Graffiti – Page 29 – Natural adventures

7097. St Werburghs tunnel (521)

I am assuming that Smak has slowed on his graffiti writing due to demands on his commercial work, or at least I hope it is something positive like that. He hasn’t lost his touch in the slightest, and this is a complete banger painted during a paint jam for Frazzled Magazine.

The beautifully disguised letters spell out SMAK, and it is the architecture and design of the letters that is so admirable. Every element and shape, colour sequence and detail is meticulously thought out and skilfully painted. Smak really is one of the very best graffiti writers around and can turn out exquisite work like this with apparent ease. An outstanding example.

7096. Peel Street Green (46)

Sub, Peel Street Green, Bristol, July 2025

This decent combination piece by Sub in Peel Street Green is, as far as the Mario character goes, ‘take two’ and he has done a much better job of it this time round, demonstrating the value of practice. I published his earlier piece about a week ago and have dropped the photograph at the end of this post for comparison.

The letters are large and chunky, as I would expect from Sub, and have a very solid feel to them. The colour gradient is nicely worked and the whole combination neat and tidy. The Mario character is really well painted, with plenty of subtle shading to help bring about some depth in the character. This is a fun piece from Sub.

7095. Brunel Way (328)

Nice One, Brunel Way, Bristol, July 2025

I get the feeling that Nice One likes to use the streets as a bit of a test bed for some of his ideas, something that I have noticed quite a few artists like to do. In this case, Nice One has sketched out some ideas on columns and utility boxes at Curbside, underneath Brunel Way. This skull sketch is probably the pick of the bunch.

Much of Nice One’s work looks to me like he has had a training in art, and he creates some wonderful scenes with the minimum of fuss, like this boat surrounded by gulls. The yellow streaks hint at a dusk or nighttime as if lights on the boat are reflected on the water.

The third piece in this small collection is less easy to interpret. Maybe it is a beach landscape with some rocks and a hut and a calm sea that seamlessly meets the sky. Even though it is unclear, there is something serene about the sketch. Nice One is an enigmatic artist who enriches the street art scene in Bristol with his unusual take.

7094. Knowle West (6)

Jimmer Wilmott, Knowle West, Bristol, July 2025

In recent years, Jimmer Wilmott has turned his focus away from his zany surreal pieces and towards his equally zany alphabetti spaghetti work, which are really cleverly painted, but (speaking as someone who is phobic of tinned spaghetti in tomato sauce) slightly yucky.

I imagine that this piece is a private commission, because it is in somebody’s backyard, and I had to stand on tiptoes with my phone fully stretched above my head to take the photographs. I’m not sure that I’d want this in my garden, but each to his own. The letters picked out in this piece spell FAMILY, and in a way, that is rather touching. Jimmer rarely produces subtle pieces, and this is a country mile away from subtle.

7093. Dean Lane skate park (857)

Hemper has had an interesting year so far, at one point there was no stopping him, producing multiple pieces in multiple styles, after which he went a little quiet, but recently he has returned with another burst of energy and a short-form theme to his lettering, of which this piece is typical.

The cartoon-style letters, spelling HEMS, are made rather more cartoony with the inclusion of character features in the ‘E’ and ‘S’. What sets this apart from other similar pieces of writing is that it oozes class, confidence and experience, from the yellow spiky splash background to the sharp black and white borders. There are only a few artists who can carry off small pieces like this with such perfection.

7092. Purdown (92)

It is a genuine joy to find Slakarts’ work, and this one up at Purdown is a real beauty. There was a time when Slakarts was painting very regularly, but I am guessing that the real world has caught up with him, and he tends to paint only a handful of times a year.

This is a wonderful hybrid piece, taking his stylised cartoon character and turning it into an abstract cornucopia of colour, shapes and fill designs. The piece perfectly fits the concrete slab and somehow captures the mood of an English summer’s day. More please.

Grimes

A gallery of awesome wildstyle graffiti writing from Bristol artist Grimes.

Instagram: @_grimesnotdead

All photographs by Scooj

Grimes, Sparke Evans Park, Bristol, March 2025

Grimes, River Avon, Bristol, February 2025 — Grimes (unfinished), River Avon, Bristol, February 2025

Grimes, M32 Cycle path, Bristol, January 2025

Grimes, Dean Lane, Bristol, February 2025

Grimes, Cumberland Basin, Bristol, January 2025

Grimes, River Avon, Bristol, January 2024

Grimes, St Werburghs, Bristol, June 2024

Grimes, Sparke Evans Park, Bristol, November 2024

Grimes River Avon, Bristol, November 2024

Grimes, M32 roundabout, Bristol, August 2024

Grimes, Leonard Lane, Bristol, July 2024

Grimes, St Werburghs, Bristol, July 2024

Grimes, M32 roundabout, Bristol, March 2024

Grimes, M32 roundabout, Bristol, June 2024

Grimes, Peel Street Green, Bristol, May 2024

7091. Cumberland Basin

Tera, Cumberland Basin, Bristol, July 2025

It is crystal clear that Tera doesn’t do things by halves. New to the form of street art, he has picked it up at an alarming rate and is churning out large fantasy character pieces, making significant improvements with his technique every time he paints a wall.

Tera is a tattooist by profession, which comes across in his elaborate designs, but I am amazed at how he has managed to upscale his work from a few square inches to several square feet in size. The fantasy warrior, with three swords, seems well-prepared for any eventuality. The detail in the hands is superb, although the design of the mask and headdress is lost a little (I am being uber-picky). Basically, Tera keeps smashing it, and I suspect he’ll continue to do so for the foreseeable future.

7090. Sparke Evans Park (138)

Stivs, Sparke Evans Park, Bristol, July 2025

It looks like Stivs will once again be dividing opinion with this combination piece on the long wall at Sparke Evans Park. Although it was painted alongside the countless Paroe tribute pieces, it is not clear that this is one of them, and even if it were, it would seem a little inappropriate.

This is not the first time Stivs has painted a topless woman, but I worry that he might have missed the mark with this one, accompanying it with the words ‘Equal opportunities’. I’m not too sure what point he is trying to make, but it doesn’t sit all that comfortably with me. Don’t get me wrong, I am not a prude and am all for nudity in street art (as in all art), it is the messaging that worries me. The artwork is good, and the calligraffiti spelling out DSC – 25 – Stivs is totally in keeping with his style and talent.

7089. Brunel Way (327)

Creamylines, Brunel Way, Bristol, July 2025

There is something about Creamylines’ work that simply seems to tick all my boxes, and I always get a little endorphin rush when I find one of his pieces, especially as they are rather infrequent. His ‘stained-glass window’ style is unlike anything else in Bristol.

The column landscape piece contains all the things you’d expect to find in one of Creamylines’ works. A landscape of hills peppered with figures, faces and eyes, topped with breaking clouds and silhouettes of birds on a rising/setting sun. What is interesting is that the artwork is quite crude, but the outcome sophisticated. This is a wonderful and uplifting piece from Creamylines.

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