RAW – Natural adventures

5979. St Werburghs tunnel (420)

Ryder, St Werburghs, Bristol, February 2024

Ryder organised a brilliantly well attended paint jam in St Werburghs tunnel back in February this year and this is his outstanding contribution to it. While I am used to seeing writing from Ryder, I am less familiar with his character work, so this combination piece was a joy to behold.

It is a pity that Ryder doesn’t get out to paint more often, because he is a real class act, and his writing is always out of the top drawer. These beautifully designed letters contained within a yellow outline and small drop shadow are immaculately crafted and contain a nice four-colour horizontal fill. Straightforward, not too fussy and easy on the eye.

The character is Splinter from Teenage Mutant Ninja Turtles, a franchise that passed me by, but one that regularly crops up in street/graffiti art. Ryder demonstrates his skills as not only an exceptional writer, but character artist too. Great work and a great paint jam to celebrate his exhibition in the Farm pub around the corner.

5877. St Werburghs tunnel (410)

Lokey, St Werburghs, Bristol, February 2024

A couple of weeks ago, Ryder organised a massive Read and Weep (RAW) paint jam in St Werburghs tunnel, drawing artists from Bristol and beyond, to congregate in the darkness and damp and produce some amazing art in a party atmosphere. One of the artists, who doesn’t paint nearly often enough, was Lokey.

Lokey has a special place in Bristol graffiti writing, because, other than Zase perhaps, he is the only artist who paints his letters in an anamorphic style. Anamorphic in this sense means that the letters appear to stand out from the wall, almost as if you are looking through 3D glasses. It is on the same spectrum of art as trompe l’oeil, designed to deceive and confuse the eye. Clever stuff, and always very welcome.

5810. New Stadium Road (53)

Mr Riks, New Stadium Road, Bristol, January 2024

There are a multitude of reasons why street/graffiti artists go through productive and non-productive phases, sometimes to do with friends, family and relationships, sometimes location/geography, sometimes employment, sometimes mental/physical health issues and sometimes simply falling in or out of love with it. I am pleased to report that Mr Riks seems to have found a rhythm and has been out and about a fair bit recently.

This is a spot, where Mr Riks has painted before, alongside his friend Silent Hobo. This time it is a solo piece, and a very nice one at that. Some great colours in the distinctive bubble script writing, with a couple of cheeky characters peering on. A great piece from an accomplished writer.

5727. M32 roundabout J3 (538)

Smak, M32 roundabout, Bristol, December 2023

Smak has rounded off his year with some style, producing a string of outstanding pieces over the last six months or so, with this one, a paint jam piece for Pekoe’s birthday being the latest. This is an absolute classic, written in Smak’s distinctive style, where each letter is afforded plenty of space for elaboration.

The letters are painted in greens and yellows, which is usually a winning combination of colours. The letters SMAK can clearly be seen, and have been stunningly designed. When I see a complex piece of graffiti writing like this, I am left utterly awestruck by the artist’s ability to create such a thing of beauty with spray cans. A triumphant piece from Smak.

5625. M32 roundabout J3 (521)

Mr Riks, M32 roundabout, Bristol, October 2023

This classic burner on the long roundabout wall is one of two recent Mr Riks pieces to appear in Bristol. To the untrained eye, this might look like any other chrome throw up, but have a closer look and there are signs that this piece is by no ordinary artist.

The letters spell out RIKS, with a couple of comedy eyes and fingers at the top of the ‘I’, and there is a little deliberate blurring on some of the edges of the letters. It is the drop shadow, however, that gives this piece away as having been painted by a craftsman. The shadow has a vanishing point somewhere beneath the piece, and its curves perfectly match the curves of the letters. The stripes, which add depth, and orange border are really nice and tight too. The whole thing may appear modest, but is at the same time classy and masterful.

5585. M32 roundabout J3 (520)

Smak, M32 roundabout, Bristol, October 2023

I don’t know if I am imagining it or whether it is a thing, but it feels like Smak isn’t painting as frequently as he used to and that when I find a piece by him these days it is a rather nice surprise. This is a stylish piece of graffiti writing from a couple of weeks ago, painting alongside some of the RBF crew.

The writing is painted in a stylised font, which is not what I am used to seeing from Smak who tends to prefer a more wildstyle approach. Just by looking at the writing, you can see that it is of the highest quality, with sensational letter fills and a beautifully subtle 3D drop shadow. I love the design of the ‘S’ in particular. Sheer class from Smak

5526.M32 Spot (172)

Dopes, M32 Spot, Bristol, September 2023

Although rather small, this is a rather good piece by Dopes. The choice of hoarding is challenging, being at the top of a DIY skate ramp, and on short boards that have been slapped together. On the upside, anyone who paints this spot is likely to have their work on display for a considerable period.

Dopes has been out and about a fair bit recently and the quality of his work is always high. Out of necessity, the letters bleed off the top of the hoarding, but in spite of that are nicely proportioned. Great colours and white rather than dark borders and 3D drop shadow. Easy on the eye stuff from Dopes.

5509. Cumberland Basin

T-Rex, Cumberland Basin, Bristol, September 2023

I am sure that it can be a challenge getting out to paint sometimes for most artists, as real life can change the dynamics and available time and space… things like jobs, family, mental health, other commitments, friendships and so on can slow or even curtail activity. It is great to see that T-Rex and Ryder are still able to hit the occasional wall in spite of having started a family, and are managing to embrace all that they hold dear in balance. I guess that what I am saying is that there are great reasons why we don’t see T-Rex pieces all that often, but it is wonderful when we do.

This one in Cumberland Basin is a classic piece of T-Rexery, in which she spells out T-REX and adds the head of our friendly dinosaur character to the ‘X’. There is a lightness of touch about her work and her fills are simply superb. I know that T-Rex has done another piece recently, so watch this space, for more dinosaur writing fun.

5488. Brunel Way (228)

I caught up with Dopes and Fade for a little while as Dopes was finishing off this piece on the long wall alongside the River Avon. We chatted for a while, which was enjoyable and informative. Just as Dopes was packed up and leaving, he glanced at the piece and commented that the ‘D’ was all wrong and looked a little distorted. I have to say that I hadn’t noticed, but there you have it, artists know what they want and are deeply critical of their own work, and they always notice the little defects.

Chrome pieces are prized in the graffiti community, but I have to say that they are not my favourite, and I think they are probably more of a graffiti culture thing as much as anything else. As I would expect from Dopes, this is neatly done with consistent patterning and styling throughout.

5245. M32 Spot (162)

Conrico organised a paint jam under the M32 a week or so back, and a great many of the columns there were given a fresh coat of paint, including this banging vertical piece of writing from Ryder. The slogan accompanying this fiery piece is “play with fire – get burnt”, an apt phrase for the graffiti community.

Some artists have pure class, which is a gift that can’t be manufactured, and Ryder has class. There is a confidence and assertiveness about his work that eclipses others around him, and this is a great example of that. The fun piece (spelling out RYDER) incorporates character faces into the letters, something Ryder does a fair bit, and has a delicious colour selection with perfect fills, and a steady black outline. This is one of the best column pieces I have seen in a long while. Simply the best.

	paulh121 on Alea iacta est
	scooj on Alea iacta est
	scooj on 6024. Anchor Road (5)
	scooj on 6023. Leonard Lane (45)
	M on Alea iacta est

	paulh121 on Alea iacta est
	scooj on Alea iacta est
	scooj on 6024. Anchor Road (5)
	scooj on 6023. Leonard Lane (45)
	M on Alea iacta est

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