3771. L Dub (29)

If you want to see graffiti writing or character work from DJ Perks, and lots of it, then look no further than L Dub. It would seem that about 25% or so of all the pieces down there are by him, and he is constantly pushing himself and evolving his work.

DJ Perks, L Dub, Bristol, June 2021
DJ Perks, L Dub, Bristol, June 2021

This is without doubt the largest piece I have seen by DJ Perks and features the Incredible Hulk (I assume) peering through a colourful brick wall. This is quite an undertaking, simply from an access and size point of view, but also artistically stretching. The only observation I have (call my picky) is that the bricks could have had a 3D element to them to give the whole piece a but more depth. All in all, so good to see such a large, creative piece from DJ Perks.

3762. L Dub (28)

What a truly great surprise, on a recent trip to L Dub (Lawrence Weston), to see this old school collaboration from 2Keen and DJ Perks. It was especially nice to see as 2Keen doesn’t paint all that often and this is something of a rarity.

2 Keen, LDub, Bristol, June 2021
2 Keen, LDub, Bristol, June 2021

I have met 2Keen a number of times, particularly when he was painting the REDLAND piece (below) not far from where I live, a few years ago, and he is a very nice chap whose failing eyesight makes his painting achievements all the more impressive. His old school characters are very recognisable, having exaggerated cartoon-like features. This one is especially good.

DJPerks, LDub, Bristol, June 2021
DJPerks, LDub, Bristol, June 2021

The writing from DJ Perks is also very nicely done, with the shading in the green letters providing some real depth. It seems that DJ Perks is an absolute natural and continues to go from strength to strength.

All in all a very nice collaboration.

2Keen, Ryder and Aspire, Redland Court Road, Bristol, May 2017
2Keen, Ryder and Aspire, Redland Court Road, Bristol, May 2017

3757. L Dub (27)

It can become confusing sometimes when you are on the hunt for a specific piece. When there are hundreds of images swirling around your head that you have seen on social media, it is easy to forget what pieces you have gone out to photograph, and this confusion very nearly led to me missing out on this magnificent piece by Laic217. I had walked past it, thinking that I had photographed it before, and it was only on my return journey that I realised it was new but not the new piece I was looking for… that was somewhere completely different.

Laic217, L Dub, Bristol, June 2021
Laic217, L Dub, Bristol, June 2021

Laic217 has been creating some amazing pieces recently, and he is definitely on an upward trajectory. This skeletal figure, puffing away on a joint, is another fine example of the artist’s work, once again showcasing his craft in painting materials and fabrics that his characters wear. More good work. I was fortunate enough to bump into Paul H on this trip, and it is surprising how often that happens, but here, miles away from our usual haunts on the same day at the same time, was quite bonkers. We stopped and chatted for a while before I had to scarpa back to work.

3593. L Dub (26)

The work of DFC1848 just goes from strength to strength. His characters are becoming more complex and the finishing is becoming cleaner and tighter with each new piece he sprays. This is a rather nice take on his familiar character that he has built on over the last year or two.

DFC1848, L Dub, Bristol, March 2021
DFC1848, L Dub, Bristol, March 2021

In nearly all of his works, DFC1848 conceals the letters DFC, however in this one he has settled for signing it at the bottom right. The double headed bear, sharing a tongue could be quite a creepy concept, but this, consistent with most of his characters is cuddly and certainly not creepy. I like the highlights on the tongue and lower lips – these are additions that he is developing and improving all the time. A nice find.

3570. L Dub (25)

This is a very special piece from Laic217 because it takes us back to a hallucinogenic theme explored by the artist a few years ago, and I haven’t seen one of these distorted faces in a long while.

Laic217, L Dub, Bristol, March 2021
Laic217, L Dub, Bristol, March 2021

This is classic Laic217 at his best… a character and the letters LAIC, but how his work has come on over the last few years. He takes a lot of care with his work and his finessing makes a significant contribution to some brilliant technical work. Here, the double-faced character is spraying the letters, an idea used several times in his work.

Laic217, L Dub, Bristol, March 2021
Laic217, L Dub, Bristol, March 2021

The face has two perspectives looking in slightly different directions, but cleverly, each face seems to work independently. The mouth is large and shared by each face. Confusing and unsettling, this is a challenging work. Nice to see the bucket hat and smiley making a return too. Wonderful trippy work from Laic217.

3457. L Dub (24)

When it comes to writing about graffiti writing by Ryder, there is little more to say than he is an exceptional talent and seeing his work is always accompanied by a bat-squeak of excitement.

Ryder, L Dub, Bristol, January 2021
Ryder, L Dub, Bristol, January 2021

A recent trip to L Dub was fruitful, and among that crop of superb pieces was this one from Ryder. Full of colour and a fine fluid movement of the letters which makes this piece of writing very easy on the eye. Sophisticated and smart.

3444. L Dub (23)

You don’t get to see too many pieces by DJ Perks, unless you decide to take the short trip out to L Dub, where there are usually several of his pieces at any one time. This is certainly a favourite spot of his.

DJ Perks, L Dub, Bristol, January 2021
DJ Perks, L Dub, Bristol, January 2021

Every time I see something from DJ Perks I am struck by how his pieces are growing in sophistication, confidence and quality. This is a lovely collection of interlocking letters with a random colourful fill where the letters are defined by the yellow solid colour between them. The glowing green and red fringes add an additional classy touch. This is a very fine piece indeed.

3442. L Dub (22)

Lockdown isn’t all bad (although it is pretty bad, granted) because it seems that it triggers some activity from certain street artists, including Laic217. Since the New Year, Laic217 has been hitting walls fairly regularly and that is a great thing – I am guessing that perhaps he can’t work or has been furloughed or something like that.

Laic217, L Dub, Bristol, January 2021
Laic217, L Dub, Bristol, January 2021

This piece, close to another one at L Dub shows Laic217 at his graffiti art best, a skeleton figure in a subversive pose giving a double bird in a flaming background. As usual, the creases and folds in the hat and clothes is a speciality of his and something that seems to come so naturally these days. A fine fiery piece.

3437. L Dub (21)

It would appear that lockdown impacts on different artists in different ways. Some will hunker-down, and they disappear from the scene for a while, others are liberated and seem to go crazy, hitting walls with refreshed vigour. Falling into the latter category is Slim Pickings (TES) who has been out and about a lot over the last month or so.

Slim Pickings, L Dub, Bristol, January 2021
Slim Pickings, L Dub, Bristol, January 2021

We know what to expect from Slim Pickings’ pieces – sharp crisp lines, reliably solid fills and unbounded 3D shading. It is all here with the addition of a couple of little white highlights. Great stuff. Looks like he might have had a small issue with his yellow paint, especially just to the right of the ‘S’. Good to see his work at L Dub.

3434. L Dub (20)

This is an interesting piece from Laic217 because the writing behind the character is most un-Laic217 if you know what I mean. Also the character, although obviously by the Laic217 is not quite his typical style and could conceivably be by another artist.

Laic217, L Dub, Bristol, January 2021
Laic217, L Dub, Bristol, January 2021

It is nice to see artists switch it up a bit from time to time and this is a great example of that. I can’t remember when I last saw filled writing like this from Laic217, an element usually provided by his painting compatriot Cort. Overall this is an unexpected and intriguing piece and demonstrates the range that Laic217 has.