6564. Cumberland Basin

Abbie Laura Smith, Cumberland Basin, Bristol, November 2024
Abbie Laura Smith, Cumberland Basin, Bristol, November 2024

Abbie Laura Smith has pushed the creative boat out a little with this symmetrical wheatpaste stuck on a utility box in Cumberland Basin. Rather than being bilaterally symmetrical, the twin portraits are rotationally symmetrical, which I think might be a first on Natural Adventures.

Abbie Laura Smith, Cumberland Basin, Bristol, November 2024
Abbie Laura Smith, Cumberland Basin, Bristol, November 2024

I love the way that Abbie Laura Smith has introduced some colour into this paste-up, which features a portrait of a woman looking a little fed up, and perhaps sad. ALS has a wonderful way of representing hair, which almost looks like it is from a lino-cut that has been scored and printed. There are some subtle differences in the application of colour between the two portraits, such as the lips and distribution of pinks and reds in the hair. This is a wonderfully creative piece from our resident wheatpaster.

6551. Cumberland Basin

Abbie Laura Smith, Cumberland Basin, Bristol, November 2024
Abbie Laura Smith, Cumberland Basin, Bristol, November 2024

This is the second paste-up that I managed to find in Abbie Laura Smith’s latest blitz, and although I only found three pieces, I am sure that there would have been more. A little bit bedraggled, reflecting the damp conditions when I photographed this piece, the paste-up features a black and white image of a woman, reversed out in this instance, with writing incorporated throughout.

Abbie Laura Smith, Cumberland Basin, Bristol, November 2024
Abbie Laura Smith, Cumberland Basin, Bristol, November 2024

As with the last of her pieces that I posted, I can’t quite make out all the writing, but can pick up the odd line here or there, such as “The only chance left was goodbye” and “Keep that…”. Once again these might be sad or morose, but out of context it is difficult to know. Poignant pieces printed off on paper and pasted up in special places for the curious to look at.

6538. Cumberland Basin

I was aware that Abbie Laura Smith had pasted up some new artwork recently because she told me via Instagram messenger, so of course, I had to get out and try and find them. I managed to find three, of which this is the first. I expect there are more that I didn’t locate.

Abbie Laura Smith, Cumberland Basin, Bristol, November 2024
Abbie Laura Smith, Cumberland Basin, Bristol, November 2024

This wheatpaste was looking a little forlorn as the top half had become unstuck in the damp weather and folded over itself. I had to try and replace it and quickly photograph it before it peeled down… it took me several attempts. The style and content of the piece fits snugly into Abbie Laura Smith’s repertoire with a black and white portrait of a woman with words woven into her hair.

If I spent a little longer, I could probably pick out all the words, but I think it is a sorrowful piece, as I can see the words ‘grief’ and ‘the loss’. More to come from our resident paste up specialist soon.

6533. Cumberland Basin

Neddy Ned Neddy, Cumberland Basin, Bristol, October 2024
Neddy Ned Neddy, Cumberland Basin, Bristol, October 2024

Neddy Ned Neddy is one of those artists who paints from time to time in Bristol, but never enough to grace the pages of Natural Adventures all that often. It is always a pleasure to include his work, though, because his writing style is quite special and beautifully executed.

Neddy Ned Neddy, Cumberland Basin, Bristol, October 2024
Neddy Ned Neddy, Cumberland Basin, Bristol, October 2024

In most of his pieces, the vanishing point for his drop shadow is located centrally behind the letters, which gives the illusion that they are hurtling towards you from the background. The flaming colour selection works well against the blue, and this is an all-round stonking burner.

6529. Cumberland Basin

Oust, Cumberland Basin, Bristol, October 2024
Oust, Cumberland Basin, Bristol, October 2024

It’s a funny thing, but I don’t know whether I simply haven’t registered Oust much in the past, or whether he is painting a little bit more often in Bristol, but I seem to be finding more Oust work about town these days.

Oust, Cumberland Basin, Bristol, October 2024
Oust, Cumberland Basin, Bristol, October 2024

This is a superb piece of writing, with all elements working well in harmony, although I think that the light blue of the letters is slightly washed out by some of the stronger colours around it. Obviously, the letters spell OUST and they have been filled with loads of patterning and symbols, mostly stars. There is a complex drop shadow in black and yellow and a busy red background. I’ll definitely be looking out for more from Oust.

