I am writing this on Christmas Eve Eve (last night) and really ought to be asleep, so please excuse typos or nonsense. I have Paul H to thank for this post. Last week I had been down to the river to check out Brunel Way and to walk the dog. On the way back to the car I bumped into Paul and we chatted for a while under darkening skies. I jumped into the car to head over to Dean Lane and then the heavens opened. Just as I got back to the car, Paul called me and said I simply had to get over to the other side of the river by the Create Centre to see a whole bunch of new stuff. I was reluctant because of the rain, and I had to get back to work to chair a Zoom meeting. I had just enough time and braved the weather. It was so worth it too. This is the first piece from a fabulous paint jam from the day before.
Ments has always been a favourite of mine because of his organic, abstract writing style of which this is a perfect example. It would seem I got there just in time, because such was the force of the rain that some of the paint was running (can that happen?). Thanks Paul, thanks Ments, fabulous piece.
Underneath Brunel Way in the damp and tortured light conditions is this rather lovely tribute piece by Ments to a person called Sam, you can probably make out the letters.
This is quite an unusual piece by Ments and I think is in part quite experimental. His work is usually organic in nature with fluidity being a central effect. In this piece however, Ments has introduced some quite solid forms and even what appears to be a rock foundation – a more geological approach perhaps. The bright colours speak of joy and happiness. This is a wonderful tribute piece beautifully thought out and painted.
By god I think he’s got it. After a few months of experimenting with an organic fluid style, Ments has triumphed with this piece down in Cumberland Basin. It is beautiful, stylish and classy and just shows where practice and creativity can get you.
I could rave about this piece all day, but it is difficult to know exactly where to start. Ments usually writes the letters MENTS in his work, but I am struggling to find any letters in this piece, instead we are presented with a free-form abstract piece that is simply a pleasure to look at. I am so looking forward to where this journey is going to take us.
I can’t remember when I last saw a new piece from Ments, but it is quite some time ago. The word I always use to describe his work is ‘organic’ and it most definitely applies to this recent piece on the M32 roundabout.
This is a delicate piece that feels rather ephemeral, and is so unlike the work of more conventional graffiti writers. It is quite hard to make out the letters MENTS, but I assure you they are there. This is an accomplished piece painted with great skill, however it isn’t my favourite work by the artist, something feels a little unbalanced about it… I am though, being hyper-critical because it is actually very, very good.
A stunning piece by Ments on a great wall. This whole area is being redeveloped, and I fear that the wall may have already been demolished, which is a real pity because it has hosted some really spectacular art. The reduction in available walls to paint in this area is going to be a bit of a challenge for street/graffiti artists and is a pattern being replicated all over the city. It will be interesting to see if new areas become popular painting spots in the future.
The piece is so very typical of Ments’ organic style, and this one has a molten metallic feel about it. The letters spell out MENTS (although the T looks like it is missing). I also get a slight sense of the surrealist Yves Tanguy here, or at least the meltinng shapes and shadows reminnd me of his work. A classy and unusual piece.
I’m completely bemused by how on earth I can have missed this amazing piece by 3Dom for so long. It is in the mid-section of Wilder Street and I think I have only visited the ends of the street, but nonetheless it is most negligent of me. Paul H tells me it has been there for quite some time.
The style of the piece is similar to ones he did at the other end of Wilder Street, in Frogmore Street and in Montpelier, and I think it was a phase he was going through. It is what I would describe as organic abstract piece, so very easy on the eye, with a pleasing symmetry. Love it a lot.
I had no idea this was here. Unheralded, unannounced and not picked up on Instagram, this wonderful new piece from 3Dom is in Frogmore Street where there used to be a collaboration by RichT and 45RPM (you can just see the remains of it in the doorway) which seems to have been here forever.
We are used to seeing rather surreal work and dream-like characters from the brilliant mind of 3Dom, but occasionally he also creates these wonderful abstract concentric designs, and this one really hits the spot.
I hope he returns to finish up in the doorway, because as it stands it looks a little untidy. Maybe he has already done it, I don’t know as I’ve not returned since I took the pictures. The colours and shapes are reminiscent of some kind of organic life, almost like a coral reef. The shading and highlights are really clever, giving the whole piece a sort of 3D effect. Lovely work.
I was lucky enough to meet Ments at the Graffiti Nation exhibition opening evening at the Upfest shop in April. As with all other graffiti artists, he looked nothing like the image I had conjured up in my mind. It is interesting what assumptions we are capable of making before actually meeting a person.
Ments came to Bristol but is originally from East Anglia, and if street art is your thing, it is probably an obvious move to make. This piece is of such a high quality and showcases the organic feel he gives to his work.
This wildstyle writing is complex, but look carefully and you might be able to make out the letters MENTS. His work is so distinctive and seems to improve from piece to piece.