It is always great to see new work in Moon Street, it seems to have slowed a little in recent months. There seems to be a general tendency by some artists to move away from the Stokes Croft area because of the density (in all senses of the word) of bombers and taggers. A pity really.
This is a fine quick piece by Boogie, and the second of three street pieces that he left as gifts during his short visit to the city recently.
This really is one of my favourite walls in Bristol, and even though somebody tried to sabotage the artists by screwing two doors to the wall it hasn’t made the blindest bit of difference. Rather it has become part of the texture of the wall. Boogie has obvious talent and class, and I really like the way he makes a feature out of the two Os in his name. A fine piece.
Once more we see a pairing of Laic217 and Cort on this hoarding panel in Moon Street. Unfortunately I arrived to photograph it just a little too late, and the Cort half has been dogged with a throw up. This is an all too familiar sight in the Stokes Croft area and can at times be really frustrating, and indeed has driven some artists away from the area, which is a real pity.
The Laic217 half of this collaboration features a rather menacing skull wearing a red bucket had with horns sticking through the top. the word ‘inferno’ stitched into the brim of the hat suggests that this may indeed be Satan.
Another nice piece from these artists and another weekly (at least) dose of Laic217.
I have just noticed that the shadow on the pavement in the bottom picture looks a little like it could be the shadow cast by Satan.
Laic217 seems to enjoy finding new spaces to spray his exceptional works. Moon street is a street familiar to graffiti artists, but I don’t believe these doors have has anything more than tags on before.
I particularly like this skull by Laic217 as it incorporates the Clifton suspension bridge, Bristol’s most significant landmark. Note to self…publish a special post containing works with the suspension bridge.
The picture is somewhat enhanced, in my view, by the fact that the doors would not close properly, adding another dimension to this piece.
I have no idea who this is by, but it really tickled me when I saw it. This is one of those pieces that you really have to keep your eyes peeled to be able to see. Low down and quite small. A dog on a skateboard. A paste up. What is not to like here?
If anybody might know who the artist is, I would be eternally grateful. Pure class as far as I am concerned.
Quite by chance I came across Laic217 spraying over one of his old pieces in Moon Street on my way to the ‘paint jam’ on 8 April. This was indeed a bit of a red-letter day for me, and I hadn’t even arrived at The Bearpit yet.
I have been really wanting to meet Laic217 for some time, because his work is so different and distinctive and he is so incredibly prolific at the moment. Now was my chance to say hello and ask him a few questions.
He seemed to know who I was (probably from my Instagram account), so I didn’t need to explain too much why I was interested in his work. He implied that he tries not to be influenced by other artists or what people write about him, preferring instead to plough his own furrow. He tends to spray alone and does not belong to any local crew. I picked up an accent which to my untrained ear sounded German.
When I asked him how can he be so prolific, he stated what I suppose is obvious, he said “It is what I do and I love to do it”. This is another skull face and bucket hat combo (I was glad to see he sports such a hat) with a gold tooth, joint, brick wall behind sun glasses and shattered smiley. It is all there and all absolutely wonderful.
I saw this beautiful piece appear in July 2016, at around about the same time as Upfest. Subsequently, I had seen some similar pieces in Shoreditch, during my six month stint commuting to London a couple of days a week. I was never quite sure who the artist was though, so have held on to this until I found out.
As is usually the case, Instagram came to the rescue and I was able to track down the artist, whose nom de plume is Coloquix. You can see more of his amazing work on this Global Street Art page. I believe that Coloquix is from Sheffield, but I think he creates his work in various places in the country.
I am really drawn to his work, it seems to have a simple sophistication (if that is not a contradiction in terms) and beauty, and I love the way he chooses to overlay his work on existing pieces. It is nice, at last, to write this post.
Sky High is no stranger to the streets of Bristol and I have posted pieces by him in Magdalene Place and in Dean Lane previously. I think he is based in London, but it is always nice when he visits. This piece appeared at the same time as Upfest 2016, and although I am not aware that he was a guest artist at the event, he might well have come for the buzz, and left a little present for us.
Sky High has a wonderful take on wildstyle writing, which is to spell out Sky High with block lettering, each letter in a different style and colour. The overall effect is really colourful and imaginative. Definitely one for those with a designer’s eye. It would be good to see a return this year.