My Dog Sighs, Upfest 2026, Greenway Bush Lane, Bristol, May 2026
An unusual and rather grotesque piece by My Dog Sighs at this year’s Upfest, one of two very different offerings by the artist. I don’t think I have ever seen something similar to this by My Dog Sighs, and it is a departure from some of his staples, although the eye is very much a part of his repertoire.
My Dog Sighs, Upfest 2026, Greenway Bush Lane, Bristol, May 2026
My Dog Sighs has managed to use the space perfectly to present his ugly and distorted monster face. The mouth is perfectly placed over the door, consuming all that enter here, and there are dropped eyes either side of it. The eye on the right is a window of the building, but looks like an integral and deliberate part of the character piece.
My Dog Sighs, Upfest 2026, Greenway Bush Lane, Bristol, May 2026
Stretched green skin with stitches and warts add to the overall creepiness of this character piece. The signature eye is what gives this away as an MDS piece, in which you can see a reflection of the viewer and a wall and tree behind. Such incredible detail everywhere you look. Utterly outstanding in every aspect.
There was a conspicuous absence of Christmas celebration street art in Bristol this year, or at least in any of the spots I visited over the holiday period. This might reflect Christmas fatigue, or perhaps a feeling that after a difficult year the mood was slightly downbeat. There was one small Christmas highlight, however, on the long wall at Cumberland Basin.
Peggy, Cumberland Basin, Bristol, December 2025
Peggy teamed up with some RBF friends, and painted this lovely floral piece in Christmas colours. I can only think that Peggy has been very busy with her work this year, because her street pieces have been few and far between, so finding this one was a bit of a treat. I’m not too sure what the AIZA letters refer to… I might need to investigate.
Painted as part of the Bristol Mural Collective’s recent paint jam, this unusual piece is painted by Qubart, an artist I have not come across before. I have noticed that 2025 has been a year in which there have been more ‘debutants’ on Natural Adventures than ever before, which speaks of both the growth in numbers of people who want to paint the streets and that Bristol is a number one destination for street art and graffiti.
Qubart, Lucky Lane, Bristol, September 2025
This modernist piece, that appears to be influenced by several art genres, is bold and eye-catching, quite literally. The primary colours work well with the design and the composition. It might be considered a bit weird, but in the context of everything else that I see in Bristol, it isn’t that weird at all. It is always a pleasure to be introduced to a new artist.
Mage and Piewaste, Stapleton Road, Bristol, June 2025
This is one of those stacked collaborations that have to be taken as a pair, because separating them might look a little bit awkward. I am not 100% sure that it was painted as a collaboration or whether both artists painted their pieces separately, but you can see that Piewaste’s piece overlaps Mage’s piece above it, and was therefore completed second.
Mage and Piewaste, Stapleton Road, Bristol, June 2025
Mage has presented a regular set of letters, but with a creative fill that includes a dashed line pattern reversed out. It is great to see an artist reinventing himself in the way he has with a completely new set of letters, although I have to say I preferred his old letters.
Piewaste, who has written WASTE in letters that are close to anamorphic, creating a strong sense of depth and three dimensions, also includes his trademark eyes looking out from the writing like a cartoon forest at night (kind of thing). Nice to see these two pieces together like this.
Ordinarily, I would expect a 3Dom piece to stick around for a month or two at least, but this wonderful piece only lasted a couple of weeks, which is a shame, but at least it was painted over with a decent piece, and it wasn’t tagged or bombed.
3Dom, Peel Street Green, Bristol, May 2025
There is always a great deal of symbolism in 3Dom’s work, and here is a large eye character bearing the heavy weight of a skull. There is so much more going on here than simply the idea. The colour selections, light cast, shadows and perspectives are all impeccably presented and sets a bar for character artists across the land. You might spot a yellow Mr Bloopy in the background too.
The little passage alongside the swimming pool wall in Dean Lane is often full of surprises, and I was thrilled to find this lovely floral piece by Peggy, especially as she has been reasonably quiet over the winter.
Peggy, Dean Lane, Bristol, May 2024
Peggy, who I guess has been busy with her tattooing, managed to find some time to create this display of leaves and, of course, a flower including an eye in the centre. Lots of symbolism tied up with the eye, but I am not too sure what it might mean. Peggy has chosen a nice palette of colours and finished the piece neatly. Perhaps this is a sign of more activity over the summer – fingers crossed.
I don’t quite understand why, but I have posted very few pieces by 3rdeye on this blog, perhaps because he only paints occasionally, but I’m sure I have more in my archives somewhere. 3rdeye pieces are a rare thing, especially outside of festivals, so it was a considerable surprise and delight when I stumbled across this piece a little while back.
3rdeye, M32 Spot, Bristol, May 2023
Painted on a utility box and wall at the top end of the M32 Spot, underneath the motorway, 3rdeye has split the piece into two parts. On the utility box is one of his imaginary characters, perched on top of an eye with a thought cloud saying “sexual chocolate”. I have no idea what this means and won’t be asking.
3rdeye, M32 Spot, Bristol, May 2023
On the adjacent wall, there are several cleverly concealed characters, painted in 3rdeye’s distinctive style, together with some letters, but I can’t quite make out what they are… it looks like E A E, but that doesn’t seem right. The piece is nicely signed at the top and demonstrates the strength in depth of talent in Bristol.
Tack Jucker is an artist whose work I have enjoyed from the very first piece I saw back in October 2021. Animals are his speciality, but he has also painted several hand studies too and this is one of them. I have been aware of this piece for about a year, but recently re-photographed it, because I couldn’t find it in my archives.
Tack Jucker, Cumberland Basin, Bristol, May 2023
There is a lot of symbolism in this piece, with an all seeing eye in the palm of the hand and tears cascading down to form a river. The perspective in the hand is superbly worked and the light and shadow provides depth and contrast. This is a really nice piece from Tack Jucker, whose occasional pieces are always a welcome contribution to the Bristol scene.
Natural adventures 