5507. M32 Spot (171)

Zake, M32 Spot, Bristol, September 2023
Zake, M32 Spot, Bristol, September 2023

When I selected this Zake column piece to post I realised just how far behind I am with the blog these days, and that is entirely due to the huge volume of art dropping on the streets of Bristol. I venture out about four times a week, and each time probably photograph between six and ten new pieces on average, which equates to something like 24-40 new artworks each week every week. I usually post two pieces a day, sometimes three, so we are looking at about 20 posts maximum. You can see the deficit straight away, and this doesn’t include festivals such as Upfest or Cheltenham Paint Festival, where the pieces may reach 200 or so. This is a good problem to have, I guess, and maybe I have a project for my retirement, posting from the archives.

Zake, M32 Spot, Bristol, September 2023
Zake, M32 Spot, Bristol, September 2023

Zake will always be a column specialist, and many of his earliest pieces in Bristol were painted on columns only a hundred meters or so from here. In this one he has painted three faces stacked on top of one another, each with amazing depth and interesting expressions. Three for the price of one from Zake.

5504. White Street (1)

Fink, White Street, Bristol, September 2023
Fink, White Street, Bristol, September 2023

I have been looking for this spot for a long time, my pride getting in the way of asking, but was assisted by Paul H when I asked him where the second Fink piece was. He told me it was just around the corner from Peel Street Green, and the rest as they say is history (sorry about the cliché). If only I had extended my walks by about 200 meters, I would have found the spot before.

Fink, White Street, Bristol, September 2023
Fink, White Street, Bristol, September 2023

Fink visited Bristol while he was over from Dubai painting at the Cheltenham Paint Festival, and left us with two superb portrait pieces in his stunning single continuous line style. This face is painted in beautiful blues, purples and pink, the colour combination of 2023, which work so well together. The central large face is accompanied by several smaller ones in the background fills. This is belter of a modern piece and would look good in any contemporary art gallery. What a treat his visit turned out to be.

5457. River Avon (50)

Fink, River Avon, Bristol, August 2023
Fink, River Avon, Bristol, August 2023

I met Fink briefly at the Cheltenham Paint Festival recently, and he was good enough to stop for a quick chat. I mentioned to him that I had seen some of his work in Bristol from quite a while back and had been following his work on Instagram for a while. It turns out he lives now in Dubai and makes his living from his art commissions, which is pretty amazing. It seems that on his trip to the UK he dropped in to Bristol for a quick stop and painted this magnificent piece not far away from the back of Temple Meads station.

Fink, River Avon, Bristol, August 2023
Fink, River Avon, Bristol, August 2023

Fink’s abstract portrait pieces are special, drawn with a continuous line, a bit like sketching a face on paper in one go without lifting the pen. The golden face is made up of smaller faces painted in the same way, that give the whole piece texture and interest. This is a very fine piece from a visiting artist, who has some history with Bristol.

5288. M32 Spot (167)

Zake, M32 Spot, Bristol, May 2023
Zake, M32 Spot, Bristol, May 2023

I have a feeling that Zake might be slowing down a little, having had an incredible start to the year with an increase in both quality and quantity of his original character pieces. This incredible piece is painted on one of the columns (if not, a different face of the same column) where I first encountered Zake’s work back in July 2018, so it feels like a bit of a full circle, and my goodness, how he has developed over that time.

Zake, M32 Spot, Bristol, May 2023
Zake, M32 Spot, Bristol, May 2023

The long face (an inevitability on columns) has a double set of eyes, which are thankfully closed, and is spewing fiery water from the mouth. The colour selection works beautifully, and as ever Zake’s work is so full of depth, afforded by clever use of light and shade. This is a really striking piece, noticeable from quite some distance.

Zake, M32 Spot, Bristol, July 2018
Zake, M32 Spot, Bristol, July 2018

5231. Cumberland Basin

Laic217, Cumberland Basin, Bristol, May 2023
Laic217, Cumberland Basin, Bristol, May 2023

Laic217 is on fire at the moment, and painting fairly regularly, which is great to see. This portrait piece takes us back to a theme that Laic217 particularly enjoys, which is the distortion and disintegration of the face.

Laic217, Cumberland Basin, Bristol, May 2023
Laic217, Cumberland Basin, Bristol, May 2023

Set on a red background, the skin is melting away to reveal the skull underneath. Of course, a baseball cap with an ‘L’ on it is a required accessory and shows off the artist’s skill with recreating the illusion of fabric and materials. A great example of Laic217’s work, with more to come on Natural Adventures soon.

