Doors 55
Just a quick selection of graffiti/street art doors from a recent trip to Shoreditch in London. Enjoy!
by Scooj
Loads more amazing doors at: Thursday Doors – Norm 2.0
Thursday doors
Seasonal find
1897. M32 roundabout J3 (110)
The penultimate post from this magnificent paint jam in November on the long high wall of the M32 roundabout features this outstanding piece of writing by Smak. I am so full of admiration and awe really when I look at this artist’s work and try to figure out how he arrives at his designs and then carries them out so meticulously.
On this wall Smak is in great graffiti writing company, with contributions from Deamze, Hemper and Soker. It really is a feast for the eyes when this lot get together.
1896. Franklyn Lane (1)
There is a reward for those who wander. I took a little walk in St Pauls a short while ago and went down a back street I’ve never been down before and there on an old derelict building I found this interesting piece on dit of board covering a door.
The drawn sketch, which I assume is by Aicha, is an unusual find and one that would more likely be found in a studio or gallery. It is also unusual because it has been drawn directly onto the surface, rather than on to a piece of paper and pasted up. I have not heard of Aicha before so can tell you nothing about the artist. I am guessing that I might have seen some tags from this artist before. A fine creative sketch and welcome contribution to the Bristol scene.
1895. The Bearpit (170)
We are lucky in Bristol to have people like Decay who continue to spray down at The Bearpit in spite of a Council determined to clamp down on spraying. Most of the decent work down there is confined to the boards that were put in place by the People’s Republic of Stokes Croft (PRSC), and this is where most of the recent work is, like this one. All the other walls are regularly buffed (at some expense ) by the Council. The paint doesn’t even get to dry before the taggers move in. It is an insane cycle of self-destruction. I really think that the Council need to devise a better plan. The Bearpit has the opportunity to become the best legal wall in Britain if they just try to think outside the box.
This Decay piece was a nice surprise for me as I rarely expect to find much down in The Bearpit these days. Great letters (DK) and for good measure two of his little character faces. Unfortunately there is a small poster slapped right in the middle – I guess it’s all part of the furniture.
1894. Dean Lane skate park (178)
I have not been able to get out and about much recently so I think I might have missed quite a lot of street art that has since been overwritten. I was lucky enough to have found this little lion playing the high hats by Roo.
Roo, I think, is a London-based artist who I know often paints with SkyHigh. When I see this, I wonder whether I might have missed something from SkyHigh or whether Roo just happened to be travelling in Bristol solo. Whatever, this is a rather tidy souvenir from his visit.
Three’s company
.
Dawn squirrels frolic
silhouettes against grey skies
in skeleton trees.
.
by Scooj
Naked
Not a stitch to wear
nor anyone to love me;
injured and damaged.
by Scooj
1893. M32 Spot (35)
Back home to Bristol and yet another rather charming column piece by Silent Hobo at the M32 Spot. As I have said before, Silent Hobo has a knack for capturing the mood of youth culture, and gives his characters a soulful poise.
The girl with the microphone and ‘BOOM’ written on her bottom is wonderfully crafted by one of Bristol’s most established character artists. It is always a pleasure to see his work.
You might also have noticed a rather nice Deamze piece lurking in the background.
1892. Shoreditch, London (10)
In a little side street/yard off Brick Lane there is a derelict area which is a bit of a street art oasis. On the passageway into the area is this magnificent piece by Envol, which is quite different from anything else there.
I have come across Envol a couple of times at Upfest in Bristol, so it was great to see something by him outside of the festival context. His highly designed ‘classical’ pieces are simply presented but nicely framed with strong shapes and colours.
When I first saw this piece I thought it had been dogged at the base of the skull, but on closer inspection and a quick squint at the Artist’s Instagram it seems that this is a deliberate technique that he adopts from time to time. It is a good feeling once again to stumble upon art in unfamiliar surroundings that I am familiar with.
Natural adventures 