It is always so good to see a new piece from Taboo, and it feels like a little while since his last one. This magnificent piece of graffiti writing is on the M32 roundabout, a wall that is seeing an ever-increasing turnover as artists compete for limited space I. The city.
The letters, naturally, spell out Taboo, although it takes a little time to work it out if you aren’t used to reading his letters. Unusually for one of his pieces there is no accompanying character, although there is an animated paintbrush in the middle of the piece. His organic and unconventional style is what marks out his work as being rather special and I love it.
It is a funny thing, that I don’t fully understand, but consistently, whenever I post Ments pieces on Instagram they just never get as many likes as other artists’. The only conclusion I can draw from this is that these complex organic pieces don’t translate very well onto the small screen of a mobile device. In the flesh, these are always magnificent.
I love Ments’ work, it is always carefully considered and technically challenging and while it might not be to everyone’s taste it is consistently of the highest quality. In this one Ments presents us with his disguised writing in fairly angular lines, softened by the ‘marble’ decorations. A very nice piece indeed.
I have kept it as no secret that I have been struggling to keep on top of the sheer amount so street art and graffiti that is being painted in Bristol at the moment. I find myself constantly looking back into my monthly archives to see if there are any gems I have missed. Once I have hung up my camera for the last time, I will still have plenty of material to post, albeit historical.
This is a gorgeous piece from Ments, painted in April, that shows off his talents perfectly, incorporating his newer techniques with his older organic style of writing. Believe it or not, these abstract forms actually spell out MENTS although it takes a bit of creative thinking to make out some of the letters. A very nice piece indeed that fully deserved its moment in the spotlight last month. Blame the backlog.
Although not a frequent painter, Ments is quite regular, so one’s year is nicely sprinkled with these fine organic pieces. This one was painted as part of a three-way collaboration, including Sled One and Smak from a couple of weeks ago.
Ments has adapted his style a fair bit over the past year and although still organic and irregular in structure he has moved to a more fluid and metallic look and feel. His pieces are a thing of abstract beauty, and still spell out MENTS. The white triangle reminds me a little of a Voyder piece in London from a few years back. All good.
I am writing this on Christmas Eve Eve (last night) and really ought to be asleep, so please excuse typos or nonsense. I have Paul H to thank for this post. Last week I had been down to the river to check out Brunel Way and to walk the dog. On the way back to the car I bumped into Paul and we chatted for a while under darkening skies. I jumped into the car to head over to Dean Lane and then the heavens opened. Just as I got back to the car, Paul called me and said I simply had to get over to the other side of the river by the Create Centre to see a whole bunch of new stuff. I was reluctant because of the rain, and I had to get back to work to chair a Zoom meeting. I had just enough time and braved the weather. It was so worth it too. This is the first piece from a fabulous paint jam from the day before.
Ments has always been a favourite of mine because of his organic, abstract writing style of which this is a perfect example. It would seem I got there just in time, because such was the force of the rain that some of the paint was running (can that happen?). Thanks Paul, thanks Ments, fabulous piece.
Underneath Brunel Way in the damp and tortured light conditions is this rather lovely tribute piece by Ments to a person called Sam, you can probably make out the letters.
This is quite an unusual piece by Ments and I think is in part quite experimental. His work is usually organic in nature with fluidity being a central effect. In this piece however, Ments has introduced some quite solid forms and even what appears to be a rock foundation – a more geological approach perhaps. The bright colours speak of joy and happiness. This is a wonderful tribute piece beautifully thought out and painted.
By god I think he’s got it. After a few months of experimenting with an organic fluid style, Ments has triumphed with this piece down in Cumberland Basin. It is beautiful, stylish and classy and just shows where practice and creativity can get you.
I could rave about this piece all day, but it is difficult to know exactly where to start. Ments usually writes the letters MENTS in his work, but I am struggling to find any letters in this piece, instead we are presented with a free-form abstract piece that is simply a pleasure to look at. I am so looking forward to where this journey is going to take us.
I can’t remember when I last saw a new piece from Ments, but it is quite some time ago. The word I always use to describe his work is ‘organic’ and it most definitely applies to this recent piece on the M32 roundabout.
This is a delicate piece that feels rather ephemeral, and is so unlike the work of more conventional graffiti writers. It is quite hard to make out the letters MENTS, but I assure you they are there. This is an accomplished piece painted with great skill, however it isn’t my favourite work by the artist, something feels a little unbalanced about it… I am though, being hyper-critical because it is actually very, very good.
A stunning piece by Ments on a great wall. This whole area is being redeveloped, and I fear that the wall may have already been demolished, which is a real pity because it has hosted some really spectacular art. The reduction in available walls to paint in this area is going to be a bit of a challenge for street/graffiti artists and is a pattern being replicated all over the city. It will be interesting to see if new areas become popular painting spots in the future.
The piece is so very typical of Ments’ organic style, and this one has a molten metallic feel about it. The letters spell out MENTS (although the T looks like it is missing). I also get a slight sense of the surrealist Yves Tanguy here, or at least the meltinng shapes and shadows reminnd me of his work. A classy and unusual piece.