Perhaps better known for his smaller pieces, stencils and wheatpastes, this large blue face by Beastie came as a bit of a surprise to me at Upfest, so much so that I didn’t even know it was by him when I photographed it.
Beastie, Upfest, Bristol, July2017
This was a striking piece that stood out and grabbed the attention and would appear to have an environmental theme to it too. It is interesting that this year’s Upfest appeared to have quite a lot of large portraits, many in single shades of one colour – maybe it is a thing or maybe just coincedence.
Beastie, Upfest, Bristol, July2017
Looking forward to seeing what direction Beastie takes with his street art as his work is always interesting.
I wasn’t really looking for this tiny wheatpaste, and in fact must have walked past it many times before noticing it, but notice it I did and I am pleased to have done so. It is by the talented Beastie who seems to be at home with large or small murals or wheatpastes in equal measure.
Beastie, Jamaica Street, Bristol, August 2017
This piece is opposite the People’s Republic of Stokes Croft (PRSC) outdoor gallery in Jamaica Street. I think the paste up is of a great tit, but it is difficult to be sure in black and white. This is what I love about street art – it is out there, you simply need to go out and find it.
A rather poor featured image picture of a rather unusual collaboration by Beastie and Decay. This is not the first time these two have collaborated – or rather shared a wall – and I posted this Raleigh Road piece a few weeks back. The picture is poor, because I took it on a bright day with the sun behind the wall…never a good idea.
Beastie, Greville Road, Bristol, June 2017
This shared wall – I use this expression rather than collaboration, because the two works were painted at the same time, but there is little read-across between the two, each having its own distinct style.
Beastie, Greville Road, Bristol, June 2017
On the left is an unusual piece by Beastie featuring what I would describe as a fictional bird (I might be wrong here) near a small woodland and pond. I don’t know if it is symbolic or representative, but it is a rather pretty bird. I love it when artists incorporate the street furniture, in this case a litter bin, into their works.
Decay, Greville Road, Bristol, June 2017
On the right, is a nice piece by Decay. His work, arguably, is the most distinctive in Bristol. There is absolutely no way that it could be confused with anyone else. The abstract symmetry and concentric bands of reds, greys, whites and blacks have Decay written all over them. Really good drips here too.
Decay, Greville Road, Bristol, June 2017
Overall this is a lovely shared wall, but it will be here only for a fleeting moment as we approach Upfest at the end of the month, and this wall is a popular one for the festival.
Alongside works by Voyder, Deamze and Soker sits this unusual and rather good collaboration by two great graffiti artists – Beastie and Decay. The Decay element is easy to identify, displaying all his concentric shapes and tones although this time in blues, rather than the usual reds, greys, whites and blacks that are his favoured colours.
Decay, Raleigh Road, Bristol, November 2016
Had the piece not been signed, it would have taken me a little while to identify Beastie’s contribution on the left. Some will remember his mischievous cat in Stokes Croft that had been tagged, but has now been resurrected. Because I only see occasional works by Beastie, I haven’t properly ‘got my eye in’ with his stuff, and his style is rather more broad than some other artists.
Beastie, Raleigh Road, Bristol, November 2016
This is an interesting collaboration with a rather solemn message, but i think they have carried it off really well. Such a pity about the black line through the piece, but you have to be quick these days.
Back in April, there was a massive explosion of new pieces appearing in the tunnels of The Bearpit. This beautiful piece by Beastie, I believe, only happened because he was hanging out with some other artists and decided at the last minute to join in.
Beastie, The Bearpit, Bristol, April 2016
As is often the case at the moment, you have to be very quick to get ‘clean’ photographs of anything in the Bristol hotspots. By the time I got to this one, it was already quite heavily tagged. It is a really lovely work, Beastie is a very talented artist. Sadly, his cat in Hillgrove street has recently been defaced, which is a real shame, it is one of my favourite pieces in Bristol.
I love Dean Lane. It is a road that joins Coronation Road, which runs alongside the New Cut, with North Street, and at its southern end plays host to some of the most creative street art in the area. There is a public swimming pool and skate park on Dean Lane, and both are plastered with graffiti and street art.
Beastie, Dean Lane, Bristol, January 2016
This piece by Beastie is curious. It is a wheatpaste of an Ordnance Survey map that has a sketchy drawing and some spray work on it. Just to add to its quirkiness, somebody has subsequently added a pink sticker.
Beastie, Dean Lane, Bristol, January 2016
I make no secret of the fact that I am particularly fond of wheatpastes, and this one is a beauty.
Natural adventures 