This is a rather unusual piece from Laic217 in so much as it looks rather more like a commission than a graffiti art work. I think that the texture of the breeze block wall has also contributed to the unusual look of the piece.
Carrying the words ‘cans ‘n roses’, this is an obvious nod to the hard rock band and the piece has a hard rock feel to it. Is this where Laic217 gets some of his inspiration from? I guess it is less important where it comes from, instead it is what he does as a result of inspiration, and this is an absolute gem of a piece.
As I already mentioned the surface of the wall gives the piece a kind of matt finish which is so unusual. The can and roses motif is beautifully conceived and executed, Laic217 is an artist who just seems to go from strength to strength.
Of course, a little bit like Nightwayss and his monkeys, no Laic217 piece is complete without a skull or skeletal character and here he doesn’t disappoint. Another triumph from an artist who is having another busy patch.
There so many things that I love about street art and graffiti writing. Firstly there is the beauty of the art itself and an admiration of the technical skills needed to create it in the first place; then there is the hunt… finding a piece and photographing it and if you get extra lucky having a chat with the artist whilst they are working; post-production includes archiving the pieces and finally sharing them here on Natural Adventures and on my Instagram feed. It keeps me busy. There is also resolution, which happens when you archive a piece, waiting for the day when you know a little bit more about it and can post it. This day is now and the piece is by Pura Decadensia.
I think that this was the first piece I saw by Pura Decadensia, but it is the third that I have posted. A girl dressed as Satan set on a purple and orange flame. I saw a sketch of this piece in her Instagram feed and the devil had a tail, which I think would have capped this piece off nicely. I wonder if she forgot to add it. Fabulous work nonetheless.
I love coming back to photographs that I have in my archive, just waiting there for an artist identification. It is so fulfilling and closes a circle – a great feeling, like a detective solving a case. I was struck by this piece along the River Avon back in November last year and a little bit peeved that I couldn’t place the artist at all. I discovered the artist’s identity recently after I found another piece at Purdown and started investigating Instagram accounts of other artists who had painted up there – eventually I tracked down Antikki. All I needed to do was look at the signature… d’oh!
This is a lovely wholesome design piece and has a feel good factor about it – dancing figures bouncing bums in beautiful colours, what’s not to like? Antikki’s style is one that works equally well on walls or in smaller studio designs. I love it when designers and artists hit the streets, it kind of lends legitimacy to street art in a curious way. More to come soon.
This awesome piece of writing, which I photographed back in November, along the River Avon cycle track, is by Spanish artist Claro_que_sssnoh or Claro for the purposes of this post. The Spanish crews are absolutely smashing it all over the city this year and have brought about some joy in a very difficult time for us all.
This piece was sandwiched between two depictions of Satan to form the central element of the collaborative wall. I’m not too good at deciphering this writing, but I think the letters spell out NOHSE, or something similar. Claro is assured with his writing and can paint in several different and contrasting styles. This is an assured and beautifully sprayed piece.
I haven’t posted a Rapt piece for quite a while, even though I have several in my archives – I’m not sure why, sometimes it just breaks down that way. This is quite an old piece by the artist, but one I only recently photographed while walking the dog alongside the River Avon.
Rapt is one of those artists who usually incorporates a little character alongside his writing and here it takes the form of a ghost wearing round sun specs. The writing is nicely done although the purple and green don’t work too well together in my eyes, especially with the red and black 3D shadow on the letters. The yin yang symbol works nicely though. Colour selections are a very personal thing, but to the viewer some combinations work much better than others. I need to dig more of his work out of my archive.
Painted alongside his compatriots, this stunning piece by visiting Spanish artist Sin Prisas complements the Satan by Dabuten Tronko perfectly. I’m not exactly certain when this piece was painted, but I think it was during October/November this year, and when I took these pictures, it all looked clean and fresh too me.
This is a satanic figure peering over a wall and up to no good, with a devil capped spray can at the ready. It is beautifully sprayed with plenty of depth and some nice details. These guys sure can paint and this wall is really impressive. If you’ve not been there to take a look yet, I can highly recommend it.
There was a time a couple of years ago when there was absolutely no stopping Panskaribas and his Reseau pieces, and then I think he went away for a while. Since his return he has not been quite as prolific and his pieces have toned down a little, in my view.
I am not entirely how old this piece is, but I suspect it was painted within the last six months or so. The element that makes it recognisable as a Panskaribas piece is the bent over shoe in the left-hand corner and the toes next to it in the Picassoesque style. I think the letters of the piece are jumbled up and spell out RESEAU, so from left to right I see S – E – A – U – E – R. Of course I could be entirely wrong and trying to see things that are not there. Good to find a piece by the artist after a rather long time.
When I went for a walk along the Riverside a week or two back it felt like Christmas had come early. When you don’t visit a graffiti spot for a while, even one with a low turnover, there are always dozens of new pieces to admire.
This is a splendid piece of writing from Spanish artist Dit Oner that appears to stand proud from the wall thanks to some clever 3D shadows giving it depth and subtle light shading along the bottom of the letters. The letter style is bold and regular letters like these are made a little easier on brick walls when you can follow the lines of the brickwork to get your proportions and spaces. This one simply doesn’t want to be ignored.
Lots of unknowns about this amazing piece on the Avon River pathway. I have no idea who the artist is and I don’t know how long it has been there, but judging from the fact that it looks pretty fresh and clean and the subject, it might be a recent Halloween piece.
Set on a blue and red broad-striped background this fabulously painted Satan face with enormous horns stands out a mile. The artwork is immaculate and this has been sprayed by an accomplished artist. The hand and spray can spewing out blue paint add a perfect finishing touch to the wall. The word MAFIA at the bottom right doesn’t help with identification. I am irritated that I can’t place the artist, especially as there is something familiar about the style that I simply can’t pin down. Too good not to post. I got there in the end, it is by Dabuten Tronko… see comments below.
I don’t get there too often, which is a bit of a shame, but there is a nice walk along the River Avon which contrasts two very different scenes; on one side is the muddy river with plenty of bankside vegetation and a variety of bird species an evidence of other wildlife such as otters on the other side is a long gallery of graffiti and street art displayed on the rear walls of buildings on an industrial estate.
Along this stretch I found this rather nice calligraphy piece by Stivs, an artist getting quite a lot of exposure on Natural Adventures at the moment. The orange and red colour selection is a winning combination and the script has some rather good harlequin reversals breaking up the lines. A fine piece from Stivs.