6509. Cumberland Basin

Kid Krishna, Cumberland Basin, Bristol, October 2024
Kid Krishna, Cumberland Basin, Bristol, October 2024

Like many artists, Kid Krishna goes through phases of low and high activity, and recently we have been enjoying one of his productive periods, with a plethora of his pieces in various styles in all parts of the city. This colourful piece is painted on the long wall at Cumberland Basin.

Kid Krishna, Cumberland Basin, Bristol, October 2024
Kid Krishna, Cumberland Basin, Bristol, October 2024

The letters, as always, spell CRIE, not that you’d necessarily work that out without help. The turquoise letters stand out well against the black, pink and yellow colours of thee background. There is something quite strongly anti-style about this one and a little bit of attitude too. The slightly untidy finishing would indicate that it was probably a quick one, painted in the moment, because when you are as good as Kid Krishna, you simply can.

6485. Cumberland Basin

ESKA, Cumberland Basin, Bristol, October 2024
ESKA, Cumberland Basin, Bristol, October 2024

It would seem that itinerant artist ESKA is staying in Bristol a little longer than I had been expecting… perhaps he is enjoying the opportunity to paint walls in Bristol too seductive. This is the third piece I have posted since his arrival, and I note that there is a new piece on the Cheltenham Road at The Carriageworks which I have yet to photograph.

ESKA, Cumberland Basin, Bristol, October 2024
ESKA, Cumberland Basin, Bristol, October 2024

ESKA’s work is a whirlwind of letters, anamorphic shapes and symbolism which come together in perfect harmony aided by clever colour theming. This is a truly stunning piece. In future I think I will have to take a few close up shots of his work, because there is so much hidden detail in the piece, which really needs to be seen and studied. Sensational and unique stuff.

6482. Cumberland Basin

Jest Soubriquet, Cumberland Basin, Bristol, October 2024
Jest Soubriquet, Cumberland Basin, Bristol, October 2024

Jest Soubriquet is an occasional visitor to Bristol, and his work is always welcome here. I have posted a couple of his portrait pieces on Natural Adventures this year, and this third one tucked away at the left-hand side of the long wall is a true beauty.

Jest Soubriquet, Cumberland Basin, Bristol, October 2024
Jest Soubriquet, Cumberland Basin, Bristol, October 2024

The portrait, painted with his trademark patchwork of colours, is accompanied by a cosmic cloud scene with colours taken from, but presented differently to those used in the portrait. The three triangles unintentionally (I think) give the portrait a ‘Statue of Liberty’ look, which once seen is very difficult to unsee. This is a really refreshing approach to portrait pieces, and I hope we see more from Jest Soubriquet before too long.

6476. Cumberland Basin

Kid Crayon, Cumberland Basin, Bristol, October 2024
Kid Crayon, Cumberland Basin, Bristol, October 2024

Kid Crayon has launched himself headlong into the Halloween season with this mildly creepy scene, underpinned with his CRAYON letters, that perhaps resemble stone carvings. I can’t really explain what the ladder and chair are doing, but they act as good bookends to the piece.

Kid Crayon, Cumberland Basin, Bristol, October 2024
Kid Crayon, Cumberland Basin, Bristol, October 2024

The spooky atmosphere is provided by the leafless dead trees in the background, and the long-haired character emerging from a well… what is happening here? The same character (?) is seen reflected in a mirror. There is a story, and a creepy one at that, without even a whiff of a pumpkin in sight. Well done KC.

6470. Cumberland Basin

Mr Draws, Cumberland Basin, Bristol, October 2024
Mr Draws, Cumberland Basin, Bristol, October 2024

At the time this post is published, I hope to be casting a line into the surf of Lantic Bay, and picking out the occasional bass. A man can dream can’t he? As I plod along from day to day, week to week, year to year, it is comforting to know that Mr Draws is doing the same, and his regular drumbeat of pieces has become something of a landmark or reference point for me.

Mr Draws, Cumberland Basin, Bristol, October 2024
Mr Draws, Cumberland Basin, Bristol, October 2024

Mr Draws has painted this wonderful chrome piece pierced with three chunky yellow arrows. A deep drop shadow and pink highlights help the letters pop, and the blue background works surprisingly well with the rest of the piece. All the colours of the piece are not in my view natural bedfellows, in particular pink and yellow, but mr Draws has carried it off, so I tip my hat in his direction. Nice work from Mr Draws.