp and sharp along with a thin white border. The letters spelling out Inca are filled with four colours transitioning horizontally really nicely. To cap off the piece, and the bit that stands out are the little peace signs floating through the middle. Some good drips too. All in all a well executed piece from LRS artist The Mole.
Back to Leonard Lane, and this special Queen’s platinum Jubilee celebration piece by John D’oh. This is another fantastically presented piece from John D’oh, who has been producing some really outstanding work lately, really stepping up a level.

This one is an irreverent glance at the Queen, with specific reference to her second son’s indiscretions and rather odd alibi, for his involvement in a sex scandal, that he had taken his daughter to a Pizza Express in Woking on the day in question. It is nice to have these little reminders of British history so perfectly illustrated through John D’oh’s stencils. I have noticed that he has stencilled this one in another of his favourite spots, and need to get over there to photograph it.

I thought I’d include a little extra piece from John D’oh, which I think is from some time ago, but is right next to the Jubilee pizza piece. Gotta love this one!
A little bit of a milestone today for Natural Adventures – this is the 500th post from Dean Lane skate park, and we mark it with a small and slightly weird piece from Sprat. Any fish-based street art will always get my seal of approval, and there is something about the bonkersness of this piece that really tickles me.

This is only the second piece I have posted by Sprat, but I am certain that there will be many more to come. The fish has legs and is running. It is quite a straightforward piece, contained within a black border. I think the impact of the piece that it is an unusual image, out of the ordinary, and therefore eye-catching. The location on a raised section of wall also adds to the quirkiness of it. I’ll be on the lookout for more from Sprat.
This is brilliant from Pelmo. A compound piece telling a wonderful story, but you have to keep your eyes open. I, and many others, missed the point of this piece, simply by breaking the first rule of looking at street art… Always, always look up! I thought the character in the feature image was the whole piece, a climber at the bottom of a rope – it was new, it was different, and it was by Pelmo, which was more than enough for me. However, I hadn’t looked up.

The whole piece has another climber at the top of the rope, hanging down from the top of the tunnel entrance. How on earth did I miss this? I only found out when Pelmo responded to a post on Instagram from another photographer who had also missed the top climber. D’oh!

When I spoke to Pelmo at Upfest he suggested that he might be trying a few more of these ‘compound’ pieces in the future, which would be wonderful if happens. Expect to see some more orange and red pieces coming from Pelmo, as he seems to be favouring these colours at the moment.

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Alex Hamilton
in the room where it happens
Aaron Burr left out
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by Scooj