Well this is a bit weird, even by Zake standards, and I am not entirely sure what to make of it. To me the piece looks a bit like a cross between an aristocrat and a spaniel, and once seen, I can’t unsee it. There is something about that pointy nose that I find quite unsettling.
Zake, M32 roundabout, Bristol, July 2024
Zake has been on fire for a very long time and continues to push boundaries, but also reverts from time to time to his basic round face characters. His USP is working with light and shade to create depth and texture, great example of which can be seen in the eyes and cheeks of this character. Both bizarre and wonderful work from Zake.
Dime, Jody and Turoe, M32 roundabout, Bristol, July 2024
What a wonderful triptych piece on the roundabout which is what I would describe as a unique collaboration between Dime, Jody and Turoe. I am not familiar with Dime and am guessing that he was visiting Bristol and made contact with artists in the city to see who’d like to have a paint. That is how I imagine these kind of things happen.
Dime, M32 roundabout, Bristol, July 2024
The collaboration starts with a stunning piece of graffiti writing from Dime, with nicely defined letters, beautiful fill colours and a deep 3D drop shadow. The borders are nice and thin and flawless, and the letters are lifted with contrasting orange and red blobby decorations around the outside. The way I think about decorations in a piece is to try and imagine what it would look like without them – often they enrich what might have been something a little ordinary. Decorations are part of the composition, not just an afterthought.
Jody, M32 roundabout, Bristol, July 2024
Jody has been smashing it all over the place for a sustained period, and I understand from talking to Fade, is really enjoying himself. In this piece he provides the filling in a graffiti writing sandwich and features a cartoon style cool character striking a pose with a cloudy background. I love the sparkle on the sunglasses, a brilliant touch.
Turoe, M32 roundabout, Bristol, July 2024
Rounding off the collaboration is a piece of writing from a Bristol legend, Turoe, although I originally thought it was by Soker it is actually a tribute collaboration to Soker who had a cycling accident recently (Thanks to Jay for the background information). If ever you want to know what outstanding graffiti writing looks like, then look no further than Turoe, and this piece demonstrates why. Perfect colour selection, superb interlocking letters without being over-engineered, a deep and contrasting 3D drop shadow and tight border. All the elements are there and they are brought together by a master of his craft. All in all, this is a fabulous and quite unexpected collaboration. We are blessed, and a fabulous tribute.
Raid has slowed down a little, only a little mind, but his presence is felt whenever he paints one of his RAID writings. This one has to be marked out as being slightly different from his usual work on account of the inclusion of a character – a welcome addition.
Raid, M32 roundabout, Bristol, June 2024
The glaringly obvious feature of this piece is the camouflage fill, which is something I have seen quite a lot of, I would guess that it is probably easier to do than some fills, because the shapes and colour patchwork are quite random, and forgiving of little mistakes. The character is a bit of fun, but has very different characteristics to the confidence demonstrated in the writing. It will be interesting to see if Raid continues with the inclusion of characters. I noticed that his Instagram account appears to have disappeared, which is a pity.
I took a slightly longer walk away from Brunel Way a few weeks back on a very warm summer’s afternoon. Ashton Avenue (I think that is what it is called) is part of the Metrobus route that joins north and south Bristol without getting clogged up on the main thoroughfares, and is a sleepy track, except for the occasional bus trundling past. The route is peppered with utility boxes, some of which have been decorated by the unstoppable duo, Mote and Mr Crawls. Here are some of them.
Mote, Ashton Avenue, Bristol, July 2024
I really need to update Mote’s gallery, and I still haven’t actually created one for Mr Crawls yet, which would seem to be something of an oversight. (Note to self – post a Mr Crawls gallery soon). Both artists have been using chrome backgrounds, which I think is a really effective way of framing their character pieces.
Mr Crawls, Ashton Avenue, Bristol, July 2024
These examples really highlight the differences between the artists’ styles, but also the similarities, where a certain amount of cross-influencing has been at work. Mr Crawls has produced several versions of this character wearing some kind of hat, and indeed, hats seem to be quite an important feature in his work.
Mr Crawls, Ashton Avenue, Bristol, July 2024
Unfortunately, I wasn’t able to get to a couple of these pieces before the taggers got to them, but the other two are nice and clean. Here again, Mr Crawls’ character is wearing a hat. His work, in particular, has transitioned quite a lot from when he broke onto the Bristol scene with his gulls, parrots and other birds.
One of this summer’s pleasures has been the reasonably regular appearances by Kid Crayon and his painting pal, I am Ian. This wacky piece features a large cartoon-style character, with tears flowing from his exaggerated eyes, and the caption ‘Ain’t easy being macho’, which is really funny.
