I saw these footprints in the mud today on the River Avon while taking a lunchtime walk with the dog. I think they are otter footprints – no chance of seeing their maker though.
I haven’t seen a piece by Turoe for quite a while and I understand that his absence may be attributed to a recent illness. Whatever the cause of his absence he makes reference to it with the words ‘back from the dead’ at the bottom right hand side of the piece.
Turoe, Dean Lane, Bristol, October 2020
Turoe has painted a reasonably uncomplicated piece although it has a real feel of a Slim Pickings TES piece, especially the two ovals at the start of the T and the fills drips and letter shading. Both artists belong to the No Frills crew so it is no surprise that their styles impact on one another. Welcome back Turoe.
I am catching up a little on Halloween pieces, so forgive me for the delay. This is a magnificent work from Nightwayss which I’m afraid the photographs fail to capture adequately, so you just have to imagine how much better this looks in the flesh.
Nightwayss, Brunel Way, Bristol, October 2020
The piece is nicely framed in a portrait orientation and he would have needed a decent ladder to get to the higher parts of the wall. There is quite a lot of glare on this piece which is unfortunate, but putting that to one side, the scene that unfolds is crazy and nightmarish. There is a zombie monkey (of course), holding a bunch of keys and sitting immediately below a large eye.
Nightwayss, Brunel Way, Bristol, October 2020
An elaborate decoration surrounds the piece but look out, a snake lurks within the swirls. This is an unusual and intriguing Halloween piece from Nightwayss and is rather special in my eyes.
Within street art circles, the digital social media network is a fairly crowded place, and a fair proportion of the pieces I photograph I have already seen on Instagram and I make a deliberate decision to go and find them. A smaller proportion of pieces I ‘discover’ all on my own and in a strange way this gives me rather more personal satisfaction. I suppose one solution would be to stop using social media (would probably be a good thing in the long run), but somehow these platforms lend themselves so well to the ephemeral nature of the art I love. I found this one without knowing of its existence and what a lovely surprise it was.
Soker, Dean Lane, Bristol, November 2020
Soker has knocked it out of the park with this tight colourful and beautifully designed piece of graffiti writing in Dean Lane. The colours used with the letters complement each other so well whilst contrasting too – how does he achieve that? The whole thing simply oozes class, something I have said so many times when writing about Soker’s work. Classy work, classy artist.
It took me a little while to solve the mystery of these faces that started to appear all over Bristol from about September time. Of course the answer was staring me in the face (almost literally) all the time, but I simply didn’t make the connection. It wasn’t until I saw an Instagram post by the artist that the penny dropped. It is of course by Slakarts.
Slakarts, Cumberland Basin, Bristtol, October 2020
Slakarts is another artist who has been fairly quiet for most of the year, but suddenly a rash of pieces very similar to this one started appearinng a few weeks ago. It is strange that an artist who is known for using a certain style changes the basic shape of his pieces and then repeats them all over the place in the form of a mega-tag, but that is what Slakarts has done. I like this piece with strong lines and fills, and it certainly catches the eye. Look out for more on Natural Adventures before too long.
I pitched up in the tunnel just as Elvs and a couple of friends were just leaving. Unfortunaetly I wasn’t able to say hello as they jumped into their car and disappeared. Fortunately they had left behind some lovely pieces, including this one by Elvs himself.
Elvs, St Werburghs, Bristol, October 2020
It feels like Elvs has been fairly quiet through the latter part of summer and the walls of Bristol have been all the duller for his absence (or at least they might have been were it not for the abundance of talent in the city, but I think you know where I’m coming from). This is a typical piece of Elvs writing in his unique style with three horizontal fills and a 3D shading with a vanishing point in the centre of the work. Welcome back.