Tag: Anti-style

5123. New Stadium Road (48)

Taboo, New Stadium Road, Bristol, February 2018
Taboo, New Stadium Road, Bristol, February 2018

Another root around in my archive unearthed this old one from February 2018, by Taboo, and if you look carefully to the left you can see the edge of a piece by Deamz. I still miss seeing Deamz’ work on our streets, even though he left for Tasmania several years ago – maybe one day he will return for a visit and decorate a wall or two.

Taboo, New Stadium Road, Bristol, February 2018
Taboo, New Stadium Road, Bristol, February 2018

I suspect that I have several more unpublished Taboo pieces lurking in my files, but this one stood out, most probably, because of the colour selections, with a transition from white to copper, with some interesting oranges and reds filling in the holes. This is a really nice piece of anti-style graffiti writing.

5097. Brunel Way (198)

Lee Roy, Brunel Way, Bristol, February 2023
Lee Roy, Brunel Way, Bristol, February 2023

This is another piece in a series in which we see Lee Roy spell out his name with his unconventional font that teeters on anti-style graffiti. There is a lovely symmetry about this piece, and something about the style, colours and composition that has hints of the Indian subcontinent (although I don’t think that is necessarily the intent).

Lee Roy, Brunel Way, Bristol, February 2023
Lee Roy, Brunel Way, Bristol, February 2023

There are many similarities with a recent piece he painted in Cumberland Basin recently, and it would seem that he is playing with themes and ideas. It is great to see this pulse of activity from Lee Roy, and I look forward to finding more as the weather improves and artists get busy (as if I don’t have enough to keep up with as it is).

Lee Roy, Cumberland Basin, Bristol, February 2023
Lee Roy, Cumberland Basin, Bristol, February 2023

5053. Sparke Evans Park (64)

Whos, Spark Evand Park, Bristol, February 2023
Whos, Spark Evand Park, Bristol, February 2023

An artist who had completely fallen off my radar over the last couple of years is Whos. His anti-style of graffiti writing could be seen from time to time about the place, but this curious piece is the first I have seen for a long while.

Whos, Spark Evand Park, Bristol, February 2023
Whos, Spark Evand Park, Bristol, February 2023

This fiery piece doesn’t follow any particular convention and is free from constraints. Spelling WHOS, one of my favourite elements of this piece is the flame plasma line running through the grey letters, looking like it is behind them. This is a nicely crafted piece, and a welcome return to the pages of Natural Adventures.

5050. Cumberland Basin

Lee Roy, Cumberland Basin, Bristol, February 2023
Lee Roy, Cumberland Basin, Bristol, February 2023

It feels like Lee Roy is a man in a hurry. I haven’t seen much from him over the last couple of years and now all of a sudden his work is appearing all over the city and it is difficult to keep up. This is a recent one on the long wall at Cumberland Basin.

Lee Roy, Cumberland Basin, Bristol, February 2023
Lee Roy, Cumberland Basin, Bristol, February 2023

Lee Roy likes to paint his letters in a rather unconventional style, verging on anti-style. The letters are beautifully designed, but unruly and unfettered. There is scope for the artist to do whatever he likes, and he does. Weirdly, some kind of order is restored with the inclusion of a strand of barbed wire running through the piece. This is a really imaginative, creative and curious piece from Lee Roy. Watch this space for a whole bunch more from him.

4751. Lower Ashley Road (7)

Taboo, Lower Ashley Road, Bristol, August 2022
Taboo, Lower Ashley Road, Bristol, August 2022

On a shutter, next to another of his works (the Garfield one), Taboo gives us one of his typically irregular pieces of writing. The style he adopts is known as anti-style or ignorant-style, as explained in this rather weird vlog.

Taboo, Lower Ashley Road, Bristol, August 2022
Taboo, Lower Ashley Road, Bristol, August 2022

The letters spell out TABOO, and in keeping with the style, there is an irreverence for high design or regularity that you might find in wildstyle writing. There is pleasure to be had from the piece, however, and the pink background overlaid with white letters somehow works really well. No characters to accompany the piece on this occasion, but a fine work nonetheless.