The waits seem to get longer between finding new Laic217 pieces, which is a real pity. I can only hope that the reason behind his slow down in street activity is that he has other great things going on in his life. It is not uncommon for street artists to go through peaks and troughs in activity, and that is all part of the game.
This is Laic217 at his classic best, a skeleton holding a spray can, wearing a puffer jacket over a hoodie. There is tons of shape and texture in his work, especially on the clothes. Seeing this piece reminds me just how good he is and how much I miss his work.
As the development alongside the Bristol to Bath cycle track reaches its completion, the long hoarding is being dismantled in sections as each new block of the development is finished. We always knew this would be a temporary spot, but it feels rather sad that it is shrinking away and will soon be gone altogether.
One of the regulars here over the last few years has been Laic217, and here he is with another classic piece. This one, along with other recent pieces, reverts back to his rather sinister distorted faces. Distorted and trippy some might call it. All the elements of a Laic217 piece are there, but once again it is his attention to detail in folds in material that really stands out. He has become a master of painting the clothes worn by his skeletal characters. Brilliant stuff from one of my all-time favourite artists
This piece from Laic217 was painted while I was away on my family summer holiday, but I was more than aware of its existence due to the fact that it was all over the Bristol Instagram feeds that I follow. Of course, on my return home, I made a beeline for the spot in Cumberland Basin.
There is something rather striking about the portrait piece, and I have a feeling the background pattern has a lot to do with it. The portrait itself is a classic piece of Laic217 art, disturbing and menacing, with the figure clan in a full mask and goggles. It has a dystopian future feel about it.
Laic217 is painting roughly every three to four weeks at the moment, which is great as it keeps a constant stream of his work in the limelight, and allows me to publish pretty much every piece I see.
This artistic piece features a chrome Satan Japanese Oni (thank you, Paul) crushing a spray can with his teeth, and some bronze paint/fumes wafting from the can in a rather stylised design. The chrome work is fantastic because it isn’t chrome at all, but looks like it. The colours used are actually black, grey, white and light blue, which used skilfully create an illusion of metal. Brilliant work from Laic217.
I am not the biggest fan of this bit of wall. There is no easy way of photographing it without a wide-angle lens or similar capability, so you are getting it fence and all, to see what it really looks like, rather than a sanitised version, although I have tried that too.
There is little need for me to say much about Laic217, the artist, as I have said pretty much everything I can in the past. This is another skeletal offering, which although not to everyone’s taste, has artistry that can still be admired. He is doing a lot of greyscale work these days which is not easy, but he manages to generate great depth in his pieces with light and shade and folds etc. This is yet another fine piece in a long series of outstanding work from this excellent artist.
It is so good to see a new Laic217 piece, and this one is a throwback to his melting face period from a few years ago. I guess with the heatwave we are currently enduring this melting face is really rather apt.
The main difference between this and his similar pieces of old is that his skills and touch have improved measurably. Although this piece is rather grotesque, it is also fascinating, and difficult not to look at and study. I particularly like the curve of the cap peak, it is just so well observed. Melty face, melty day.
After a reasonably long absence, Laic217 has treated us with another of his skeleton pieces at Sparke Evans Park. Laic217 is one of those artists whose work I make every effort to photograph and post on Natural Adventures, and I would say that my gallery of his work is probably my most complete gallery of any artist.
This one looks like it is a tribute piece to Holls, and carries several themes that Laic217 uses in his work. The ghetto blaster, the brick wall and the folds of material in the hood and hat, all identify this piece as a Laic217 production. I don’t think I’ll ever tire of a skeleton out spraying. This is another fine piece from Laic217.
Over the last month or so, Laic217 has produced four wonderful pieces, three of them linked to support for Ukraine and this one, reverting slightly back to the territory we are used to seeing from the artist.
The backdrop of multiple colours layered horizontally, almost looks like paint brush work, and is quite crude. There is nothing crude about his greyscale skeleton character, however, picked out with a fine white border. There is threat and misery in this piece, all part of Laic217’s narrative and fascination with decay and distortion.
Laic217 has thrown himself into demonstrating his support for Ukraine, which probably feels rather close to home, as a Polish person, in this his third war related piece in recent weeks. Unsigned, this piece is obviously the work of Laic217, and is both hard-hitting and poignant.
To express rage and anger at dictator Putin’s war through art is a very powerful thing, and Laic217 really captures the horrors being experienced in Ukraine every minute of every day. The blue and yellow neck scarf is nicely painted with superb folds in the fabric, and the hat says it all. Another slightly unconventional piece from Laic217, and one that chronicles the major issue of our time.
This is the second piece from Laic217 that I have seen that is overtly in support of Ukraine, and this time the content and style is much more what we would expect from him. The masked characters, that Laic217 has been painting on and off for years, now take on a rather more sinister and relevant meaning in the context of war.
Set on a backdrop of a Ukrainian flag, the two characters cannot be seen, but are hidden from view by their heavy masks and headgear, rendering them anonymous. It is this anonymity (particularly of the Russian aggressors) of all that is going on in the war that contributes to our feeling of helplessness. News clips and short moments of footage, distressing interviews and reports leave us with the bare bones of a picture, and we make up the gaps in our imaginations.
This one is for Ukrainian artists and writers. Perfect.