This is another nice column piece from Skor85 under Brunel Way. I have always liked her work from the first time I saw it at a time when I thought she was a he… before I knew any better. To add to the fact that I like her work, I also really like her as a person, she is so full of energy and always seems pleased to see me, which can’t be said for everyone I know. One of life’s dynamos.
This column piece seems to be of a female monster figure representative of I don’t quite know what, but surely representative of something. There is a sadness about the piece and I am drawn into feeling sorry for the figure. So much from a small and modest piece. Love her work.
I hadn’t seen Jee See for quite some time, so it was really great to catch up with him during a paint jam under Brunel Way organised by Skor85. By the time I got there he had already completed his Seismic column piece and was sitting in the sun chilling out.
In this piece, Jee See has worked the column well. I have to say that as a photographer, cylindrical columns are a major pest for two main reasons, it is hard to avoid reflected light and often the piece wraps around the column. In this instance Jee See has done me a real favour.
At the base of the ‘seismic’ is a character resembling a bit of a mash up of ‘A Clockwork Orange’ and Marc Bolan. Just as a footnote, Jee See stands for Goshiku Chavu (Japanese interpretation of Gothic Chav). You can see Goshiku Chavu written to the left of the character. This is all very Jee See.
You don’t get to see too many pieces on the street from Rowdy these days, so finding one is a bit of a treat. Rowdy is responsible for one of the most iconic characters in Bristol street art, the toothy crocodile. Anyone living in the Stokes Croft area will remember fondly the crocodile on the top of the Carriage Works that looked over North Bristol, sadly knocked down last year.
This somewhat smaller beast is modestly tucked away at the foot of a column under the new railway bridge on Stapleton Road, and I only found it because a Face 1st piece opposite it caught my eye as I was driving past the other day. Who doesn’t love a Rowdy crocodile?
A column piece from Face 1st under Brunel Way. Simple, joyful, playful, there is nothing here to dislike. This is the kind of throw up that Face 1st can do in his sleep, but it is not quite as easy as it looks (believe me I have tried to copy his stuff in my garden, and utterly failed every time).
The girl’s face that we have become so accustomed to is topped with a high head of hair, maybe a beehive. The way the light reflects off the chrome hair gives the whole piece a wonderful effect. Some of these smaller pieces by Face 1st get left behind in the archive, but not this one, no not this one.
Often, the columns under Brunel Way are a bit scruffy, because they are painted over and over again but rarely buffed which means that sometimes pieces blend into one another or the eye is easily distracted. Fortunately that is not the case with this delightful piece by Tasha Bee from October last year.
Two faces for the price of one in this lovely piece and superbly filled and decorated hair in the style we have come to associate with Tasha Bee. I love it that her work incorporates symbols and icons, in this case the peace sign and a yin yang symbol, adding to the mystery and otherness of her work. This is how to decorate a column!
Yes, I’m still working through my archives, unearthing some of the nice pieces that got left behind, which is inevitable when I can only post two new works a day. This is a rather nice column piece from Daz Cat back in July 2018.
Yesterday’s second post was by Kool Hand, and given that these two like to paint together, this might have been sprayed during the same session. Daz Kat usually, but not always, paints cat faces each of which has its own character and colours. The text reads ‘scum triumphant’ – I’m not too sure what it means but it is a good graffiti message. I like the work of Daz Cat, it has a gritty and slightly edgy feel to it, which is what this is all about.
I haven’t seen a great many pieces by Zinso just yet, and those that I have seen have been quite small like this one, but I very much like his fresh clean approach and his cartoon style. This piece is so clean that it looks like an enormous sticker (or slap as the jargon goes).
I wonder if, like Zake, Zinso will focus on vertical portrait pieces like this column or whether we will see a larger landscape piece in time. Looking forward to seeing how things progress.
This should be fairly quick and simple. Here we have a rather fun column piece by an artist called Zinso. Although I have a few pictures of his work from recent walks, he is a new artist to me and I have not been aware of him before the last couple of months or so.
Zinso seems to have a clear idea of his artwork and executes it cleanly to a rehearsed design (I am guessing), almost like a very fancy tag. Practising the same broad design builds up skills and technique. Zinso already seems well on the way to creating an identity. Look out for more from this artist.
In my archives I have some other pieces by this artist, Slakarts, but for some reason have not posted any of them until now. I would say that this piece is not typical of the other pictures I have by the artist.
The column piece is beautifully thought out, with a queue of stylised figures, each holding the one in front like they are doing a conga. I will make my own narrative up for this one preferring the idea that they are in an orderly line to tell Boris Johnson what ann utter **** he is… just saying. Look out for more from this artist (archive stuff) on Natural Adventures.
Zake pretty much owns these columns under the M32, and what is amazing is that so many of them are still there after more than a year – a tribute to his work perhaps. In this piece, one head is being consumed by another which looks devilish/vampire-like.
I do like Zake’s work very much, especially the faces created out of three or four tones of paint, however this one misses the mark ever so slightly for me, there is something not quite right about the teeth in the top head that I find distracting. I think I am being a little picky because this is a good piece, but just not one of his best. Looking forward to more from Zake.