3593. L Dub (26)

The work of DFC1848 just goes from strength to strength. His characters are becoming more complex and the finishing is becoming cleaner and tighter with each new piece he sprays. This is a rather nice take on his familiar character that he has built on over the last year or two.

DFC1848, L Dub, Bristol, March 2021
DFC1848, L Dub, Bristol, March 2021

In nearly all of his works, DFC1848 conceals the letters DFC, however in this one he has settled for signing it at the bottom right. The double headed bear, sharing a tongue could be quite a creepy concept, but this, consistent with most of his characters is cuddly and certainly not creepy. I like the highlights on the tongue and lower lips – these are additions that he is developing and improving all the time. A nice find.

3570. L Dub (25)

This is a very special piece from Laic217 because it takes us back to a hallucinogenic theme explored by the artist a few years ago, and I haven’t seen one of these distorted faces in a long while.

Laic217, L Dub, Bristol, March 2021
Laic217, L Dub, Bristol, March 2021

This is classic Laic217 at his best… a character and the letters LAIC, but how his work has come on over the last few years. He takes a lot of care with his work and his finessing makes a significant contribution to some brilliant technical work. Here, the double-faced character is spraying the letters, an idea used several times in his work.

Laic217, L Dub, Bristol, March 2021
Laic217, L Dub, Bristol, March 2021

The face has two perspectives looking in slightly different directions, but cleverly, each face seems to work independently. The mouth is large and shared by each face. Confusing and unsettling, this is a challenging work. Nice to see the bucket hat and smiley making a return too. Wonderful trippy work from Laic217.

3457. L Dub (24)

When it comes to writing about graffiti writing by Ryder, there is little more to say than he is an exceptional talent and seeing his work is always accompanied by a bat-squeak of excitement.

Ryder, L Dub, Bristol, January 2021
Ryder, L Dub, Bristol, January 2021

A recent trip to L Dub was fruitful, and among that crop of superb pieces was this one from Ryder. Full of colour and a fine fluid movement of the letters which makes this piece of writing very easy on the eye. Sophisticated and smart.

3444. L Dub (23)

You don’t get to see too many pieces by DJ Perks, unless you decide to take the short trip out to L Dub, where there are usually several of his pieces at any one time. This is certainly a favourite spot of his.

DJ Perks, L Dub, Bristol, January 2021
DJ Perks, L Dub, Bristol, January 2021

Every time I see something from DJ Perks I am struck by how his pieces are growing in sophistication, confidence and quality. This is a lovely collection of interlocking letters with a random colourful fill where the letters are defined by the yellow solid colour between them. The glowing green and red fringes add an additional classy touch. This is a very fine piece indeed.

3442. L Dub (22)

Lockdown isn’t all bad (although it is pretty bad, granted) because it seems that it triggers some activity from certain street artists, including Laic217. Since the New Year, Laic217 has been hitting walls fairly regularly and that is a great thing – I am guessing that perhaps he can’t work or has been furloughed or something like that.

Laic217, L Dub, Bristol, January 2021
Laic217, L Dub, Bristol, January 2021

This piece, close to another one at L Dub shows Laic217 at his graffiti art best, a skeleton figure in a subversive pose giving a double bird in a flaming background. As usual, the creases and folds in the hat and clothes is a speciality of his and something that seems to come so naturally these days. A fine fiery piece.

3437. L Dub (21)

It would appear that lockdown impacts on different artists in different ways. Some will hunker-down, and they disappear from the scene for a while, others are liberated and seem to go crazy, hitting walls with refreshed vigour. Falling into the latter category is Slim Pickings (TES) who has been out and about a lot over the last month or so.

Slim Pickings, L Dub, Bristol, January 2021
Slim Pickings, L Dub, Bristol, January 2021

We know what to expect from Slim Pickings’ pieces – sharp crisp lines, reliably solid fills and unbounded 3D shading. It is all here with the addition of a couple of little white highlights. Great stuff. Looks like he might have had a small issue with his yellow paint, especially just to the right of the ‘S’. Good to see his work at L Dub.

3434. L Dub (20)

This is an interesting piece from Laic217 because the writing behind the character is most un-Laic217 if you know what I mean. Also the character, although obviously by the Laic217 is not quite his typical style and could conceivably be by another artist.

Laic217, L Dub, Bristol, January 2021
Laic217, L Dub, Bristol, January 2021

It is nice to see artists switch it up a bit from time to time and this is a great example of that. I can’t remember when I last saw filled writing like this from Laic217, an element usually provided by his painting compatriot Cort. Overall this is an unexpected and intriguing piece and demonstrates the range that Laic217 has.

3029. L Dub (19)

There are certain artists whose work you expect to see at L Dub, but Conrico is not one of them, so it was a double pleasure to find this piece on my last visit. Conrico has a fabulously imaginative and creative mind, and his pieces are always exploring new ideas and styles.

Conrico, L Dub, Bristol, June 2020
Conrico, L Dub, Bristol, June 2020

This is a clever piece of writing that appears to have been sliced apart horizontally almost as if it had been written in the sky or on the surface of water and then disrupted in some way. Conrico has a ‘brush stroke’ touch that is quite unique and that makes it quite easy to spot his work… oh and the big letters are a bit of a give away too.

3010. L Dub (18)

L Dub (Lawrence Weston) is a funny old spot. Only a few of the Bristol artists venture out to paint there and some of the artists that paint there such as Dun Sum rarely paint in central Bristol. It is secluded and out of the way and so is favoured by artists practising in the gloom of the tunnels.

Ryder, L Dub, Bristol, June 2020
Ryder, L Dub, Bristol, June 2020

This is a wonderful piece of writing from RAW’s Ryder and really demonstrates why he is such a hightly regarded writer on the Bristol scene. The letters are beautifully proportioned  and consistent and the pink and red fill almost magical, but it is the yellow 3D shading that really makes the piece stand out. Very nice work indeed.

3007. L Dub (17)

I haven’t been to L Dub (Lawrence Weston) very often, and the turnover there doesn’t require frequent visits, but I was very pleased to find this magnificent Laic217 piece there on my last visit a week or so ago. It is the first piece I have seen in this spot from Laic217.

Laic217, L Dub, Bristol, June 2020
Laic217, L Dub, Bristol, June 2020

I know he paints a lot of skulls/skeletons these days, but somehow this one feels extra special somehow. Full of all the trademarks we would expect to see from the artist, it is the perspective of the piece that I particularly like. I also like the grey tones used. This was a particularly pleasurable find.