One of the things I am looking forward to when we return to a new normal is that some of the artists who have had a quiet lockdown may return to the streets more frequently, in particular artists like Laic217 who has been, relatively speaking, on a bit of a go-slow.
This is a nice little skull piece, picking up on some themes used by Laic217 in the past, most notably the brickwork structure of the skull. The folds and textures of the clothing is once again masterfully handled. Always so good to see.
This is a very special piece from Laic217 because it takes us back to a hallucinogenic theme explored by the artist a few years ago, and I haven’t seen one of these distorted faces in a long while.
This is classic Laic217 at his best… a character and the letters LAIC, but how his work has come on over the last few years. He takes a lot of care with his work and his finessing makes a significant contribution to some brilliant technical work. Here, the double-faced character is spraying the letters, an idea used several times in his work.
The face has two perspectives looking in slightly different directions, but cleverly, each face seems to work independently. The mouth is large and shared by each face. Confusing and unsettling, this is a challenging work. Nice to see the bucket hat and smiley making a return too. Wonderful trippy work from Laic217.
This is a rather unusual piece from Laic217 in so much as it looks rather more like a commission than a graffiti art work. I think that the texture of the breeze block wall has also contributed to the unusual look of the piece.
Carrying the words ‘cans ‘n roses’, this is an obvious nod to the hard rock band and the piece has a hard rock feel to it. Is this where Laic217 gets some of his inspiration from? I guess it is less important where it comes from, instead it is what he does as a result of inspiration, and this is an absolute gem of a piece.
As I already mentioned the surface of the wall gives the piece a kind of matt finish which is so unusual. The can and roses motif is beautifully conceived and executed, Laic217 is an artist who just seems to go from strength to strength.
Of course, a little bit like Nightwayss and his monkeys, no Laic217 piece is complete without a skull or skeletal character and here he doesn’t disappoint. Another triumph from an artist who is having another busy patch.
The incredible Laic217 has been out and about again although his efforts over the last year or so have very much been in fits and starts. It is a long time ago since he has painted in this particular spot and how his work has come along since then.
I am a complete sucker for his work and every time I find a piece my endorphin levels are suitably topped-up. This is an absolute belter, and I think one of my favourites. The woolly hat reminds me of the cap that my all time hero Jacques Cousteau used to wear and is so perfectly sprayed. Laic217 has become such a specialist in painting different fabrics and textures and the black and red puffer jacket is a perfect example.
The pose of the skeletal character is typical of a Laic217 piece with a spray can at the ready. Some great detail, imagination and craftwork have been combined to produce this fine work… one that is so utterly worth a look if you get a chance.
This is the latest in a sequence of new Laic217 pieces, but one that alas only lasted a few days before being over-painted. Set on a nicely prepped black background, this piece has a skeleton (of course) and some throw up writing about the place. This is quite clever, because it looks like the tagging looks like it was already there and Laic217 has planted his piece over the top of it, but it is all his work.
At risk of repeating myself, something I do a lot of on Natural Adventures, it is the textures in the clothes and materials that Laic217 carries off so well. On this particular piece, the zip is the star of the show. If you like street art with clothed skeletons, then Laic217 is yer man.
I am very much enjoying this little pulse of activity from Laic217, and from all over the city too, what a treat. This is a tidy piece in which he recognises his PAD crew by name, and possibly represents some of them with his skeletal characters… who knows?
The black and white skeletons on a magenta background almost look like charcoal sketches and are very nicely done, and he has managed to achieve expressions from expressionless skulls – very clever. His crew (or kru as he calls them) are Cort, Ugar, who seems to have left Bristol, MRB and Zios (I don’t know either of them) Zbok (followmyrabbits) and Laic217 himself. Some great Polish/Hungarian talent there.
Lockdown isn’t all bad (although it is pretty bad, granted) because it seems that it triggers some activity from certain street artists, including Laic217. Since the New Year, Laic217 has been hitting walls fairly regularly and that is a great thing – I am guessing that perhaps he can’t work or has been furloughed or something like that.
This piece, close to another one at L Dub shows Laic217 at his graffiti art best, a skeleton figure in a subversive pose giving a double bird in a flaming background. As usual, the creases and folds in the hat and clothes is a speciality of his and something that seems to come so naturally these days. A fine fiery piece.
This is an interesting piece from Laic217 because the writing behind the character is most un-Laic217 if you know what I mean. Also the character, although obviously by the Laic217 is not quite his typical style and could conceivably be by another artist.
It is nice to see artists switch it up a bit from time to time and this is a great example of that. I can’t remember when I last saw filled writing like this from Laic217, an element usually provided by his painting compatriot Cort. Overall this is an unexpected and intriguing piece and demonstrates the range that Laic217 has.
It has been way, way too long since I last saw a piece from Laic217. He had a burst of activity during our first lockdown, but after that has been fairly invisible on the streets, which is a pity. Somehow he epitomises the Bristol scene with his irreverent skull pieces. Edgy but also brilliantly painted, together with a range of textures and subjects helps Laic217 stand out from the crowd routinely.
This monster piece, on the long wall in Cumberland Basin, features a hoodie-wearing skeleton using a flame-bearing spray can, a theme regularly used by the artist. Simple colours and a sketch-like quality belie the skill in this piece. The bubble writing in the background belongs to this piece and spells out PAD, the crew which includes Cort, whose piece was adjacent to this one. Hurrah!
Immediately after lockdown, Laic217 was on fire. I am guessing that he was not working and so was able to paint the streets without restraint. In recent weeks he has slowed down considerably, so it was great to see this quick one on one of the ramps in the skate park.
This stop-start nature of activity from street artists is common and probably reflects the employment model they adopt. Self-employed artists seem to have a bit more flexibility around when they can paint where as those with 9-5 jobs probably find it all a little more challenging. Of course coronavirus and Furlough have played havoc with these regimes.
The piece itself is straightforward, a skull with a woolly hat bearing the letters PAD, a crew name. Even in these quick pieces, Laic217 still manages to achieve a high standard of artwork. I hope he gets some leave soon, I am suffering from withdrawal symptoms.