I think this is my favourite wall in Dean Lane and it has hosted so many outstanding pieces over the years. Some occupy the whole height and width of the wall, some just the lower or upper portions, some are solo pieces and some collaborations like this one from Slim Pickings and Biers.
On the left is some superb writing from Biers, which appears to spell out BIERY, which is a nice variant of his letters. I like the unruly nature of his writing where uniformity of letters goes out of the window. This is one of those collaborations that share a wall and colour convention.
To the right is the contribution from Slim Pickings whose TES doesn’t quite fit on the wall. The letters are big and bold and the black fill dominant. This is one of those collaborations that you cal look at and say ‘yes’!
It would seem that Turoe isn’t quite ready to stop reminding us what a bad year 2020 has been with this ‘Shyte’ piece in Dean Lane. He may be using the same word associated with his recent work but has given it a rather different style this time round.
The large block letters in black are nicely formed and bounded by a strong lime green outline. The subtle part is in the red clouds across the bottom of the letters and purple accents. Another fine shyte piece from Turoe.
There is just enough time to squeeze in another post from Turoe featuring one of his end-of-year “shite year” pieces before this trying 2020 finally comes to an end. The pain has been relentless, but I have a sense that things will start to ease for all of us over the coming months. Scars will be left, and we will never forget 2020, but we will move on, and it will pass… we need to make time and space to turn our attention to more pressing (yes more pressing) issues such as climate change and biodiversity loss.
This one from Turoe in Dean Lane is another very nicely crafted burner, and there is absolutely no doubting Turoe’s talent. I have noticed that one of the No Frills (crew) trademarks is these bubble backgrounds, which several other members also use. I feel that these “shite (shyte)” pieces will act as a reminder for archivists, when we review 2020 in years to come.
I haven’t seen too many of these TESs over the last few months, and the ones I have seen have been ‘quick ones’ in the main, so stumbling across this one at Dean Lane was something of a treat.
I know the artist as Slim Pickings (after an old Instagram handle) but many call him Tes, based on the letters he writes. This has all the features you’d expect; perfect shapes for his letters and a thick solid fill, a beautiful 3D shading in gold set on a pink ‘cloudy’ backdrop. The white spots and bright green drips add the finishing touches. This is a classy piece.
I will apologise up front for any profanities in this post or any others in the coming days featuring work by Turoe who appears to be on a mission to tell us what a terrible year it has been, and although we already know it, there is value in laying down these markers lest we forget.
This is one of several pieces of writing that have appeared over the last fortnight or so all over Bristol, and each one of them nicely executed. At first there was a little confusion over who was behind them, but it didn’t take too long to work out that it was Turoe. There is some classy skill behind this piece and it is so obviously by an experienced hand – one might ordinarily associate the word ‘Shite’ to be associated with taggers or quick and dirty throw-ups, but not here, this is quality writing.
It says Biers and that makes me happy. Biers went through a phase over the last 18 months or so of writing OhYeah, but reverted to Biers at some point during lockdown. His Instagram handle is Jimothy_Cool_Aid, but Biers will do.
This is a nice little piece tucked around the corner on the M32 roundabout and includes a little ghost for good measure. The piece has the heading high spirits, which is a word play on the ghost smoking a spliff. The letter shapes are great and the fills ‘to die for’. A nice modest one from Biers.
I haven’t seen a piece by Turoe for quite a while and I understand that his absence may be attributed to a recent illness. Whatever the cause of his absence he makes reference to it with the words ‘back from the dead’ at the bottom right hand side of the piece.
Turoe has painted a reasonably uncomplicated piece although it has a real feel of a Slim Pickings TES piece, especially the two ovals at the start of the T and the fills drips and letter shading. Both artists belong to the No Frills crew so it is no surprise that their styles impact on one another. Welcome back Turoe.
There is a thing at this time of year in the street/graffiti art world and that is to do a Halloween piece. I haven’t seen too many this year, although I have just been out to walk the dog and photographed a whole bunch more. This one is by Biers, who I am pleased to report is writing Biers again having spent the last year or two writing OhYeah.
This piece is a classic writing/character combination with a rather friendly looking grim reaper popping up to the right hand side of the writing. Biers has been reasonably dormant this year, so it is great to see him getting out and about.
As I see it, Slim Pickings (TES) creates his pieces in two forms; a high-end version of his letters with immaculate fills and clean lines and considered colour schemes and his throw-up versions that are a little bit more ‘street’ if you get my meaning. This one falls ever so slightly more into the second category.
I have to say that I am not too keen on the salmon pink colour and I think the ‘stitch’ lines on the edge of the letters make the piece a little untidy in my opinion. I ought to add that I might be overthinking this and being slightly picky. I always welcome Slim Pickings’ letters in whatever shape or form they come in.
Yep, he’s back. This is just one of several new pieces by Slim Pickings (Tes) to appear over the last couple of weeks in Bristol. After a long quiet period, he has let loose again and there seem to be one or two adjustments to his ‘normal’ form of letters.
This one in the tunnel is slapped over another piece, almost like a sticker, in the fine tradition of throw ups, but this is a classy and beautifully finished type of throw up. Unfortunately the light in the tunnel kind of bleaches out any colours, so the piece looks a little bland. One of the variations that has crept in is the tightness in the curve of the S, an interesting development for those who study such things.