I am Ian, Dean Lane, Bristol, July 2024
Although it isn’t necessarily intended to be topical or political, this piece and the caption speaks to me about a growing and disturbing phenomenon of disenfranchised white males, often poorly educated and with limited prospects, turning to the far right of politics, encouraged by the untruths and promises of divisive and disingenuous politicians and activists. The perfect example of this was the man in a grey tracksuit at the race riot in Southport this week, who was posturing and puffing out his chest in front of a line of police with their riot gear, only to be hit on the head with a brick and another large item, thrown by other rioters at the police, and then on retreating back to the fold, got struck in the bo**ocks by another missile. ‘Ain’t easy being macho’.
Ha ha! ‘It’s all gone woke’, so says this marvellous character by Merny. The phrase is one used by anybody who doesn’t like or disagrees with those elements of policy/regulation/rules/behaviour that they take issue with on account of it not complying with their own values. The peak example of the phrase was probably the quote from former Home Secretary Suella Braverman, who used the term ‘Guardian-reading, tofu-eating wokerati’ to describe Just Stop Oil protesters in 2022. I wonder how she would describe the pigs who are currently protesting against immigrants in the UK. Spot the tumbleweed.
Merny, Purdown, Bristol July 2024
This is a lovely Merny piece, so ‘of its time’, simple and powerful, like so much of his work. The piece was painted around the time of his excellent exhibition, which I understand from speaking to him since, went better than expected, and he managed to sell quite a few original pieces, which is great to hear. I would have loved to have bought one or two of his originals, but alas they were marginally outside my price range. See some of them below:
Merny Exhibition, 17 Midland Road, Bristol, July 2024
Merny Exhibition, 17 Midland Road, Bristol, July 2024
The Purdown Anti Aircraft gun emplacement is a wartime relic which these days doubles up as a goat enclosure and graffiti spot, giving this monument a second life of sorts. Visiting this spot is always a bit of a lottery because turnover is usually pretty slow, and sometimes there is nothing new to look at, and other times (because visits tend to be infrequent) pieces can be quite badly tagged, or damaged by the goats!
Peanutsdeli, Purdown, Bristol, July 2024
On my last trip, a couple of weeks ago, I his the jackpot though, with several new pieces all in pretty good condition, including this beauty by Peanutsdeli. I have to say that he is probably the last artist I would expect to find up here, so this manga-style cartoon portrait came as a very pleasant surprise indeed. The yelling face fits the rectangular slab perfectly, and I was even able to give the character a little bit of extra hair from the tree behind. More to come from this Purdown visit soon.
I shan’t go into a drawn out conversation about my reluctance to post promotional street art, because I did all that about a week ago, and would be in danger of becoming (more) boring. I choose to concentrate on the left-hand side of this piece by Awkward, painted on the side of a graffiti shop and gallery ‘Veeez’, which does a great job with supporting the culture in and around Bristol. Veeez is also an artist who has features a number of times in Natural Adventures.
Awkward, North Street, Bristol, July 2024
The Awkward character is exactly what you’d expect from the artist. A kind of skeletal face painted in an irregular style, with enormous eyes and a speech bubble with the work AWK-WARD written in it. There is plenty of movement generated by the little wavy yellow lines around the outline. Another one for the gallery.
I get a little bat squeak of excitement when I see a piece that is obviously by an artist new to me, tempered by mild anxiety that I don’t know who they are and may not get to post their work until I find out more. Everything happened quite quickly with this wonderful piece by Nuke, thanks to Instagram, and I am thrilled to be able to post this debut piece for Natural Adventures.
Nuke, M32 Spot, Bristol, June 2024
This is a very interesting and compelling graffiti writing/character combination piece that has an interesting quality to it. It has a ‘soft-focus’ appearance and yet is clearly defied and masterfully painted. The 20 years refers to the length of time that Nuke has been painting, and his experience certainly plays out in this piece. I don’t know if he was passing through or whether he is staying in Bristol, but this is one of two recent pieces painted in the city by the artist.
What a wonderful surprise it was to come across this outstanding collaboration from Hypo and Ulow. Regular readers will be familiar with Hypo, especially as he has been so productive over the last year or so, but Ulow’s appearances are rare these days, so this was a real treat.
Hypo and Ulow, M32 roundabout, Bristol, June 2024
This collaboration is out of the top drawer. Hypo’s super-colourful writing is as good as I have seen from him and has a touch of Hemper in its presentation and depth… praise indeed. Ulow has an incredible talent for painting the perfect graffiti characters, and his dancer on the right hand side of the collaboration matches the energy of Hypo’s writing. This is a supremely good piece, and one of my favourite collaborations so far this year. Bravo!
Natural adventures 