This is a recent piece from Hire in Dean Lane which appears to have been dogged with some green paint in the middle. The curious thing is that it is the same colour paint as that used in the background. I can only summise that the splodge was either self-inflicted or done by a passer-by who used the discarded can – either way it is a pity.
I like Hire’s work, it has such a distinctive Gothic style and is quite unlike ahy other graffiti writing in Bristol. Although I haven’t seen him for a long time, Hire is a quiet, unassuming and decent artist who has always stopped for a chat. Looking forward to more in 2020.
Another nice piece from the archive, this time from the brilliant Hire. I managed to snap this piece just as it was being overwritten, so kind of got lucky. You can see the outline of the piece that went over it.
I think that Hire is probably one of the overlooked heroes of the Bristol street art scene and his work is always on point. His gothic style is his trademark, and we mustn’t forget his rabbits that were being painted in Bristol before the arrival of his compatriot Nevergiveup. These letters, skilfully filled with black and yellow spell out HIRE… I think. A great Deaner piece.
There haven’t been nearly enough pieces by Hire in my view in the last twelve months or so. I like his unusual Gothic, almost brutal writing style that conjours up images of hardened steel weapons of the middle ages, or at least that’s what I see.
On the curved wall of Dean Lane, this one I am guessing spells out HIRE, but I have to confess that I can’t see it, so it might say something else. Hoping for more from this fabulous writer and now that Nevergiveup has moved to Bath, we will need his menacing rabbits more thasn ever to keep us going.
I said in a post a few days ago that Hire had come out of hibernation, and this, as if to prove it, is the second piece from him in the space of a week or so. This is an incredible work, which I am guessing spells HIRE, although I don’t quite know how it can, bevause of its bilateral symmetry. If I look at it hard, I can convince myself I can read HIRE, but I can also read AVA, so it could probably be anything.
I have always liked Hire’s work, but I can never really understand why it gets painted over so quickly most of the time. Maybe it is the walls he chooses to paint that limits the lifespan of his work, or maybe there is a respect thing going on. I don’t know, but he certainly gets my respect and lots of it.
Well these two seem to have come out of hibernation, and this is one of two recent collaborations between Soge and Hire. These two are both Polish artists who have adopted Bristol as their home and have been collaborating for a few years now.
On the left is a fine and rather complex piece of writing by Soge, which does actually spell out SOGE although it is highly disguised. His style is like a kind of organic Gothic and seems to be from the same school as Hire and quite unusual for Bristol. Long thin sections of lettering with sharp points, this is technically very difficult and brilliantly executed.
On the right is one of Hire’s trademark rabbits which are altogether more ‘street’ and sinister than the rather cuddly rabbits painted by fellow countryman Nevergiveup. There is a lot of menace in this rabbit – not one I’d like to meet on a dark night – and you can see how the fur, all pointy, reflects the style in Soge’s writing. These two would seen to enjoy each other’s company and it is a pleasure to see them back out and painting again.
Another supreme example of gothic graffiti writing from Hire, who seems to have a real soft spot for this left-hand end of wall in Dean Lane. He has sprayed several other pieces here before. Hire used to work quite a lot in The Bearpit, but I haven’t seen anything of his there for an age.
This is a bright, confident and strong piece that is impossible to ignore. It screams out at the passer-by ‘look at me’. The letters I think spell out HIRE – I can see it whether it is there or not. He has also written quite cryptically ‘The BF One’ along the base of some of his letters. I have seen BF written before, in fact Hire’s Instagram handle is #hireonebf, but I don’t know what it relates to. He is a man of few words. I’ll have to ask him next time I see him.
Long before Bristol became inundated with Nevergiveup’s jolly bunny rabbits, there were some rather more moody, sinister even, rabbits lurking in dark corners. They were the creation of fellow Polish artist Hire. A little while back, Hire sprayed a few of these at Dean Lane, and this one with those scary eyes was, in my view the pick of the bunch.
I haven’t seen any of his work for a little while now, but that is the name of the game… artists, just like the rest of us have peaks and troughs in the spare time they have, and maybe Hire is in one of those troughs. I really do like his rabbits, they have an edge to them.