1479. Dean Lane skate park (122)

I haven’t posted much from Hire for a while, and sadly I got to this one just a few moments too late it looks like. It is a real shame that some idiot has run a white line through this piece, and the beautiful Sikoh and Dibz piece next to it. Arturo has little to be proud of in my view.

Hire, Dean Lane, Bristol, May 2018
Hire, Dean Lane, Bristol, May 2018

The amazing thing about this piece is that it is not a collaboration, the whole thing is by Hire, the Gothic influenced writing on the left and the dayglo bunny on the right. I like the way he has put these pieces side by side with their contrasting backgrounds. The colours used for the writing would make Decay very happy (he uses exactly this palette form most of his work). And, just in case you weren’t sure, the bunny helps us out with the location of the piece. Fine work.

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1310. Dean Lane skate park (109)

Sprayed either at the end of December or beginning of January this is another wonderful rabbit from Hire. This artist consistently churns out good work like this or his wildstyle writing throughout the year, and although I haven’t bumped into him for a while it is great to see his works making an appearance.

Hire, Dean Lane, Bristol, January 2018
Hire, Dean Lane, Bristol, January 2018

When I first became aware of Hire’s work, it was mostly in The Bearpit, however he seems to base himself almost entirely in Dean Lane these days. I am not sure what the writing says, but I would like to think it says something like happy new year. And would’nt you know it, I just typed ‘happy new year Polish’ into Google and it wasn’t this, so I changed Polish to Russian and guess what…I was right. Nice one Hire.

1265. Dean Lane skate park (103)

Another one from back in July last year, this time from Hire, who seems very much at home in Dean Lane. With a contrasting yellow background, this fabulous piece of gothic wildstyle writing stands out brilliantly.

Hire, Dean Lane, Bristol, July 2017
Hire, Dean Lane, Bristol, July 2017

Hire is a highly talented graffiti writer, who I can’t help feeling is slightly overlooked in the Bristol scene, so I am certainly playing my part in ‘bigging him up’. I cannot be sure, but I think this piece says HIRE. I think it is classy.

1209. Dean Lane skate park (95)

I would never have expected to see this line up in a collaboration, but this is the great thing about the Bristol scene, you should never expect anything, just get out there and take a look. It is a full wall at Deaners by Hire, Drew Copus and Jee See.

Hire, Dean Lane, Bristol, December 2017
Hire, Dean Lane, Bristol, December 2017

 

On the left we seen the jaggedy gothic style of writing we expect from Hire. I am not too sure, but I think the symmetrical looking writing says HIRE. The piece almost looks like is has caught fire and on the right it blends into the second part of this collaboration.

Drew Copus, Dean Lane, Bristol, December 2017
Drew Copus, Dean Lane, Bristol, December 2017

The middle piece is by Drew Copus, who lives near Hastings, but seems to come to Bristol once or twice a year to spray some of his stencils. In this collaboration he has sprayed three bright female stencil figures, each rather peculiar, which is what makes them rather interesting. It would be nice to know a little more about these figures.

Jee See, Dean Lane, Bristol, December 2017
Jee See, Dean Lane, Bristol, December 2017

On the right hand end of the collaboration is a huge SEISMIC piece from our very own Jee See. It is always great to see his work in Bristol, and I have several pictures of his work sitting in my files waiting to be published. As I said before this seems like quite an unlikely threesome. Maybe they know each other, or maybe they all just turned up in Dean Lane skate park on the same day.

Of course it is all gone now.

1154. Dean Lane skate park (90)

There are some unusual colour selections in this nice collaborative pairing of Soge and Hire down at Deaners.The deep blue and maroon backdrop certainly lift the wildstyle writing of Soge, but Hire’s rabbit on the right is a little disguised.

Soge and Hire, Dean Lane, Bristol, October 2017
Soge and Hire, Dean Lane, Bristol, October 2017

I have said it before on this blog that Soge has an incredibly elaborate Gothic style of wildstyle writing which is quite unusual. I have absolutely no idea what the writing says in this piece, it might be ‘SOGEJEDEN’ which is his Instagram tag. I don’t know.

Hire, Dean Lane, Bristol, October 2017
Hire, Dean Lane, Bristol, October 2017

Always I have to like Hire’s rabbits wherever they appear – which is usually Dean Lane these days. Cheeky and mischievous.

1037. The Bearpit (92)

Long, long before I knew who sprayed this rabbit, I knew that I liked it and hoped to meet the artist some day. Well I still like the rabbit and all the other ones I have found since, and the artist is of course Hire, who I have encountered several times now, mostly at Dean Lane skate park.

Hire, The Bearpit, Bristol, April 2016
Hire, The Bearpit, Bristol, April 2016

This is a particularly nice rendition of his favourite theme, which includes some decorative wildstyle writing. I can make out an ‘H’, but am not sure what the other letter(s) is…maybe an I. Anyhow, this is a lovely piece from eighteen months ago.

 

 

1002. Dean Lane skate park (77)

You will notice that this recent series of posts is a bit of a catch up from archives that I have held on to, but can hold on no longer…they all have to see the light of day at some point.

Hire, Dean Lane, Bristol, January 2017
Hire, Dean Lane, Bristol, January 2017

This is a wonderful jagged bunny by Hire from way back in January, before I knew who the artist was. This piece got left behind. I think I have several more old pieces from Hire and I fully intend to get round to posting them one day.

The green rabbit on the ping background works particularly well I think. You might notice he sprayed this over a Mr Draws piece, one I never saw! The bunny looks as cold as I felt when out walking to take this picture. I am not really looking forward to the inexorable march of Winter. You might notice he sprayed this over a Mr Draws piece, one I never saw!