My inclination is not to say to much about this outstanding character piece by Cheo for fear of spoiling it. Cheo has been a mainstay of character pieces in Bristol forever and although he has been relatively quiet in recent years, he can still turn it on when he wants to. This is a beauty.
The character is painted completely in green scale colours apart from the goggles and gold chain – even the bee is green. A small masterpiece from Cheo.
Awkward has been getting noticeably busier in recent months, possibly prompted by his counterparts with whom he has collaborated successfully. This time though he painted solo on the bricked up flat wall behind the long skate ramp.
The blue-faced character, wearing a baseball cap, appears to be resting on a wonderfully painted red cloud (emanating from his ear) and has a trademark speech bubble with the word AWKWARD spread over two lines. The large saucer eyes and wobbly lines to the left add a nervous energy to the piece. Awkward’s characters are quite unique and always come across as fairly wired or fraught. This is a nice piece.
Regular readers may recall that I am not a fan of posting work that is in effect advertising, but it seems that it is becoming all too common, whether promoting music or art. I guess I am more forgiving if an artist is promoting their own work, or helping out with mates, but it it still doesn’t sit very comfortably with me. It is a fine line between advertising for mates and corporate advertising. I suppose if money doesn’t change hands then it is ok. Somehow, though, the promotional aspect seems to disrupt the freedom of the artist, because there is a different driver or purpose, and this is reflected in their style and content.
Kid Crayon manages to gain leniency from me because I love his work, and in this piece he promotes n exhibition ‘Art on wax’ that happened way back in July. I expect the delay in posting the piece was down to my prevarication. It is well painted but in my view insincere. There you have it.
There is no doubt about it, Foksymoron is expanding his portfolio, painting larger fox character pieces with more variety, adding something extra to his familiar mega-tag foxes dotted about the city. I, for one, am very much enjoying this pushing of boundaries, and am wondering how much more sophistication will be added to his work.
The rather cool looking (if not a little overweight) fox in this piece is reclining, with his sunglasses dazzling. He is saying “put a donk on it” – I’m not entirely sure what this means, but donk is Australian slang for a penis, but I can’t see how that would apply here. Anyhow, the fox remains cool and joins his larger-scale counterparts in Foksymoron’s expanding portfolio.
After something of an absence, it is a real pleasure to see Ceus (Javiceus), back in Bristol with this piece and the one he painted for the World Wall Stylers ‘Who Framed Roger Rabbit’ wall. One of the trademark elements of Ceus’ work is his command of colour – he seems to make good choices that will hit home.
I don’t think that this one lasted very long, I only remember seeing it once. The turnover in Dean Lane is pretty fast these days. The letters spelling CEUS are really beautiful, with scenic fills that transition really well. The red 3D drop shadow, sets the whole piece off really well. The graffiti writing is painted on a cityscape backdrop, filling up the wall space really well. Hoping for more from Ceus this autumn.
This post is a quick nostalgic trip down memory lane comprising three wonderful pieces painted in Dean Lane, photographed way back in May 2019, that inexplicably weren’t posted at the time. The first is by Dasco, whose short time in Bristol saw the production of several outstanding pieces, you can see his gallery here.
Taboo has long been a favourite on the pages of Natural Adventures, and here is an old one in monochrome, complete with skull and right ball. Nice stuff.
Somehow this fabulous Biers piece missed the boat back in 2019, and I guess it was in a sense it was a prediction of things to come. ‘Nigel Farage – snake oil’ it says, and it isn’t wrong. The Clacton MP still hasn’t set up office in his constituency since the election and hasn’t held a single surgery, but then I don’t think anyone in their right mind would have expected that from the uber-opportunist.
When the PWA boys get together, you often end up with something quite quirky, and this fine collaboration from last month is an peculiar as they come. This piece on the bricked up rear of the large ramp in Dean Lane skate park has been decorated by Zake, Face 1st and Chill.
Zake has been pushing the boundaries a lot with his cartoon portrait pieces lately, and this crazy character is no exception. Big teeth and wild hair generate a sense of madness in this character, which is further exaggerated by the lack of pupils in the eyes. Adding to this sense of the unhinged, yer man is holding onto a rat by its tail. Weird fun.
The centrepiece is beautifully occupied by a classic piece of writing and character combination work from Face 1st. His letters are in a 3D block style, topped with a giggling girl character that we have come to know and love.
Rounding off the wall is a cartoon character complete with detailed fine lines and coloursul solid fills. The character is a nicely observed caricature of a young man with a baseball cap, short back and sides and plenty of piercings. A little bird sitting on the forefinger of the character rounds things off nicely. As ever a fine collaboration from this threesome.
One of the more productive writers in Bristol over the past year has been Noise, whether painting alone or collaborating. Noise has settled into the Bristol scene seamlessly and feels like part of the furniture, even though I only really became aware of his work in the summer of 2023.
Noise generally paints quite large, expansive letters, and this time he has had to squeeze his letters into a fairly compressed spot and has managed pretty well. The fills in the letters are worth a closer look, with the lower fills looking like greeny-blue clouds and the upper fills cold and frosty icicles. Definitely time for a Noise gallery.
You might have seen several references in the past to World Wall Stylers, and wondered what it is all about. Essentially, it is a global street art collaboration event, organised through Instagram, setting a theme which artists can adopt, paint and photograph, tagging @worldwallstylers in their own Instagram feeds. It is a way of showing off your style to a large urban art community and observing other artist’s impressions on the same theme. This month is chapter 16 of World Wall Stylers and the theme is the film ‘Who Framed Roger Rabbit’.
Fade and Dibz have collaborated in this Roger Rabbit piece in what I would call a fusion collaboration where both artists will have contributed to all parts of the piece, in spite of the letters spelling out FADE. The character in this piece was called Smart Guy, one of five weasel characters belonging to the Toon Patrol. Brilliant work from the pair and a prompt to dig out the movie and re-watch it sometime.
Katie Fishlock produces small, bold and really impactful pieces, and although she doesn’t create street art work all that often, you certainly know when she has produced a new piece – you generally can’t miss them.
This bright piece is on one of the ramps at Dean Lane skate park, a spot she has favoured before. The piece is more of a statement stamp than anything else. It says ‘Thirsty’ and there is a drop of water landing between bright red lips of a horizontal face profile. Impactful and mildly sensual. Great work from Katie Fishlock.
