The first of this year’s Cheltenham Paint Festival pieces is from the tireless John D’oh with this clever Alice in Wonderland reference. As is often the case with John D’oh’s work, this piece is having a bit of a swipe at McDonalds and other corporate fast food outlets and the impact they have on obesity and poor health.
In this scene, a rather plump Alice is being tempted to ‘drink me, eat me, buy one get one free, go large for 30p, free soft drink with every large meal’. Seeing it like this in a Dinseyfication drills home the message rather well. Many more from John D’oh to come from the paint festival.
I can’t think of a time when I have seen so many John D’oh stencils in such rapid succession including several that I have missed in recent weeks. Many have been about the Government’s inept handling of the coronavirus outbreak, this one however is more about the impacts on people.
Rats have commonly been used by Banksy and many other artists in their work and here a rat is used to illustrate the ‘rat race’ with the words ‘After COVID-19 I am not sure I can join the rat race’. Another nice work recording the impacts of the pandemic on Bristol society.
Yabadaba doo! John D’oh is having a little bit of fun up at Purdown Battery with these Fred Flintstone and Barbey Rubble stencils. Certainly these make a bit of a change from his more political stuff and a change is as good as a rest as they say.
Two of the stencils in full colour are of Fred Flintstone and Barney Rubble, while the third is a little bit disturbing depicting a ‘caveman’ body with a Fred Flintstone head carrying a tray of fast food – it messes with my head a little.
I love it that Barney Rubble, the least rebellious person one can think of, is holding a spray can in a kind of victory salute – although I think he has too many fingers for the style of cartoon (a small matter). Great fun pieces, beautifully executed.
John D’oh’s busy summer just keeps on delivering time and time again, and the theme of his work continues to be dominated by coronavirus. This piece is a warning to those who might appear hypocritical having clapped for the NHS and then failing to be careful as restrictions ease.
The warning has already proven to be a sensible one as we are seeing localised increases in infection rates across the UK and beyond. The simple single layer stencil shows Walt Disney’s Dopey enjoying a pint of beer. I am guessing that the Aberdeen football club players are wishing they had heeded such a warning.
Playful as ever, John D’oh gives us this topical and relevant political piece featuring none other than our dismal ‘leader’ pushing the ‘back to work’ messaging with a little reference to Dick Turpin and his fellow outlaws. Such is the speed of current coronavirus events, and the ineptitude of our administration, that this recent piece is almost out of date as Boris seems to be preparing the nation for a second lock down.
I am always amazed at how quickly John D’oh manages to conceive, create and spray his pieces. He is a modern chronicler of political events and his vehicle is street art. I like this piece, and there is more to come from JD’s visit to Purdown Battery soon.
We live in strange and sometimes farcical times. This rather nice stencil from John D’oh at St George skate park satirises one of the more surreal moments of Trump’s utterly catastrophic presidency. How do Johnson and Trump keep their jobs in the light of such gross incompetence and stupidity? It is a mystery. If I behaved in the way they do, I would have been fired a long time ago.
So Americans, injecting disinfectant might be worth a try, you know it makes sense huh? And now we see Jair Bolsenaro, another populist leader, equally driven by self-interest and fame entering the competition to see who can manage the coronavirus epidemic the worst. These leaders love being at the top of international league tables that it matters not what the rankings are about. How did it come to this? Thank you John D’oh for reminding us with your running narrative about the desperate state of world leadership.
Another artist who has been really busy lately is John D’oh whose running commentary on all aspects of the coronavirus epidemic has given us a record of events through the medium of street art. This way of capturing contemporary events has been a major aspect of art through the ages, and although much of the art is ephemeral some remains and helps to tell future generations what happened in the past and where they came from. John D’oh’s stories are important ones to tell.
This lovely stencil on the side of a ramp at St George skate park, celebrates the fabulous and unrelenting hard work of NHS workers through the pandemic with more than a little nod to Wolverine of X-Men fame. Slightly sinister, slightly edgy but with a great heart. A nice piece from John D’oh.
Political commentary is never far away when John D’oh is around, and this recent stencil at the Horfield skate park nicely sums up the disgusting hypocisy demonstrated by Boris and Cummings. Just jaw-dropping, mind-blowing, irresponsible, selfish and self-centered behaviour. Although the headlines may have receded, the anger hasn’t. Boris has shown himself to be a deceitful and manipulative Prime Minister, and I find it extraordinary that anyone would still line up to defend him (although the reliable toadies seem to fight over this space). His odious disregard for other people is beyond staggering and the sooner he gets ousted the better.
I suspect that Boris, being Boris would probably look at this stencil and feel rather flattered, I mean it is a picture of him as a Moses figure, how could he not be excited by that. Well done John D’oh once again for reminding us what a terrible person Boris Johnson really is. I will not move on.
I love this for lots of reasons. Firstly because it is by John D’oh and secondly because it is a stencil, but mainly because it is overtly critical of the Wetherspoon owner Tim Martin, one of the most odious characters to have emerged from the Brexit debate. This man ranks as one of the supreme self-interested businessmen who puts making money for his business and for himself above the interests of the country. This attitude was exposed in the early days of lock down when Martin was calling for leniency for pubs and to allow them to remain open. Sod the virus eh?
Neatly placed on one of the columns under the M32, this piece is a beacon of hope, in that in poking fun at Wetherspoon it reinforces the responsible approach to protecting ourselves from coronavirus. I applaud this political commentary piece.
What I love about John D’os work is that it lays down a historical (usually political) narrative of our time. This is the second version of this stencil in the area, I posted the other one a while back, and it records with an element of humour the madness of the run on loo paper at the start of lock down. As an additional note, you can’t move in supermarkets for bog roll at the moment, so what was the panic all about?
I like the retro look of the piece and of course the setting in amongst an array of contemporary tagging. More to come from John D’oh who was a little busier than some other artists during full lock down, taking his allotted hour of exercise on the streets and walls we know so well.