Cumberland Basin – Page 16 – Natural adventures

6123. Cumberland Basin

Mote and Mr Crawls, Cumberland Basin, Bristol, June 2024

Some more jolly capers from Mr Crawls and Mote, who have been smashing it for months now, and continue to turn out some great and fun character pieces dotted all over the place. This pair of characters were painted on the warehouse wall in Cumberland Basin, and command a majestic view over the river.

To the left is a friendly, toothy monster by Mote whose eyes (in common with the adjacent Mr Crawls character) are simply holes in the head, creating a mask-like effect. There are some nice squiggles and doodles in the fill, something of a trademark of Mote’s work. On the right Mr Crawls has recreated one of his hatted birds, although in a stylised cartoon form that is more angular than some of his earlier work. The pair look magnificent on the white background, and are unusually large, due to the big wall they have chosen to paint.

6117. Cumberland Basin

Solar, Cumberland Basin, Bristol, June 2024

Although I have been featuring Solar on Natural Adventures since 2021, it wasn’t until May this year that I actually got to meet him while he was painting this piece. As with pretty much all the artists I meet he is a really nice person and managed to instantly dispel some of my imagined preconceptions of members of the PLB crew, which were largely based around not having met any of them.

I would categorise Solar’s writing style as soft anti-style, meaning that while he bucks the trend of conventional graffiti writing, there is some order and consistency to his letters, nothing too chaotic or anarchic. The letters are nicely done but the star of the show is the ‘implied’ drop shadow in blue and black, which is a very clever mechanism I haven’t seen deployed before. You’d think that the colour scheme wouldn’t work, and at first that was my impression, but actually it seems to work remarkably well.

6102. Cumberland Basin

Sait Bare, Cumberland Bain, Bristol, May 2024

Rather annoyingly, I keep missing pieces by Sait Bare, either finding them prior to completion or that they have been overpainted, so it was a relief to find this one finished and intact. This letter/character combination piece is painted in a metallic gold colour, that is strong, and the background decor reflects the general messiness of the wall.

The letters spell SAIT with the character taking the pace of the letter ‘i’, and there is a deep red and black striped drop shadow. The character is painted in a carton style, with the eyes and mouth standing out in white against the gold. There is a lot to like about this piece and I look forward to finding more from Sait Bare.

6087. Cumberland Basin

Mr Underbite, Cumberland Basin, Bristol, June 2024

Now, this is what I like. Mr Underbite is a bit of a favourite of mine, and to find his melancholic character dotted about the place is always a real pleasure. The fact that he has switched things up with this small piece in Cumberland Basin makes it all the more pleasurable.

Mr Underbite has used this small section of wall really well, presenting his character in three separate sections, each containing a part of the face, a deconstruction if you like. Anyone familiar with Mr Underbite’s work would immediately recognise this piece and attempt to reassemble it in their heads. To anybody else, this might look a little abstract and unfathomable. What a great way to play with a character. For reference, a typical Mr Underbite piece is shown below.

Mr Underbite, River Avon, Bristol, March 2024

6085. Cumberland Basin

Acer One, Cumberland Basin, Bristol, May 2024

A bit of a quick one today, because I have an early start and a very long day running another workshop, so today’s posts were (are being) written last night after a long weekend away. This is a shame, because there is quite a lot to say about this unusual and very clever piece by Acer One.

There are two words in this circle, ‘CONRAD’ in gold and ‘BUKEM’ in black. These names relate to Acer One’s love of drum and bass and are tributes to MC Conrad and LTJ Bukem. At that point my knowledge about this piece drops off a cliff. How Acer One conceived and then executed this piece is what makes him so very special. This is the work of a very talented artist.

Not content with this triumph, Acer One also had a little play with some anamorphic art just around the corner, I mean, why not? Many attempt and fail with this king of trickery, but Acer One has managed to do a good job, and if only my photography was up to scratch you’d see how well he did. Acer One is an artist who is always pushing boundaries and developing his technical skills. Great work.

6080. Cumberland Basin

Mind 49, Cumberland Basin, Bristol, May 2024

There is an artist in Bristol whose steady progress over the last year or two has elevated him to a high status, and deservedly so. Mind 49 has been painting from an early age, and his development has been a joy to witness, and now he is turning out outstanding pieces on a regular basis. He seems to have found his style and his work reflects a greater confidence.

