Sandwiched between Eraze and Rusk (quite some sandwich) is this rather small and understated piece by Laic217, all the more unusual for the lack of a signature. The piece was painted back in May during what must have been quite some paint jam, during which at least ten artists converged on St Werburghs tunnel.
Laic217 had gone for a minimum of colours in the portrait but jazzed up the whole thing with a bright gold chain. The elements that link this piece to Laic217 are the zip fastener, the style of clothes and the dripping/melting effect. I’m not too sure about the ear on this piece, which appears to be a little high and large and almost blended into the cap.
I got very lucky last weekend when I took the dog out for a ‘street art walk’ to Wilder Street and found Laic217 and Nightwayss painting together. The dog accompanies me quite a lot these days, poor thing, but is most patient when I stop to talk to the artists.
This is an absolutely fabulous piece by Laic217 who, in five years of writing about Bristol street art, I have only met once before. I stopped to ask him for a few tips about controlling the spray pressure coming from a can and other control techniques, and he was very kind with showing me a trick or two.
The completed piece is an upbeat summer special, complete with a beautiful pink shirt emblazoned with smiley faces. Unmistakably a Laic217 work with many of his trademark themes. So good, and so good to watch him at work.
On the M32 roundabout we have yet another wonderful Cort and Laic217 combination. These two really do seem to enjoy painting together and somehow that personal chemistry comes across, even though their styles are completely different.
The Cort writing is so typically in his style, with unusual shaped lettering combining straight lines with curves and some rather tasty fillings too. The whole thing is set on what looks like a brick wall where the render has started to flake off, a great effect.
To the right is the Laic217 writing bookended with characters in one of his favoured red colours. For me this piece is the epitome of everything that Laic217 brings to his pieces, some great writing, great textures and skeletal characters with an element of menace about them. Nice to see a little shout out to Ryder on the right hand side of the piece too.
I could sit and look at Laic217 pieces all day. I don’t think I necessarily share his fascination with death, acid, bucket hats or brick walls, but I appreciate how he conjures up these extraordinary pieces. A rich and magnificent piece.
Another artist I will never tire of is Laic217 and this piece in St Werburghs tunnel is so typical of his great work. Another weed-smoking bucket-hatted skull, which he simply gets better and better at crafting.
I feel a real closeness with Laic217’s work because since I started doing this recording Bristol street art thing in 2015 I have watched his work closely and seen his style develop significantly, and although his subjects are often similar, the depth and complexity of his pieces constantly grows. Love this one.
Another fine combo from Laic217 and Cort in St Werburghs tunnel. I feel like I haven’t seen too much from Laic217 in recent months, although actually he is still reasonably productive and I see maybe a couple of new pieces each month.
The Character piece has several themes that we have seen from Laic217 before. A skull, a brick wall, this time in the form of glasses and a brilliantly crafted hoodie jacket complete with zip.
More than other pieces that Laic217 has produced, this one feels surreal, probably because the brick wall obscures the eyes, or more correctly the eye sockets, so the character is dissociated from its surroundings… warning, beginning to sound a little pretentious.
It would seem that Cort recently has been rather fond of extending the length of his name, and in this case to CORTONE. I wonder if by lengthening it he gives himself more scope to play around. I like what he has done here, and I particularly like the random white surround with trios of black dots in it. All in all a nice collaboration from these two friends.
Top Cat by Deamze looks on at a recent piece by Laic217. While not quite up to the very high standards we have come to expect from Laic217, this is still a rather striking piece Bering many of the hallmarks used by this artist.
I would guess that this was probably painted rather quickly, and perhaps not enough thought was given to the proportions of the portrait. Whatever the reason, the top of the head and hat is a bit squished. I am rather fond of the skull shirt decorations though. More from Laic217 soon I hope.
Not quite as prolific as he has been in the past, but still keeping things ticking over is the brilliant Laic217 painting in one of his favourite spots in Moon Street. I think the dimensions of the wall lends itself to his portraits.
In this piece we see a return to several ideas used in Laic217’s work which link back to a theme of flammability. A melting face, which Laic217 has used to great effect many times, that spells out his name. Spray can caps for eyes recessed deeply into the eye sockets and a bucket hat which in this case seems to be fashioned out of a spray can.
I will never get bored with his work and if I am honest probably look forward to discovering his work more than any other artist… it is like a game.