Dean Lane – Page 20 – Natural adventures

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Chill and Zake, Dean Lane, Bristol, June 2024

You don’t often see the PWA crew paint this particular wall in Dean Lane, I guess because there are usually three or more of them painting together, but this time it is only Chill and Zake, so there is room here for both of them. The two portraits, in very different styles, are interacting really well together and integrated using a common background.

Chill’s portrait is both colourful and full of fine detail, and has that accuracy that is common in artists who are also tattooists. He is also responsible for the wonderful silhouette plants and signature song bird. Zake’s portrait, is a little softer and full of depth, with a slightly odd scene of fish and water flying out of the character’s mouth. While I am not too sure what is going on, it makes for entertaining viewing. The pairing is great to see, and this is certainly a memorable collaboration from them. I’m not too sure it lasted very long though, which is a pity.

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Fade, Jody and Dibz, Dean Lane, Bristol, May 2024

Just because I have been paying quite a lot of attention to Upfest 2024 recently, id doesn’t mean that the world of Bristol street/graffiti art has stood still, on the contrary, it continues at the same ridiculous pace as usual. At the vanguard of high quality high productivity are the machine that is Dibz and Fade, and in this instance Jody too.

This ET tribute triptych is typical of the classy collaborations these artists have been churning out for well over a year now, since Fade returned to Bristol. On the left is a beautiful and perfectly presented piece of graffiti writing from Fade, that is notable for the drop shadow lifting upwards, which makes it feel like the letter block is moving downwards, if that makes sense – clever stuff.

The filling of the sandwich has been created by Jodi and portrays the most iconic scenes of the movie and possibly one of the most iconic images of the early 1980s. Not only has Jodi recreated Elliott and ET, but also the amazing landscape and moon shot. I like the way that the artists have put their signatures onto the box which ET is sitting in, as if they were written in felt-tip.

Rounding off the collaboration is a perfect piece of writing from Dibz which mirrors Fade’s writing on the other side. The drop shadow that Dibz uses is more conventional and acts as a counterbalance to Fade’s. This is an awesome ET collaboration, worthy of great praise.

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#DFTE, Dean Lane, Upfest 24, Bristol, May 2024

The philosophical pondering of #DFTE is a constantly refreshing aspect of his work, indeed a central one too. It is only a few years ago when his small framed musings started appearing in spots all around the city, becoming something of a street art hunter’s ‘pot of gold’. More recently he has taken to upscaling his work into large walls, adopting the same font, and managing not to lose the unique proportions and sentiment that typifies his earlier work. You can see the transition of his work in this gallery.

I guess that #DFTE is stating the obvious here with his “if you change, you will be different” statement. I imagine that this prompts the clichéd response “well, it makes you think… doesn’t it?”. Whether it makes you think or not, this is another wonderful piece of stylised writing and words from the Bristol-based artist.

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There is something rather unique and weirdly charming about Awkward’s character pieces. There really is nothing like it out there in Bristol or anywhere else I have been. Not only are the characters unique in style, but his use of strong primary colours grabs the attention and draws the eye.

In this piece two characters are exchanging thoughts, one with a speech bubble saying ‘Awkward’. underneath the conversing heads is the simple message ‘stop war’, which places the piece very much in the context of the present, with the terrible wars in Gaza and Ukraine ongoing. Although his interventions are infrequent, Awkward’s characters are always welcome.

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Fishlock, Dean Lane, Bristol, March 2024

This is another striking piece from Katie Fishlock which I had meant to post back in March, but it simply didn’t happen. Fortunately my regular trawls through my archives allow me to unearth special pieces like this one.

Fishlock’s punchy pieces tend to be quite modest in size, but usually make up for it in both attitude and message. These big red lips contain the words ‘self-sabotage is misguided self-love’, which I think I get. Katie Fishlock’s art punches above its weight because of its arresting combination of design and message, and I am a fan.

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There was a time, not so long ago, when Mr Crawls could be identified easily because all of his pieces featured quirky birds. That is most definitely not the case now, and his association with Mote appears to have encouraged him to branch out into painting all sorts of weird and quirky monster characters.