This is one of a few recent pieces that showcase Mind 49’s portrait style, in which he practically always obscures part or most of the face either by its orientation or the use of clothing or accessories, like these sunglasses. Because of this his portraits feel more grounded, and less posed than some portrait pieces that we see. Brilliant zip by the way. This one is so much better in ‘the flesh’ because my photographs are a little washed out, which can happen on this wall in the afternoon/early evening light. Keep watching this space for a whole lot more from Mind 49.

6065. Cumberland Basin

Lee Roy, Cumberland Basin, Bristol, May 2024

Lee Roy is another artist who has gone a little quiet lately, and when I do find pieces by him, I am not sure whether they are old ones or new ones, because they tend to be in spots I don’t visit all that frequently, like this on the warehouse building on the north side of the river opposite the garden centre.

VLAD appears to be the letters/word that Lee Roy is enjoying at the moment, and he is continuing with his flowing anti-style approach. I would say that his work, which might look untidy to casual viewers, is actually highly regarded by his peers and photographers alike. It is a very ‘street’ style of graffiti writing. I would love to see him out more this summer, although I do occasionally see him out walking his dog.

6039. Cumberland Basin

j9449j, Cumberland Basin, Bristol, May 2024

The Bristol street art and graffiti scene is so broad that it welcomes all styles and all levels of talent. We get to see it all here. Some towns and cities in the UK embrace street art through holding festivals, but have no underlying culture 365 days of the year. While there is nothing wrong with that at all, what remains is a sanitised selection of high-end art, keeping the place pretty. Upfest provides us with a microclimate of high-end art in the Bedminster area, but the rest of the city is up for grabs, and I like it that way.

A great example of Bristol’s artistic diversity comes in the form of artists like j9449j, whose abstract fills are really quite unique. There is a wonderful organic feel to his work, with plant-like forms cropping up through the lettering. j9449j’s work feels quite ‘designed’, if you know what I mean, and although some of the borders could be a little cleaner, there is an element of anti-style that works well. This is a bright and colourful calming piece.

6037. Cumberland Basin

Daz Cat, Cumberland Basin, Bristol, May 2024

From what I can gather, Daz Cat has been away for a little while travelling in Southeast Asia, and has recently returned to Bristol not only with some vigour but also with a newfound inspiration that is coming across very clearly in his new pieces, like this one in Cumberland Basin.

I can’t say I have really seen anything like this from Daz Cat before, it is like his work has taken a significant step change. There is more sophistication and depth to his character portrait, who appears to be a hybrid between a human and a cat. There are some great colours used in this piece, and the hair is just something else. Daz Cat has come a long way, and his journey is getting really interesting.

6000. Cumberland Basin

Zake, Cumberland Basin, Bristol, April 2024

It feels quite satisfying to reach another landmark on Natural Adventures. This is the 6,000th post featuring graffiti/street art, and that is a lot of art and a lot of words too. The first piece I wrote about was on 16 July 2015 on Park Street by an unknown artist, and was a temporary installation rather than a painted wall, little did I know then that I would still be posting street art nine years later. Today’s landmark piece comes courtesy of Zake.

The face piece is unmistakably by Zake, and although I don’t think it is one of his best pieces in terms of artwork, it is nonetheless striking and demands more than a cursory glance. A face appears to be emerging from a mask which is split down the middle, but the proportions of the mask don’t quite work for me. As ever, the skill with using light and shadow to create depth and texture is Zake’s forte, and the central brown face in particular is wonderfully crafted. Onward to the next 6,000!

	paulh121 on Telling a tale
	M. on 7554. L Dub (81)
	hitandrun1964 on My Dog Sighs
	Suzette Benjamin on 7551. Greenbank (184)
	M. on 7550. M32 Roundabout J2 (…

	paulh121 on Telling a tale
	M. on 7554. L Dub (81)
	hitandrun1964 on My Dog Sighs
	Suzette Benjamin on 7551. Greenbank (184)
	M. on 7550. M32 Roundabout J2 (…

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