.
It isn’t thunder
or lightening lighting the sky
bombs fall on Ukraine
.
by Scooj
4434. L Dub (37)
At the edge of the tunnel at L Dub, we can see from this tidy piece, just what an accomplished artist DJ Perks is becoming. DJ Perks is never one to shy away from pushing the envelope and in this piece he has created a superb writing/character combination that is unlike other pieces he has created. He really is a talent.
I have a feeling that this piece was painted alongside artists from the LRS crew during a bit of a paint jam in April. The letters ‘L Dub’ are beautifully designed and have a strength about them, as well as being superbly filled. The character is something of a classic, but more than that it is painted with wonderful shades and shadows, offering some depth to the character. This is great work from an artist on the up.
4433. Cumberland Basin
I think that I have photographed this column piece by John D’oh pretty much every time I have visited this spot, always with the intention of posting it, but somehow it hasn’t made it onto Natural Adventures. Well it has now, and is a great record of the crazy world we have been living in over the last two years. Capturing pieces like this is to record history as portrayed through the work of some amazing street artists.
John D’oh has sprayed this witty stencil, reminding us to keep our social distancing to 2 metres which roughly translates to Bristol croc’s length. This references many local stories about a Bristol crocodile, thanks in no small part to another fine street artist, Rowdy. The Bristol crocodile story dates back to at least 2014, and relies on repeated sightings of crocodiles in various watercourses. Some are fakes and some are recently ‘dumped’ pet crocodiles that get released irresponsibly. The Bristol crocodile has become quite a thing though.
Thursday doors – 12 May 2022
Doors 183 – Westminster doors
You may recall that I occasionally have team meetings in London. Well, with a return to blended working, occasional has turned into regular monthly meetings, the most recent of which was last Friday. The office is in Westminster, and this time I decided to change my normal route to work from the tube station, to give myself a bit of a doorscursion through some of the more interesting bits of the City of Westminster.
No visit to Westminster is complete without at least a glance at Westminster Abbey, but there are many other notable buildings in the area, and some extraordinary offices and private homes too. I think that this selection shows off some truly magnificent doors that Westminster has to offer. I hope you enjoy these gems.
There will be more doors from Westminster next time, but until then, may I wish you a very enjoyable weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
by Scooj
Mudra
A gallery of outstanding work from Bristol street artist and writer Mudra
Instagram: @mudra_creates
Website: Mudra creates
all photographs by Scooj
Transmission
.
In transmission mode
composing a note to self
listen more, talk less
.
by Scooj
4432. Dean Lane skate park (490)
This is a rather unexpected collaboration for a number of reasons, but is as welcome as it is unexpected. Chill and Smut combining to give us this beautiful piece of writing bookended with cartoon characters.
Perhaps the most interesting thing about this collaboration is the change in style from Smut. His customary script writing has given way to something entirely different. The anamorphic letters are beautifully crafted and as you would expect from Smut painted with precision and a near-perfect orange border, which bleeds across into the two Chill characters.
To the left, the cartoon character is wearing a floppy hat and looking and pointing towards Smut’s letters. The black and white figure contrasting perfectly with the orange border.
To the right-hand side, and concluding the collaborative wall, is an almost mirror image of the opposite character, although this one is wearing a hoodie and baseball cap. The whole thing is a rather unlikely collaboration that comes together really nicely. Watch this space for some more experimental styles from Smut.
4431. Brunel Way (156)
On a regular basis, Maybe Paints manages to charm us with his imaginative and creative pieces, usually on the columns underneath Brunel Way. This piece, which is larger than many I have seen, was painted a couple of weeks ago at a height that would have required a ladder or platform to stand on – possibly an anti-tagging measure.
There is a tranquillity and serenity to most of Maybe’s work, and in this piece we see one of his stylised faces experiencing the start of the hay fever season, a significant moment in my annual cycle – the tree pollen has already got to me. Maybe’s technique of blending colours works so well, and his style is utterly unique in Bristol. I very much hope to see more from Maybe over the summer.
Good company
.
Curled up by my side
some call him a man’s best friend
my companion
.
by Scooj
4430. Greenbank (35)
Pretty much my favourite collaborations are those between Billy and Merny, their naive styles complement each other so well and they both tell fabulous stories with their paintings. This collaborative wall was painted a couple of weeks ago.
To the left, as is usually the case with their collaborations, is Billy’s piece, that claims ‘it used to be different here’. It would appear that the piece is a commentary on the huge development that is going on on the other side of the hoardings. The woman in a strawberry dress, overlooking a new housing development, has the look of a Dick Bruna character, the artist who created Miffy the rabbit. Everything about this piece is perfect… the story, the artwork and the location.
To the right of Billy’s piece is a rather bleak message from Merny in which a man, perhaps a teacher, is pointing at words on a board that read ‘no one cares’. I would suggest that maybe this is a reflection of the troubled times we live in where we have an inept and out of touch government that is looking after the interests of the wealthy. The signature numbered labels create interest and humour to the piece.
What a fabulous collaboration from these two. I was pleased to get photographs as often their pieces don’t last long, which is both irritation and disrespectful.
Natural adventures 