7334. Backfields Lane (4)

Nice One, Backfields Lane, Bristol, November 2025
Nice One, Backfields Lane, Bristol, November 2025

I don’t often feature dogged or tagged pieces, but I think that there is enough of this Nice One piece to warrant a post. Nice One is a bit of an enigma, painting some wonderful combination pieces and writing in a crisp, clean Times or similar font, all wholesome stuff, and then there is the edge part of his work, where he might paint his letters high up on a building there for posterity – more of this to come soon.

Nice One, Backfields Lane, Bristol, November 2025
Nice One, Backfields Lane, Bristol, November 2025

In this piece, a bearded character with a fisherman’s beanie is glancing across at the words Nice One, written in a fine script with some hatching in the contained spaces. A blue bordered rectangle adds structure to the piece. All very nice until you see the draft outline by the newish graffiti writer NONE – he must have been disturbed, and never finished his throw up.

1199. Backfields Lane (3)

I think this is the largest Decay piece I have seen, and I like it. Going large suits his work in my view. When I first saw this wall, there was a large white van obscuring the bottom half, and I was rather fed up. But by the next time I visited, the car park was empty and I got a good unobstructed view.

Decay, Backfields Lane, Bristol, November 2017
Decay, Backfields Lane, Bristol, November 2017

Decay has taken to adding some philosophical text next to his pieces recently, and I think mit works quite well. Here he says ‘living in the days of  ill soul’ and I kind of get what he’s talking about.

Decay, Backfields Lane, Bristol, November 2017
Decay, Backfields Lane, Bristol, November 2017

He has worked hard to make it look like the piece is emerging from a hole in the wall and I think to a greater extent it works. On seeing a previous piece by the artist, my wife rather spoiled things by pointing out a phallic undertone…which I hadn’t noticed. Now when I see his pieces I kind of see it again, and especially in this piece. I am not sure if it is deliberate or accidental, but it is difficult to ignore once it has been pointed out. Sorry.

A great piece from Decay.

469. Backfields Lane (2)

This really is an astonishing wall by Kleiner Shames. It is outstanding not only in its sheer scale, but also in the colours and designs incorporated. The mural seems to be telling several stories.I love Kleiner Shames’ work, indeed I have some of it hanging on my walls at home. Rather than string out a laboured description of each photograph I will simply show them below as a series of pictures, taken from left to right of the mural. Simply superb work.

Kleiner Shames, Backfields Lane, Bristol, September 2016
Kleiner Shames, Backfields Lane, Bristol, September 2016
Kleiner Shames, Backfields Lane, Bristol, September 2016
Kleiner Shames, Backfields Lane, Bristol, September 2016
Kleiner Shames, Backfields Lane, Bristol, September 2016
Kleiner Shames, Backfields Lane, Bristol, September 2016
Kleiner Shames, Backfields Lane, Bristol, September 2016
Kleiner Shames, Backfields Lane, Bristol, September 2016
Kleiner Shames, Backfields Lane, Bristol, September 2016
Kleiner Shames, Backfields Lane, Bristol, September 2016

410. Backfields Lane (1)

It has been quite some time since I last featured a piece by Decay, but I came upon this one quite by accident recently whilst seeking out a large mural by Kleiner Shames.

Decay, Backfields Lane, Bristol, September 2016
Decay, Backfields Lane, Bristol, September 2016

I love the radiating geometry and colours that Decay uses in his work and love it that nearly always the pieces are uplifting and fun. Sometimes edgy and political, but always good to look at.

Decay, Backfields Lane, Bristol, September 2016
Decay, Backfields Lane, Bristol, September 2016

Since moving to Bristol about a year ago, Decay has really made his mark on the graffiti art scene. He is now part of the furniture here, and that is a good thing.