90. Stokes Croft, the Carriageworks (3)

As I have said before, the turnover of work on this ‘practice wall’ in Stokes Croft is quite phenomenal. This new piece by Silent Hobo has appeared during the Christmas break. It will be gone soon.

Silent Hobo, Stokes Croft, Bristol, December 2015
Silent Hobo, Stokes Croft, Bristol, December 2015

You can find out more about Silent Hobo on his website, but what I really like is that he still sprays on the streets of Bristol, not always legally, even though he has a successful commercial outfit.

7/10

Holiday tip trip (or more correctly, recycling centre)

 

Unloved posessions

and accumulated junk;

a Christmas chuck-out.

 

by Scooj

89. Cherry Lane

This is one of several tributes to Mibzy (Mibsy) (King of paint) that can be found in Bristol. More about Mibzy here.

Deamze? Mibzy tribute, Cherry Lane, Bristol, October 2015
Deamze? Mibzy tribute, Cherry Lane, Bristol, October 2015

This ‘burner’ (straightforward lettering or word) is attributed to Bristol artist Deamze, although I am having difficulty confirming it. It has been slapped up on a derelict shop front. Looking at earlier photographs of this tribute on the Interweb, shows just how rapidly this building is crumbling. A forgotten side street, but Mibzy is not forgotten.

6/10

Sales

 

Shopping at the Mall

fills me with a cold dread when

hunting for bargains.

 

by Scooj

Last day at work

 

I’m soaked to the skin;

damp clothes release that dank smell.

I want to go home.

 

by Scooj

88. Hillgrove Street (4)

The more posts I write about Bristol street art/graffiti, the more familiar I am becoming with the various artists and their particular styles. I have had to do a lot of research, often on the thinnest of evidence, but sometimes I am simply stumped.

Silent Hobo, Hillgrove Street, Bristol, December 2015
Silent Hobo, Hillgrove Street, Bristol, December 2015

I have been struggling, until today, with the artist that created this beautiful mural on Hillgrove Street in Stokes Croft. The penny dropped when I was looking at Google images of the work of Silent Hobo, and I spotted this one. Of course it is by Silent Hobo…how could I have been so stupid? It is moments like these that broaden my knowledge. I must remind myself that I have only been doing this for a few months and it will take a long time to become an expert.

Silent Hobo, Hillgrove Street, Bristol, December 2015
Silent Hobo, Hillgrove Street, Bristol, December 2015

The Silent Hobo works I have presented before (33 and 66) are not similar enough to this one for me to have made the connection. I am really struck by this piece.

8.5/10

Church of fairies

 

Moment of magic;

unseen doors appear for a

small congregation.

 

by Scooj

 

  • I saw this little doorway this morning. I love it when creative people do things like this. Heartwarming.

87. Moon Street (2)

On the site of a former SPQR spaceman (which for a while was thought to be a Banksy), there is now one of 3Dom’s latest creations. This has the unmistakable hallmarks of his work although it is unsigned.

3Dom, Moon Street, Bristol, December 2015
3Dom, Moon Street, Bristol, December 2015

More research is needed to understand what the alien in a sandscape is all about, but his works are always imaginative, colourful and dreamlike.

3Dom, Moon Street, Bristol, December 2015
3Dom, Moon Street, Bristol, December 2015

Our friend the gnome stencil has also made another appearance, and was added at a later date. I love this 3Dom work on a very famous wall in the Stokes Croft area.

Naughty Gnome, Moon Street, Bristol, December 2015
Naughty Gnome, Moon Street, Bristol, December 2015

 

Christmas Eve Eve Eve Eve

 

Early morning chill

numbs my fingers, though I care

not on such mornings.

 

by Scooj

85. North Street, No. 74

This striking portrait was sprayed by N4T4 during the Upfest 2015 festival. N4T4 is an artist and illustrator from Nuneaton in the UK.

N4T4, North Street, Bristol, September 2015
N4T4, North Street, Bristol, September 2015

In the artist’s own words:

“I paint portraits using realism as a reference point for more abstract experimentation. The images are built in layers that become ambiguous and open to interpretation from the viewer. I am inspired by aboriginal art and graffiti; aesthetically and conceptually with their self evolved visual languages, dual meanings, temporal quality and its basis in culture, people and environment rather than just commerce.”

N4T4, North Street, Bristol, September 2015
N4T4, North Street, Bristol, September 2015

The more I examine this work the more I like it.