This quick one on the swimming pool building wall, behind the hedge, is a case in point. The green monster, looking a little bit like a hard-hat, is blessed with enormous eyes and an array of razor-sharp teeth. The eyes have no pupils, giving it a bit of edge. Pupils in eyes always soften a character and conversely their absence creates a hollow, even sinister appearance. This is a nice solo piece from the imaginative Mr Crawls

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I think that it is fairly common knowledge that ACAB is a subversive acronym derived from the phrase ‘all cops are bastards’. I am guessing that it was coined in North America, because we don’t generally use the word cop in the UK, preferring the terms Police, bobby, old Bill, ‘pigs’ or even ‘copper’ but rarely cop. ACAB is used liberally in street/graffiti art, and this piece on the curved wall by Mr Draws, has a humorous take on the letters.

Firstly, I would say that this is a really attractive piece by Mr Draws, who continues to gently push his boundaries all the time whilst retaining his style and identity. The design is great, the letters are nice and tidy and the fill colours work surprisingly well. Mr Draws has softened the tone of the acronym so that it reads ‘all cats are beautiful’, and has added in a cat character for good measure. Perhaps one could term this piece ‘fluffy subversion’.

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The little passage alongside the swimming pool wall in Dean Lane is often full of surprises, and I was thrilled to find this lovely floral piece by Peggy, especially as she has been reasonably quiet over the winter.

Peggy, who I guess has been busy with her tattooing, managed to find some time to create this display of leaves and, of course, a flower including an eye in the centre. Lots of symbolism tied up with the eye, but I am not too sure what it might mean. Peggy has chosen a nice palette of colours and finished the piece neatly. Perhaps this is a sign of more activity over the summer – fingers crossed.

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Werm is producing, in my view, some of his best writing work at the moment, having pulled back a little from his highly technical and complex pieces. There is something a little more accessible about his graffiti writing now, that hasn’t always been the case.

The colours in this piece spelling out WERM are certainly eye-catching and benefit from the buffed black wall, which enhances the impact of the writing. I suspect, consciously or otherwise, that the selection of purple and yellow for the letters might be related to the colour wheel, where they are complementary colours – they do work well together. I wonder if we’ll get to see Werm incorporating characters in his work, he would be more than capable of doing it and has done so once or twice in the past. I’ll ask him next time I see him.

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Fade, Dibz, Noise and and Awkward, Dean Lane, Bristol, April 2024

I am not sure that I have seen this wall painted as much as it has been over the last year or so, not just painted, but painted with so many high-quality pieces. This recent collaborative piece is by Fade, Dibz, Awkward and Noise.

Fade and Awkward, Dean Lane, Bristol, April 2024

The left-hand end of the wall is collaborative combination from Fade and Awkward. Starting with the latter, I think that this is the most extensive bit of work I have seen from him, with so much more than his usual mega-tag face. Here Awkward has included a complete character as well as some woodland beasties and flowers, with loads of little details. The character is wearing a Cheech Wizard hat and surreptitiously holding a spray can. Fade has painted some beautifully finished letters, acting as a central platform for Awkward’s decorations.

Dibz and Awkward, Dean Lane, Bristol, April 2024

The middle section is by Dibz with a combination of outstanding writing and a couple of characters… a Vaughn Bode Lizard and another masked character whose name I don’t know, both faithfully reproduced. There have been a whole ton of Vaughn Bode inspired pieces lately, and I guess it is a theme from World Wall Stylers or something like that.

Noise and Awkward, Dean Lane, Bristol, April 2024

Rounding off the wall and sticking with the colour theme, Noise, who seems to be enjoying a spate of collaborations, has produced another of his NOISE pieces composed of dense letters with stunning fills and transitions. Awkward makes another appearance with a character peeping over the ‘S’ along with a couple more woodland bugs. Altogether a wonderful piece from the foursome.

	Oddment on Thursday Doors – 9 April…
	Bill Bisgood on Football fan’s lot
	paulh121 on 7574. L Dub (85)
	paulh121 on 7575. M32 roundabout J3 (…
	paulh121 on Arsenal v Bournemouth

	Oddment on Thursday Doors – 9 April…
	Bill Bisgood on Football fan’s lot
	paulh121 on 7574. L Dub (85)
	paulh121 on 7575. M32 roundabout J3 (…
	paulh121 on Arsenal v Bournemouth

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