2165. Moon Street (67)

A highly unusual piece in Moon Street by DNT on the wall where his three-eyed cat used to be. I met DNT (Dante) for the first time just as he was finishing this piece off. Like several street artists that I am acquainted with, he has a larger than life personality and didn’t seem to mind too much chatting about the piece. He said he wasn’t too happy with the the colour scheme and was suggesting that he had run out of a particular colour.

DNT, Moon Street, Bristol, April 2019
DNT, Moon Street, Bristol, April 2019

The copper tones remind me of a large tribute piece he did in The Bearpit a few months ago. It almost looks like two discrete works, the copper surround with soft lines and patterns and in the centre a red and yellow heart in a much more blocky style. Here DNT is showing his love for BS1. A nice piece, but I do miss the cat.

DNT, Moon Street, Bristol, December 2015
DNT, Moon Street, Bristol, December 2015

 

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2158. Moon Street (66)

DNT has a unique style that is difficult to describe sometimes. He has an interesting and thoughtful choice in colours in most of his work and the subject of his paintings often seem to be rather free and fluid, almost as if he created it on the spot. I’m not sure if that is how he works, but that is how it comes across to me.

DNT, Moon Street, Bristol, April 2019
DNT, Moon Street, Bristol, April 2019

This piece, on one of my favourite walls, is a striking lion’s head which kind of emerges from a background of about five strong colours. It is incredible how the face and mane stand out with all the busyness going on. While this might not be everyone’s cup of tea, I am rather drawn to it. Certainly it is unusual. I met DNT for the first time last week and he seems to be a really nice guy, larger than life and interesting, and in the short conversation we had, I can certainly see where some of his creativity and difference come from.

2154. Moon Street (65)

I recently posted a collaboration piece by ‘Ware’ and Jaksta from Upfest 2016, and I stated then that I wasn’t very familiar with ‘Ware’s work. Well nothing has changed there except that I now know his Instagram moniker is @mickeyraw and I able to see when he has painted new work. I found this one down in Moon Street recently, and it is a fine piece of wildstyle writing by this RAW artist.

Ware, Moon Street, Bristol, April 2019
Ware, Moon Street, Bristol, April 2019

The colours work really well together and the execution of the piece is truly first class. I am looking forward to seeing more from ‘Ware’ or do I call him Mickeyraw? I started with Ware, so will continue until I know better.

2143. Moon Street (64)

In Bristol it would seem at the moment that one is never far away from a Mr Klue piece. He is keeping very busy indeed, and this was from a couple of weeks back, during a paint session with Mr Sleven and DNT.

Mr Klue, Moon Street, Bristol, March 2019
Mr Klue, Moon Street, Bristol, March 2019

Using, what I am guessing are his favourite colours (he uses them a lot) he has created another calming abstract writing piece that possibly spells out KLUE (or you can even read WONE – Mr Klue’s surname). His light touch pieces always have an ephemeral feel about them, that they might just waft away on the breeze. Still loads more to come.

2128. Moon Street (64)

Together with Zake (see previous post), Panskaribas is emerging as one of my favourite new(ish) arrivals on the Bristol scene. Both artists are becoming more bold with their wall selections as their confidence grows and it is a great thing to witness. I would continue to describe Panskaribas’s work as cubist doodles in spray-paint with a dash of surrealism thrown in.

Panskaribas, Moon Street, Bristol, March 2019
Panskaribas, Moon Street, Bristol, March 2019

One can see all sorts of references to various modern art movements in his work, but his skill has been ion blending these and coming up with something quite unique and really unusual in street art. An acquired taste perhaps, but so worth spending time to look at what is going on in these paintings – do I spot some Matisse in here?

2114. Moon Street (63)

Not quite as prolific as he has been in the past, but still keeping things ticking over is the brilliant Laic217 painting in one of his favourite spots in Moon Street. I think the dimensions of the wall lends itself to his portraits.

Laic217, Moon Street, Bristol, March 2019
Laic217, Moon Street, Bristol, March 2019

In this piece we see a return to several ideas used in Laic217’s work which link back to a theme of flammability. A melting face, which Laic217 has used to great effect many times,  that spells out his name. Spray can caps for eyes recessed deeply into the eye sockets and a bucket hat which in this case seems to be fashioned out of a spray can.

Laic217, Moon Street, Bristol, March 2019
Laic217, Moon Street, Bristol, March 2019

I will never get bored with his work and if I am honest probably look forward to discovering his work more than any other artist… it is like a game.

2099. Moon Street (63)

It seems that every artist I write about at the moment is accompanied with the phrase that ‘xxx has been very busy lately’. I don’t quite know what’s going on, but there seems to have been an awakening in Bristol over the last six months or so, and in the four or so years that I have been doing this, I have not quite known a winter so busy. Mr Sleven has also been rather busy and this fine wall in Moon Street is one of several recent pieces.

Mr Sleven, Moon Street, Bristol, March 2019
Mr Sleven, Moon Street, Bristol, March 2019

This is a fine piece of character writing, with the artist’s name interrupted by a girl in a facemask instead of the letter ‘V’. His style is somewhat different from some of the other writers here, who tend to work with much cleaner lines and solid fills, such as Cheo or Soker. Mr Sleven’s work is more organic perhaps, but is no less fantastic for it.

Mr Sleven, Moon Street, Bristol, March 2019
Mr Sleven, Moon Street, Bristol, March 2019

Showing off my ignorance, I’m not too sure what the icon on the woman’s mask is, but it sets the whole thing off nicely. Great to see something like this in Moon Street.