Lockdown isn’t all bad (although it is pretty bad, granted) because it seems that it triggers some activity from certain street artists, including Laic217. Since the New Year, Laic217 has been hitting walls fairly regularly and that is a great thing – I am guessing that perhaps he can’t work or has been furloughed or something like that.
This piece, close to another one at L Dub shows Laic217 at his graffiti art best, a skeleton figure in a subversive pose giving a double bird in a flaming background. As usual, the creases and folds in the hat and clothes is a speciality of his and something that seems to come so naturally these days. A fine fiery piece.
This is an interesting piece from Laic217 because the writing behind the character is most un-Laic217 if you know what I mean. Also the character, although obviously by the Laic217 is not quite his typical style and could conceivably be by another artist.
It is nice to see artists switch it up a bit from time to time and this is a great example of that. I can’t remember when I last saw filled writing like this from Laic217, an element usually provided by his painting compatriot Cort. Overall this is an unexpected and intriguing piece and demonstrates the range that Laic217 has.
It has been way, way too long since I last saw a piece from Laic217. He had a burst of activity during our first lockdown, but after that has been fairly invisible on the streets, which is a pity. Somehow he epitomises the Bristol scene with his irreverent skull pieces. Edgy but also brilliantly painted, together with a range of textures and subjects helps Laic217 stand out from the crowd routinely.
This monster piece, on the long wall in Cumberland Basin, features a hoodie-wearing skeleton using a flame-bearing spray can, a theme regularly used by the artist. Simple colours and a sketch-like quality belie the skill in this piece. The bubble writing in the background belongs to this piece and spells out PAD, the crew which includes Cort, whose piece was adjacent to this one. Hurrah!
Immediately after lockdown, Laic217 was on fire. I am guessing that he was not working and so was able to paint the streets without restraint. In recent weeks he has slowed down considerably, so it was great to see this quick one on one of the ramps in the skate park.
This stop-start nature of activity from street artists is common and probably reflects the employment model they adopt. Self-employed artists seem to have a bit more flexibility around when they can paint where as those with 9-5 jobs probably find it all a little more challenging. Of course coronavirus and Furlough have played havoc with these regimes.
The piece itself is straightforward, a skull with a woolly hat bearing the letters PAD, a crew name. Even in these quick pieces, Laic217 still manages to achieve a high standard of artwork. I hope he gets some leave soon, I am suffering from withdrawal symptoms.
Laic217 keeps knocking it out of the park (skate park in this instance). This is a piece that was painted for the Dean Lane Hardcore event a few weeks back and captures the atmosphere and essence of the event brilliantly.
The skateboarding skeleton is smoking and drinking and the rather tatty looking skateboard is on fire with the tricks being demonstrated. Somehow, Laic217 has managed to work the perspective of the crouching skeleton in a way that shows the movement and forces while calmly holding a beer can in his left hand.
Next to this piece are the three rabbits by Nevergiveup that I posted a few days ago holding up score cards for the achievements of Laic217’s skater. My assessment for the artwork is a 10, 10, 10.
My camera (or its operator) goofed with photographing this piece from Laic217 on the M32 cycle path. Most of my pictures were way out of focus, but I managed to retrieve a couple that were ok. This is my explanation of why I have put a close-up in the feature image, something I rarely do.
Laic217 has always had productive patches, but I can’t recall one quite as busy as this summer. It comes as no surprise that this piece is a skeleton, nor that the fabric of his jacket is superbly painted, Laic217 is really mastering painting clothes and materials. Nice to see a little shout out to Pl8o.
Well this is just brilliant. A really clever and really well crafted piece from Laic217 who, it has to be said, has been on fire since the lock down restrictions were eased. A skeleton character taking a photograph of a piece by Laic217. It reminds me a little bit of me, although I carry a little more weight than this character.
The whole thing has been painted in a spectrum of shades of black, grey and white apart, that is, from the red camera strap bearing the name Laic217. This is a work of an artist really enjoying his craft and employing his creativity with freedom. On of my favourite Laic217 pieces to date.
This is one of two pieces by Laic217 painted about a week ago. I missed the other one at the M32 roundabout which lasted about 12 hours. Here we have a nice study in black, grey, white and pink set on a rather untidy grid.
What I like about this piece is that Laic217’s use of the pink really emphasises the character’s accessories – the strange glasses, the neck chain, spray cap and signature on the bucket hat. It is always great to see his work popping up about the place, and I think I might have a newish one to find today!
I haven’t been to L Dub (Lawrence Weston) very often, and the turnover there doesn’t require frequent visits, but I was very pleased to find this magnificent Laic217 piece there on my last visit a week or so ago. It is the first piece I have seen in this spot from Laic217.
I know he paints a lot of skulls/skeletons these days, but somehow this one feels extra special somehow. Full of all the trademarks we would expect to see from the artist, it is the perspective of the piece that I particularly like. I also like the grey tones used. This was a particularly pleasurable find.
In the previous post I was talking about a large piece by Taboo that I never got to see. Well, a tiny little bit of that piece, the ‘B’ I think, lies behind this delightful three-way collaboration from Laic217, Soge and Nevergiveup (Followmyrabbits).
On the left of the three pieces is a rather dark and menacing face-masked face from Laic217, wearing a hat with the letters ACAB emblazoned on it. You might notice that many pieces in Bristol carry those letters at the moment, which resonate with the Black Lives Matters movement and the acronym stands for ‘All Cops are Bastards’. Bristol has lately become famous across the world for its rather revolutionary support for BLF.
In the middle is a bright and vibrant pink piece by soge, who like his two Polish buddies here has been extremely busy since the end of May. Clean and tight writing spelling out the letters of his name SOGE. The yellow stars and weave in the centre of the piece add nice touches.
On the right is a very long-eared rabbit by Nevergiveup, beautifully filled and perfectly executed. This artist is tireless it would seem and I have utterly lostcount of how many of these bunnies I have photographed, and that probably only accounts for about half of the total. Gallery soon? A very tidy collaboration from three top artists.