5227. M32 Cycle path (216)

Face 1st, M32 Cycle path, Bristol, May 2023
Face 1st, M32 Cycle path, Bristol, May 2023

One of my life’s great pleasures has been finding and cataloguing graffiti art pieces by Face 1st. For the duration of this blog, Face 1st has been a constant presence, gently evolving his style and boundaries, but sticking fairly rigidly to his basic concept of a smiling girl’s face. I try to post as many of his pieces as I can, but inevitably some get left behind. I might have to do a trawl through my archives and write an ‘amnesty’ post with all the pieces that never made it.

Face 1st, M32 Cycle path, Bristol, May 2023
Face 1st, M32 Cycle path, Bristol, May 2023

In this vibrant piece, Face 1st has painted four laughing girls, appearing to have lots of fun, there is also quite a lot of stickiness on their faces. I would like to think that each of the faces is a letter of the word FACE, but I think that is probably stretching things a little. Face 1st continues to spread joy.

5138. M32 roundabout J3 (461)

Face 1st, M32 roundabout, Bristol, March 2023
Face 1st, M32 roundabout, Bristol, March 2023

When I first encountered Face 1st’s work, his pieces were more commonly painted solo, with occasional PWA paint jams, particularly with Soap, but more recently he has rarely painted without some of his buddies, this piece on the M32 roundabout being an exception. Maybe all his PWA mates were busy that day.

Face 1st, M32 roundabout, Bristol, March 2023
Face 1st, M32 roundabout, Bristol, March 2023

I love the way that Face 1st constantly plays with new ideas and themes, and then adds them to his repertoire. This is a traditional Face 1st idea, a face with hair spelling FACE, but the letters are deep 3D block letters which he has been including more often recently, and there is a lot of gloopy dripping going on, something he started to include in his work about two years ago. This is a fun and eye-catching piece from the prolific Face 1st.

5121. M32 Cycle path (206)

Bogat, M32 Cycle path, Bristol, March 2023
Bogat, M32 Cycle path, Bristol, March 2023

This is a big bold statement piece from Bogat alongside the M32 motorway, from a week or two back. This is a striking piece and I know that when I post it on Instagram it wil be popular, there is something about his work that is appealing.

Bogat, M32 Cycle path, Bristol, March 2023
Bogat, M32 Cycle path, Bristol, March 2023

The piece spells BOG in large and nicely finished letters with some cool drips going on at the top of the piece. The open-mouthed character making up the ‘O’ is typical of Bogat’s work. There is some nice shading on the face and hat offering texture to the face. I am enjoying Bogat’s work very much and look forward to seeing more.

5118. Dean Lane skate park (582)

Maybe, Dean Lane, Bristol, March 2023
Maybe, Dean Lane, Bristol, March 2023

There was a time last year when Maybe was painting roughly once a week, but he has definitely slowed down of late… perhaps it is the cold weather. This is a rather nice large piece in the skate park which is quite tricky to photograph because of the angle of the slope and the size of the piece.

Maybe, Dean Lane, Bristol, March 2023
Maybe, Dean Lane, Bristol, March 2023

Featuring his interlocking faces in a variety of contrasting colours, this triangular piece demonstrates how far Maybe has come in developing his early concepts from a couple of years ago. Some great use of blended fills and dark shading show a significant improvement in sophistication of his contemporary work.

Maybe, Brunel Way, Bristol, March 2021
Maybe, Brunel Way, Bristol, March 2021

5101. Dean Lane skate park (577)

Zake, Chill and Face 1st, Dean Lane, Bristol, March 2023
Zake, Chill and Face 1st, Dean Lane, Bristol, March 2023

The Pirate Wall Art (PWA) crew have already produced some outstanding collaborations this year, but this surely has to be the most striking so far. Zake, Chill and Face 1st have teamed up to produce this triptych of stylised faces.

Zake, Dean Lane, Bristol, March 2023
Zake, Dean Lane, Bristol, March 2023

To the left is a curious pair of faces which feel like they are symbolic of something, but I am not quite sure what – sun and moon or light and dark? Who knows. The flower face is something new that I haven’t seen from Zake before, but he carries it off really well.

Chill, Dean Lane, Bristol, March 2023
Chill, Dean Lane, Bristol, March 2023

In the middle of the triptych is a cartoon face by Chill. When Chill moved away from his black and white pieces, I wasn’t sure how long it would last, but I am pleased to say that his inclusion of several colours once again might indicate that this is a new direction of travel for the artist. I love the inclusion of some greenery and flowers in most of his pieces, showing a sensitive connection with nature.

Face 1st, Dean Lane, Bristol, March 2023
Face 1st, Dean Lane, Bristol, March 2023

To the right, Face first has painted another group of faces, in which he continues to explore ways of peeling back the layers of our facades to reveal what lies beneath. In this case, the face with yellow hair has been split open to reveal a laughing girl emerging from inside. Some might see these pieces as gory or grotesque, I see them as a joyful exploration of emotions unearthed in a rather surgical, but playful way.

Plenty to think and enjoy about in this fine PWA collaboration.