1590. Moon Street (48)

I realise that some of you might think that I am overdoing it a bit with the Oner thing – this is my fifth post from this writer since mid-May – but I think that both his artistry and productivity deserve it.

Oner, Moon Street, Bristol, June 2018
Oner, Moon Street, Bristol, June 2018

At first glance the piece may look a bit messy, but there is lots that is good about it. His lines are clean and he has cut in the edges of his letters really skillfully so that each is distinct from the next. His shading regime has been reversed on the ‘e’ with the dark pink at the top and the light pink underneath. He has added in some nice drip decoration and if you look closely you can see some subtle bubbles on his dark pink. I think I could learn a lot from this writer.

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1574. Moon Street (47)

When I saw this piece on Face 1st’s Instagram feed, I knew I had to get down to Moon Street straight away to find it. Find it I did, and I think it is probably in my top 3 all time Face 1st pieces.

Face 1st, Moon Street, Bristol, June 2018
Face 1st, Moon Street, Bristol, June 2018

There is so much to like – rarely, if ever, have I seen more than a face in any of his characters…and here we have the full body complete with frilly pink knickers. The soft colours and tones contrast wildly with the bold graffiti aurrounding the piece, making it stand out from the crowd – it is nicely framed in the doorway.

Face 1st, Moon Street, Bristol, June 2018
Face 1st, Moon Street, Bristol, June 2018

Face 1st has always a productive artist, but recently he appears to have gone into overdrive, and he seems to be collaborating a lot too. I’m not sure where this new lease of life has come from, but whatever the reason I love it.

1543. Moon Street (46)

I don’t think  that there has ever been a time when I didn’t enjoy finding a new Laic217 piece and this one is no exception. The work is in one of his favoured spots in Moon Street and fits the frame of the doorway perfectly. There is a sinister element to the piece with the eyes missing and the scarf obscuring the face – I would expect nothing less.

Laic217, Moon Street, Bristol, June 2018
Laic217, Moon Street, Bristol, June 2018

I have mentioned many times before that Laic217 has developed his techniques a great deal over the last few years especially the different materials worn by his characters. In this piece the handkerchief tied around his neck has folds that disrupt the pattern on it, a nice touch.

Laic217, Moon Street, Bristol, June 2018
Laic217, Moon Street, Bristol, June 2018

Three hallmark signs mark this out as a Laic217 piece…The bucket hat, the smiley and the distorted face. They just keep coming.

 

1517. Moon Street (45)

Well you might be tired of NEVERGIVEUP’s bunnies, but I am not tired of posting them, and there are several more in the pipeline, so watch out. This one is in Moon Street and you might notice it is in good company with an old Laic217 piece on the left and work from Deamze on the right. The one on the left has recently been replaced, but the one on the right has been there for an age and really needs refreshing.

NEVERGIVEUP, Moon Street, Bristol, May 2018
NEVERGIVEUP, Moon Street, Bristol, May 2018

Given that he has done so many rabbits recently, I am left wondering if he will return to his monsters, or whether he’ll come up with something else. Whatever happens, his productivity and enthusiasm seems set to continue.

1494. Moon Street (44)

Just when I begin to think that I havebn’t seen anything from Laic217 for ages, up pops a new piece in one of his favourite spots. All the usual motifs we are accustomed to seeing in this artist’s work are here: the bucket hat and smiley; the gold chain with 217 and skeleton dressed in a tracksuit top. All very Laic.

Laic217, Moon Street, Bristol, May 2018
Laic217, Moon Street, Bristol, May 2018

This piece is interesting in its use of bright colours on the black background, it gives the whole thing a strong and fresh look. The smile on the hat has an interesting shadow, which would suggest a light source quite close and to the right of the piece because of the way it lands on the hat. (I think I know what I am trying to say here).

Laic217, Moon Street, Bristol, May 2018
Laic217, Moon Street, Bristol, May 2018

Finally, you just have to admite the gold rings on each hand spelling out LA – IC, awesome stuff from a firm favourite.

Thursday doors

Door(s) 33

This week, following on from a recent post in my graffiti/street art category, I decided to dig out some pictures of doors in Moon Street, one of my favourite haunts. All of the doors have been painted on, some of them several times over.

Moon Street is a short road that runs parallel with Stokes Croft and has mixed building use from a company car park, derelict church building, light industrial units through to a couple of night clubs a pub and a derelict plot.

This rather neglected area is perfect for street artists to display their talents, and doors lend themselves to being sprayed, it might be something to do with the framing and proportions.

Enjoy the gallery.

Door, Moon Street, Ryder
Door, Moon Street, Ryder
Rezwonk, Moon Street, Bristol, October 2017
Rezwonk, Moon Street, Bristol, October 2017
Sled One and Smak, Moon Street, Bristol, April 2016
Sled One and Smak, Moon Street, Bristol, April 2016
Laic 217, Moon Street, Bristol, May 2017
Laic 217, Moon Street, Bristol, May 2017
Coloquix, Moon Street, Bristol, August 2016
Coloquix, Moon Street, Bristol, August 2016
Laic217, Moon Street, Bristol, February 2017
Laic217, Moon Street, Bristol, February 2017
NEVERGIVEUP, Moon Street, Bristol, April 2018
NEVERGIVEUP, Moon Street, Bristol, April 2018
Rezwonk, Moon Street, Bristol, July 2017
Rezwonk, Moon Street, Bristol, July 2017
Rezwonk, Moon Street, Bristol, April 2018
Rezwonk, Moon Street, Bristol, April 2018
Rezwonk, Moon Street, Bristol, April 2018
Rezwonk, Moon Street, Bristol, April 2018

by Scooj

More doors at: Thursday Doors – Norm 2.0

1491. Moon Street (43)

I recently found out, via social media, that Rezwonk is a reasonably new citizen of Bristol having originally come from Devon. This would explain why his work has only been on my radar for the last few months. I rather enjoy writing about new artists, because they are not part of the establishment, and everyone else knows as much or as little about them as I do. Sometimes it can feel a little intimidating when reporting on the activities and artwork of some of the more established folk.

Rezwonk, Moon Street, Bristol, April 2018
Rezwonk, Moon Street, Bristol, April 2018

This piece went up about a week or so after his previous piece on this spot, which got bombed almost imediately. I think it demonstrated what a brilliant artist Rezwonk is. His lettering in different fonts is outstanding and he has a real knack for picking out the right background designs, colours and tone to set off the writing. It feels like a very designed approach, but one that works extremely well on the streets. Looking forward to seeing so much more from this fine artist.

Rezwonk, Moon Street, Bristol, April 2018
Rezwonk, Moon Street, Bristol, April 2018
Rezwonk, Moon Street, Bristol, July 2017
Rezwonk, Moon Street, Bristol, July 2017