This is the second part of a four-way collaboration in the foot underpass at New Stadium Road between T-Rex, Tasha Bee, Decay and Ryder. The first half (the boy’s end) was posted here. As I always say about this location, the light was not helpful for getting good photographs, but you can still see the quality of the work.
On the left is a beautifully colourful piece of writing from T-Rex with some wonderful and varied fills and her trademark dinosaur character rounding off the ‘X’.
On the right is a very nice piece by Tasha Bee (Keep it Colourful) which reaches the very high standard I am used to seeing from her. Tasha Bee’s work never disappoints, and although she pretty much always paintsthese soulful styalised portraits, each one is an absolute beauty. All in all, it looked like these four artists had a great day out.
There is no stopping Smak these days and this is another corker of a piece tucked under the M32 along the cycle path. This was painted alongside a whole bunch of other artists who had made the trip over the Severn Estuary from Wales to leave their mark in Bristol. There was a bit of a theme of ‘zebra’ stripes in the pieces that were painted.
As Smak pieces go, this one is not as complex as some of his pieces, but it is wonderfully crisp and the neon pink A is to die for. In recent pieces I have noticed that Smak is enjoying giving the A a bit of special treatment and some of them have been outstanding, this one included.
Another tremendous piece of writing from Smak along the M32 cycle path from a few weeks back. In some of his more recent pieces I have noticed that he is going for this style of blocking out letters in different ways, along similar lines to SkyHigh, and here, the M and A in particular are outstanding.
All the letters are blended and yet individual, clever work, but for me the jewel in the crown is the box around the A and circle around the M which make this piece extra special. I had difficulty photographing this piece, because it was very bright every time I visited, and the way the light falls in this alleyway makes photography really tricky. Yet another outstanding work from Smak.
This is one of my favourite Smak pieces of the year so far, and my goodness there are a lot to choose from. This is another of his ‘double vision’ pieces where he has written SMAK twice and in this instance has played around with fonts and styles reminiscent of another brilliant graffiti writer, SkyHigh.
Often when photographing street art, I am confounded by parked cars or wheely bins that wind me up a treat. It is funny how I am somehow much more forgiving of a tree obscuring the art, although being a naturalist at heart it shouldn’t be a surprise. Wonderful piece by Smak on a great wall.
This was one of so many pieces created during a paint-jam in St Werburghs tunnel a couple of weeks ago. Happily I can report that they are all still there, but with the turnover in the tunnel being quite high I expect that they won’d last much longer. This piece is by Rusk, a RAW stalwart.
I must confess to being slightly troubled by this piece, because there is something about it that just isn’t quite right for me. I hold Rusk in very high regard indeed and in fact in my view he is the most conscientious graffiti writer I have met. I think my problem (and I am really nit-picking here) is with the grey lines across the bottom of the letters, they just don’t appear to match up across the piece. Having said that, I am using Rusk’s own work as a very high benchmark against which to measure. It would take me a hundred years to get this good.
It is not often that you see a nicely painted van in Bristol, even though there are a great many vans with spray paint on them… sadly most of these are fairly rubbish throw ups or tags that frankly are untidy.
This is a lovely piece of 3D writing from Rusk which appeared near the entrance of St Werburghs tunnel recently. Since I took this picture, the other side has been sprayed by Soker, so this is one classy van. I have not seen writing like this from Rusk before, nor have I seen any kind of scenery work like this, so this is a bit of a collector’s item. Nice to witness the versatility of this great Bristol writer.
A couple of weeks back there was a large paint jam in St Werburghs tunnel, and it would seem that it was something of a RAW (Read and Weep) get together. This collaborative piece included the T-Rex burner that I featured a few days ago, which was just to the right. These two are Ryder and Jaksta.
I don’t need to repeat myself, although I constantly find myself doing so, by telling you that Ryder is an incredibly accomplished writer, and here he has created something rather special in shades of gray with blue highlights. Having started trying to paint a little in the garden I realise how much I have to study what these guys do to understand tricks and techniques. Paint big was an important piece of advice I was given – smaller pieces are more difficult.
When I have been in the tunnel, it seems everyone notices the pig – he really stands out and the kids that walk past love him. Jaksta is a master of the character piece and his work often joins up pieces of writing like it does here. It is the details I love in this piece, the black shading and white highlights that give a 3D feel to the whole thing, and the two shades of pink that make it look like the light is coming from the right (which in this part of the tunnel it actually does). Great work.