At first sight, this wide piece by Mr Draws looks a little confused, but look a little closer and you will see a compelling scene unfolding of four blue whales drifting gently across the wall.
Mr Draws, Dean Lane, Bristol, October 2025
Each of the whales has some red splodges and drips which I guess symbolise blood. They could be a reference to the savage whaling, so dominant in the 1970s when the International Whaling Commission stepped in and massively curtailed the hunting and slaughter, or could reflect other challenges our oceans face due to pollution and climate change. Powerful and evocative stuff from Mr Draws.
Mr Draws has been a long-standing green campaigner, and every once in a while he reminds us of that, often with the help of Whales, the symbol of the global need for conservation, alongside the polar bear and panda. Indeed, whales have been something of a success story, with populations of most species recovering since the ban on hunting for whales. The success could only be achieved through a global agreement, which had a couple of unhelpful exceptions, and cooperation, which is a lesson we need to take forward for other global issues.
Mr Draws, Brunel Way, Bristol, May 2025
This piece has a wonderful sense of peace about it, and a tone of regret and remorse. The whale is set in a nicely presented sea of blue and chrome, frames in a pink box. Keep up the good work, Mr Draws… keep reminding us.
Walking with my family on the obligatory clothes shopping trip in SoHo, we came across this magnificent tiger by Sonny. It is difficult to convey just how spectacular this piece is. Furthermore the piece is actually raising awareness for the global campaign ‘Project Cat‘ which aims to protect wild tigers and their habitat.
Sonny, SoHo, New York, October 2017
Looking at his website, it seems that Sonny is a specialist in painting large wildlife pieces, and has a special talent for this. I love the way he incorporates patterns into the face of the tiger and how cleverly the colours dribble down from the face to create a pool of blue and yellow.
The light was fading fast by the time I got to this wall. Had I known of its existence I would probably have tried to get to it earlier and benefit from better light. One of the pitfalls of wandering around aimlessly I suppose. All the pictures have been adjusted to make them less gloomy, but they really don’t convey the magnificence of this collaboration.
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
Louis Masai and Fanakapan, two of the best street artists in the UK right now, collaborated to paint this wall as part of the Meeting of Styles, London event in May 2016.
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
The patchwork style of Louis Masai and the helium balloon chrome style of Fanakapan work surprisingly well together and when the subject matter is wildlife conservation, what it there not to like about this piece?
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
There is a very good piece by London Calling which shows the collaboration at work, in rather sunnier conditions than when I went to visit, which is well worth a gander.
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
The theme for the event was ‘absolute freedom’ and this piece is entitled ‘Freedom?’. This was a pure joy for me at the end of a very long walk in Shoreditch…the pot of gold at the end of the rainbow.
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
Continuing for a little while with my Camden adventure, just around the corner, from the Fanakapan flies was this amazing rhinoceros by Osch. Both Osch and Fanakapan are unbelievably prolific. Hardly a week goes by without one or both of them creating something new.
Osch, Hawley Street, Camden, September 2016
In this piece, Osch uses his unfurling ribbon style to create the illusion of a solid creature, which is clever as painting itself could be considered to be an illusion. Layers. The rhino is superb, and reminds us (it’s function) about the plight of these creatures in the wild.
Osch, Hawley Street, Camden, September 2016
Rounding off the picture, and something that is a part of photographing street art, is the context of the piece, and in this particular piece there are some discarded flower pots that somehow add to the whole scene. A street art photographer’s dilemma is always to balance the perfect clean image, with the actual image in its context. I, like others, try to get both…but parked cars are a real menace!
Without question, one of the highlights of this year’s Upfest was this magnificent mural by the fabulous Louis Masai. His works are nearly always highlight threats to the environment or endangered species and on that ticket alone he ranks highly in my own personal favourite artists.
Louis Masai, Redpoint, Upfest, Bristol, July 2016
His recent murals have featured animals painted with a patchwork quilt kind of effect, and in this case the rhinoceros is being stitched together by a honey bee and a bumble bee.
Louis Masai, Redpoint, Upfest, Bristol, July 2016
Louis Masai, Redpoint, Upfest, Bristol, July 2016
It is difficult not to be impressed with this work, and not surprisingly Louis Masai’s status in the street art world has grown in the last year or two.
Louis Masai, Redpoint, Upfest, Bristol, July 2016
Definitely, definitely in my top five pieces from this year’s festival. It is a pity that it is slightly off the beaten track as many visitors to Upfest will have missed it. The piece is on the Redpoint Bristol Climbing Centre on Winterstoke Road.
Louis Masai, Redpoint, Upfest, Bristol, July 2016
It would be great if he could return next year, although I’m not sure he could better this one.
Natural adventures 