Well it has been a few days, hasn’t it? this is one of the best Laic217 pieces that I have seen. I think he is moving on to a new level, and he has worked this wall perfectly. As tribute to the quality of this piece, it has remained untagged and intact for at least a fortnight, which shows the respect from other artists.
Although I have seen this theme before (fire from a spray can) from other artists, I think he has excelled with this, in particular I like the way he has shaded the reflected light on the face and head of the skull, grading from white/yellow to purple/black.
I still have many more recent pieces by this most prolific artist in my archives, and I will unapologetically post them all. Really fabulous work.
Laic217 seems to enjoy finding new spaces to spray his exceptional works. Moon street is a street familiar to graffiti artists, but I don’t believe these doors have has anything more than tags on before.
I particularly like this skull by Laic217 as it incorporates the Clifton suspension bridge, Bristol’s most significant landmark. Note to self…publish a special post containing works with the suspension bridge.
The picture is somewhat enhanced, in my view, by the fact that the doors would not close properly, adding another dimension to this piece.
For those of you not keen on Laic217’s work, I apologise. I, as you should know by now, am a big fan, and as long as he keeps painting them, and as long as I keep finding them, I will keep posting them.
This is a quick one from a little while back in a narrow cycling alleyway that runs alongside the M32 between the St Pauls and Eastville junctions.
A wall, an obscured face, a bucket hat, a tracksuit, letters…it is all here and all so beautifully done. I’m not at all keen on the yellow background, but I am just being a bit picky.
This is not the first time that I have seen a collaboration wall between these two. Some time ago I posted a piece by Laic217 from Moon Street, but left the Cort piece out, which was on reflection a bit unnecessary. This time I have kept Cort’s half. I know little about Cort apart from these two pieces mentioned.
Laic217 again seems to be experimenting with his grayscale work, with just a touch of accent colour in his signature. I have noticed too that in shared walls like this one, Laic217 always seems to occupy the left hand side – is this a thing for street artists? is it like having a preferred side of the bed?
I like this collaboration a lot, and am pleased to have got a clean photograph of it, something that is getting more and more difficult to do in Bristol.
The missing Cort photos from March 2016 are below…
Coming back down to earth from five posts about Upfest pieces I find myself back in the old Bearpit, and confronted by this absolutely brilliant and slightly chilling grayscale piece by Laic217.
The image conjures up so many thoughts and ideas, perhaps of a menacing figure, but also maybe one that needs care and love.I think it captures so brilliantly the judgements we make about others based upon their appearance, location or demeanour. I really love this piece. Yet another from the ever-productive Laic217.
I was in two minds about posting about this Laic217 piece, because it is so unlike anything I have seen from him before, and something of a departure from the trajectory he has been on recently. I am not too sure also that I like it very much…it might be something to do with the insipid colours. But hey this blog isn’t just about what I like, it is about what I see.
Actually, now that I am scrutinising it a little more thoroughly, there is quite a lot here to like. The animal, the alien in a spaceship over eyes and the customary brick wall. I guess the monochrome approach is something I’ve not seen before from this artist (spoiler alert…but I have seen since).
Not the best, but still something rather compelling about his work, and how much has he improved over the last year?
Well this is a bright wall from Laic217 and Hire. Regular readers will be familiar with the work of Laic217, as I tend to feature a piece by him almost every week, however this is the first work by Hire that I have posted.
I think that this is another of those painting together walls rather than a collaboration per se. There is an element of sequence between the two pieces, but the main link is the background wash selected, and the skeleton spraying on the Hire piece.
No major surprises from Laic217, but consistent with his progress over the last year, the quality of his pieces improves with each work.
I know very little about Hire, except that I am certain I have pictures of other work he has done in my archive. I will try and dig some out if I can. This is a lovely wildstyle piece, with some similarities to the style used by Dibz. A great combination.
Sorry to say that I returned a few days later and the whole thing has been obliterated with this: