.
That is the question
Bristol referendum
freedom from London
.
by Scooj
.
That is the question
Bristol referendum
freedom from London
.
by Scooj
.
Freedom, I can run
they cannot run anywhere
there is no escape
.
by Scooj
.
Liberated, free
but institutionalised
shelter in bondage
.
by Scooj
.
Incarceration
ten day self-isolation
pass through the threshold
.
by Scooj
.
The Trump tyranny
at long last comes to an end
time to call a cab
.
by Scooj
The end of a week
dominated by routine
I want to break free.
by Scooj
Doors 53
Well, I have taken a couple of weeks off from Thursday doors for two key reasons. 1) I had run out of door pictures and 2) is irrelevant because of 1).
Last Sunday I found myself in London with some time to kill, so I took off down to Shoreditch to hunt down some street art. Over the course of 4 hours or so, I took just shy of 500 pictures and walked 15 miles. While I was there I managed to find a few doors, and I am sharing the first of them here. There is, rather predictably, a strong street/graffiti art connection.
These doors are in a street heavily patronised by wheatpasters – it is worth taking a moment to look at the artworks as there is a real spectrum from poor to excellent.
There is hardly a square inch of un-pasted door/wall and looking at it is almost like looking at an archeological dig, with different eras exposed. To many this is just a mess, to me it is individual expression in a space where freedom is tolerated/permitted.
by Scooj
More amazing doors at: Thursday Doors – Norm 2.0
The Bearpit street/graffiti art walls are under threat. Bristol City Council appears to be taking a tougher position on the walls and boards and has recently started to paint over some fine pieces that have been there for ages. My guess is that this is a task that will bring no joy to anybody, as artists and officials play tit-for-tat paint wars. Street art and graffiti are part of what makes Bristol special, part of its USP, and by over-regulating it you will destroy it and the culture around it – all you will end up with is sterile corporate pieces that don’t really represent the local scene.
It feels odd to me going to cities, for example Chichester, that have no graffiti or ‘legal walls’ but held a festival a few years back and has some very nice pieces dotted about the place on carefully selected walls. The problem I have with that is that it is all sanitised and signed-off by the ruling classes of the city. Where is the budding street art culture in Chichester? there is none to speak of, just some imported art to create a sense of ‘edge’ but actually totally safe and permitted to the nth degree.
I say all this because at the recent paint jam in The Bearpit, several artists, including Skor85 made their feelings clear. How strange it might seem in a few months time that there won’t be any walls left where they can make their feelings known, without the permission of the officials of Bristol. This will inevitably lead to more and widespread illegal art.
Skor85’s meaasge is loud and clear “Could you live without freedom of expression?” The piece itself is delightful, a vibrant plant emitting sparks of colour set on a background of purples, reds and oranges. I like it a lot.
The light was fading fast by the time I got to this wall. Had I known of its existence I would probably have tried to get to it earlier and benefit from better light. One of the pitfalls of wandering around aimlessly I suppose. All the pictures have been adjusted to make them less gloomy, but they really don’t convey the magnificence of this collaboration.
Louis Masai and Fanakapan, two of the best street artists in the UK right now, collaborated to paint this wall as part of the Meeting of Styles, London event in May 2016.
The patchwork style of Louis Masai and the helium balloon chrome style of Fanakapan work surprisingly well together and when the subject matter is wildlife conservation, what it there not to like about this piece?
There is a very good piece by London Calling which shows the collaboration at work, in rather sunnier conditions than when I went to visit, which is well worth a gander.
The theme for the event was ‘absolute freedom’ and this piece is entitled ‘Freedom?’. This was a pure joy for me at the end of a very long walk in Shoreditch…the pot of gold at the end of the rainbow.
A silent space where
I can be alone frees my
mind for adventure.
by Scooj