As I see it, Slim Pickings (TES) creates his pieces in two forms; a high-end version of his letters with immaculate fills and clean lines and considered colour schemes and his throw-up versions that are a little bit more ‘street’ if you get my meaning. This one falls ever so slightly more into the second category.
I have to say that I am not too keen on the salmon pink colour and I think the ‘stitch’ lines on the edge of the letters make the piece a little untidy in my opinion. I ought to add that I might be overthinking this and being slightly picky. I always welcome Slim Pickings’ letters in whatever shape or form they come in.
Yep, he’s back. This is just one of several new pieces by Slim Pickings (Tes) to appear over the last couple of weeks in Bristol. After a long quiet period, he has let loose again and there seem to be one or two adjustments to his ‘normal’ form of letters.
This one in the tunnel is slapped over another piece, almost like a sticker, in the fine tradition of throw ups, but this is a classy and beautifully finished type of throw up. Unfortunately the light in the tunnel kind of bleaches out any colours, so the piece looks a little bland. One of the variations that has crept in is the tightness in the curve of the S, an interesting development for those who study such things.
It feels like an eternity since I last saw a Biers piece that actually spelled out ‘BIERS’ rather than ‘OhYeah’, and I have to say it makes me very happy. I remember the first piece I ever posted by Biers – it had a piece of toast in it, and shortly after that I met him on several occasions while he was painting and we struck it off really well – it has been a while since I last saw him though.
This is a regulation piece of Biers writing and all the more splendid for it. His irregular sized letters are expertly filled with black and red patterning. This is a most satisfying piece.
I think that this might be the first Slim Pickings (Tes) piece that I have posted since the easing of lock down restrictions, and what a nice one to be kicking off with. Some lovely colours and the customary care and attention that Slim Pickings always applies to his work.
The piece was part of a No Frills collaboration that was painted over the RBF Black Lives Matter collaboration before it, emphasising just how rapid the turnover here is right now. An aesthetically pleasing piece from a great writer.
I am still puzzled about how I have only recently (over the last year or so) noticed work by Turoe One. I know he has been around for a long while, but It is only in recent months that I can recall seeing his work just about every time I look up. I guess it is a bit like when you hear a new word that you have never heard before, and then, would you believe it, you hear it again and again and think how did I miss that?
A digression I know, but I wonder how many Turoe pieces I missed before he came onto my radar. This is a fine specimen and perfectly turned out. It would appear from the last few pieces that Turoe is going through a bit of a ‘green’ period at the moment, or maybe he simply over ordered on the green paints. I happen to rather like green pieces, so that is good.
One of the busiest artists this year, and it is a very competitive field, is without doubt Turoe (Turoe One), and one of his favourite spots to paint is this left hand end of the long wall at Dean Lane. It is funny how artists gravitate towards certain spots.
This one is a really fine piece of writing in shades of green, spelling out TUROH, the H is a new one on me, but works well. I am very fond of the colours Turoe has used for this and there is substantial mastery in many aspects, for example the two-tone outline. Another good piece from Turoe.
I have a feeling that this is the first piece from Turoe One post-lock down easing or at least if it isn’t then I have missed something. Situated in one of his favourite spots, at the left hand end of the first wall in Dean Lane, this is a striking and well executed piece.
Such is the turnover at Dean Lane at the moment that this didn’t last too long, and even some of the bigger pieces there are being over painted. This is what happens when you restrain artistic talent for months, there is a surge of activity. It is difficult for folk like me to keep up. This Turoe One burner is a high quality piece from an experienced hand.
Something a little different from Slim Pickings in May 2017 in which the artist is experimenting with a straight-line version of his ‘super tag’. The piece demonstrates the versatility of the artist, and is something of a rarity.
I must confess however that I am not wholly convinced by the success of the experiment, and while it is nice to see something different I feel that Slim Pickings just hasn’t quite carried it off with the same panache that he manages with his more usual curvy variant.
This is an older TES from Slim Pickings (TES) painted back in July 2018, before I had properly registered how many different versions of his ‘super-tag’ he had produced. I post his pieces rather sparingly, because to some they might seem a bit repetitive, but for others the joy is in scrutinising the subtle differences between the designs of each one and the use of different colours and fill patterns.
One thing that remains consistent with Slim Pickings is that his work is always immaculately presented. The lines are always clean and the fills solid without thin bits that you see on a lot of throw ups for example. The red and green work well and the yellow outline sets the piece off nicely.