She’s not been painting for all that long, but already Desi has established herself on the Bristol scene, and her short ‘desi’ pieces are appearing at all the popular spots in the city. Desi’s USP is to keep her letter designs broadly similar, with the rather special little heart over the ‘i’, but to fill the letters with experimental combinations of colours and fill styles, often blending in all sorts of curious ways.
The colour selection for this piece; black, pink, purple, white helps the letters to stand out from the wall without the need to buff the wall first. I am looking forward to watching on as Desi develops and improves, as I think there is headroom to work with here.
I never seem to find nearly as many Conrico pieces as I know are out there, he hides them away from the usual spots. This one however is in a place I visit regularly and is a cheerful and fun piece of writing.
There is a lightness and joy about Conrico’s work, and an illustrative rather than hard-core graffiti style. The colour combinations in this piece are ones he has used before and he seems to be comfortable painting with them. I am always on the look out for his work and it is great when I chance upon a new piece.
I met Logoe for the first time a couple of weeks ago at this spot while he was painting a collaboration with Silent Hobo, one of his old mates. Their collaboration, I don’t think even lasted a day, and I only have one WIP photograph of it, such is the ephemeral nature of street art in popular spots. Logoe comes across as a lovely bloke and was more than happy to talk about his work and his trips to Bristol.
Unlike his collaboration piece, this one has lasted well and I believe is still there, or at least it was last time I visited this spot. The delicate colours work really well on this script LOGOE entering. With many of his pieces Logoe likes to add a little quote or phrase and here he gives us:
“They say (she) dodged a bullet… but it put her in the ground”
This sounds like a lyric, but I am not too sure what from. Anyhow, it works well with this lovely piece. Logoe also told me that he had missed out a word. I am guessing it was the word ‘she’ that I inserted in brackets.
Never too far from my mind are the exploits of Soap and Face 1st, hardly surprising really considering that I see their work on such a regular basis. I must admit though that I was a little surprised to find this collaboration recently, because this isn’t a wall I would normally associate with the pair.
I would start by saying I don’t think that this is one of their best collaborative efforts, but I think that is mainly down to the colour selections which are a bit muted, they don’t really shout out from the wall. On the left are the letters SOAP from Soap with some nice little details like the sun and the little face in the O. There is a quality and an assuredness about Soap’s work that makes it quite easy on the eye.
To the right is a classic face from Face 1st. He certainly seems to be enjoying his ‘splats’ at the moment, and the girl’s face has a blue mess about her mouth. Surrounding the face are the letters FACE. It looks like the PWA boys had some fun painting this one.
I met Mest for the first time the day before the Euro 20 final while he was painting an England variant of his letters (to come). We stopped for a long chat, and as with so many graffiti/street artists, he was a lovely bloke, happy to answer my rather inane questions and observations.
This piece under the M32 is a nice example of his work using three fill colours in his letters with some additional swirly decorations, but it is the red circles which have been incorporated into his letters that stand out for me. It won’t be too long before I have enough of his pieces to do a gallery.
Eman is an artist who has been knocking it out of the park recently, and this piece in the little underpass underneath the M32 is a bright, cheerful and exceptional writing/character combination from the artist.
The character part is one that he has been working on recently and has a strong impact thanks to the clean design and great use of colours. The shadows underneath the eyebrows is a really nice touch too.
The writing spells out EMAN and is presented in bright uplifting colours, perfect for this gloomy spot. The cracked letters are filled with various shades of blue in a random pattern, but it is the orange 3D shadow and green decoration dots that add som inch to the overall outcome. A very nice piece indeed.
There is currently no stopping Lee Roy who appears to be extending himself with a series of pieces that are painted close to the ground and spilling out on to it or cascading down steps.
It took me two attempts to photograph this rather dainty piece, because the first time I failed to frame it properly. It is so annoying when that happens. Written in big bold letters, this piece contains a variety of very interesting and original fills and lots of blue water drops. Lee Roy is definitely tapping into his creativity these days.
This is one of several recent eye-catching pieces from Solar, who goes by the Instagram handle of @super.lunary. I only became aware of this rather special writer fairly recently, but I am enjoying the style very much.
The regular sized block letters are presented with some interesting free-form fills with strong colours and themes. The overall effect is rather calming and pleasing. It is interesting that different writing styles can stimulate different emotional responses, from calmness to anger to anxiety and so on, this is definitely at the gentle end of the spectrum. More to come from Solar soon.
This is another piece by an artist I have called Morph, because that is how he signs most of his pieces, however, his Instagram handle is Rudini Doodini, so I’m not too sure what to actually call him. I think I’ll stick with Morph, because it is shorter.
The theme is not an unusual one for street artists, a pig in a police outfit, and is rather nicely done. The shading from left to right works well, using lighter and darker colours to give the impression of light coming from the left of the piece. A nice quick one from an artist who doesn’t seem to stray too far from this area.
Tom Miller is an artist I have taken a great deal of interest in ever since I first encountered his unusual surreal pieces in Stokes Croft and in The Bearpit back in 2016. At that time he was still studying his craft at the university, but it was clear that he was creating something rather special. Some of his work is captured in this gallery.
What is most pleasing is that he is now getting a number of commissions and his artwork is appearing on large walls around the city, but he is keeping it real by continuing with his street art work too. This magnificent piece on one of the most prominent walls in Bristol took him a couple of weeks to paint and during that time I stopped to catch up with him.
Tom is genuinely one of the nicest artists I know, he is so modest and always seems to enjoy a bit of a chat. I have to say that I was concerned for his safety when he was painting this, because it was incredibly windy and the scaffold tower was wobbling much more than would have been comfortable. He survived though and what an amazing job he did.
This piece, as you would expect, is so full of colour and detail. Some might call it busy, but I would call it expressive. Lots of body parts combined with flowers and other familiar shapes and objects fill the space, and then there is some respite from this crowded scene to the right of the piece with two less frenetic panels.
The focal point is the face in the middle, and I wonder if it might be a subconscious nod to a piece that stood here for a few years of a large portrait of a girl with a yellow face.
As I said, the two panels on the right offer something different from the rest of the piece, with some landscape and cosmos to calm things down a bot. The far right section reminds me a little bit of the Pink Floyd record sleeve of ‘Dark Side of the Moon. This epic wall is a great addition to Bristol’s iconic street art culture and is one that people leaving the city on the M32 can’t fail to see.