4492. The Carriageworks (44)

I believe that these arches at The Carriageworks are on borrowed time, as the developers of the site have plans to build retail outlets as part of the overall redevelopment of the site, so let’s make hay while the sun shines. Two of Bristol’s most recognised street artists, Sled One and 3Dom, have paired up to give these two arches a bit of a makeover.

Sled One, The Carriageworks, Bristol, May 2022
Sled One, The Carriageworks, Bristol, May 2022

On the left is yet another spellbinding piece from Sled One, featuring a skull-like character in a red hat next to a pond with a rather arrogant-looking duck swimming about. Sled One has created this surreal scene with such extraordinary detail and clarity. For me there is something of a retro feel about the piece, perhaps it is the colours or the overall way the elements in the water and foliage around the pond are presented, but it looks like it could be a poster from the 1950s with a surreal 2020s twist.

3Dom, The Carriageworks, Bristol, May 2022
3Dom, The Carriageworks, Bristol, May 2022

On the right hand arch 3Dom has painted an incredible dreamy piece where the main character, unlike anything we know or understand, is curled around the shape of the archway space. There is something most endearing about this smiley faced, reptile-humanoid creature, but look a little closer and there is something a little intriguing too. A love arrow runs through the character, although I’m not entirely sure what it signifies. I get a feeling that much of 3Dom’s work is about cherishing our beautiful Earth and a warning about its decline and losses in the natural world, he tells these stories through his ‘otherworldly’ characters almost as if warning us about the perils ahead. Of course they might simply be beautiful images without any hidden meaning, but I doubt it.

4491. BRI steps

There is no doubting that Farrah is fast becoming the darling of Bristol mural art, and deservedly so. Her work can be seen all over the city now and is predominantly commission work, although she has painted one or two other walls too. Her bright brush strokes and abstract artwork alongside environmental themes makes her work a ‘safe’ option for commissioners and the Council, who are currently waging war against illegal street art.

Farrah, Bristol Royal Infirmary steps, Bristol, May 2022
Farrah, Bristol Royal Infirmary steps, Bristol, May 2022

This piece alongside the Bristol Royal Infirmary is just so right for the space. These fairly utilitarian concrete steps with perfunctory planting in the flowerbeds has been completely transformed with Farrah’s beautiful and calming artwork.

Farrah, Bristol Royal Infirmary steps, Bristol, May 2022
Farrah, Bristol Royal Infirmary steps, Bristol, May 2022

Each of the stages along the steps has a long wall that Farrah has painted, but the work has spilled out onto other surfaces, including the pathway under your feet. The whole thing is an immersive experience and tiny little adventure to take your mind away from the urban jungle surrounding you.

Farrah, Bristol Royal Infirmary steps, Bristol, May 2022
Farrah, Bristol Royal Infirmary steps, Bristol, May 2022

An additional feature are the little details that Farrah has included at different points around the mural such as a damselfly, butterfly, hedgehog and frog. This is a superb piece that demonstrates so clearly how urban art can be uplifting and improve an area immeasurably. Bravo!

Farrah, Bristol Royal Infirmary steps, Bristol, May 2022
Farrah, Bristol Royal Infirmary steps, Bristol, May 2022

4490. Cumberland Basin

I am told you make your own luck, but I am not so sure, sometimes you just get lucky, and my chance encounter with SkyHigh and Roo down at Cumberland Basin while walking the dog a couple of weeks back, was a real lucky bonus.

SkyHigh, Cumberland Basin, Bristol, May 2022
SkyHigh, Cumberland Basin, Bristol, May 2022

SkyHigh paints with an intensity and concentration that does not lend itself to chit chat, and so while he got on with the job of painting this stunner, I had a nice conversation with Roo, largely about dogs, not something I would have imagined doing four or five years ago. How curious our life pathways are.

SkyHigh, Cumberland Basin, Bristol, May 2022
SkyHigh, Cumberland Basin, Bristol, May 2022

This piece from SkyHigh is an absolute jewel, with so much detail and interest in every letter. It seems that there is no limit to his talent, and it was amazing to watch him spray the folds in the letter ‘i’, to create a 3D look of paper. Each of the letters is meticulously and lovingly created to leave us with this masterpiece (not a word I use often). SkyHigh and Roo will always be very welcome visitors to Bristol.

4489. Greenbank (46)

There are some artists who never need introducing because their style is so unique, and without doubt Acer is one of those artists. Although he switches up his design concepts from time to time, they are still instantly recognisable as his work.

Acer, Greenbank, Bristol, May 2022
Acer, Greenbank, Bristol, May 2022

This playful rainbow lettering piece at Greenbank uses his current style and typeface to create the word ACER, with one small twist, literally, the piece is upside down. Clever work, once again perfectly executed.

4489. Frome Side (15)

I bring you a couple of nice pieces from Klashwhensober from underneath the M32, the bit that is over the Bristol Frome (hence Frome Side), and adjacent to the M32 Spot. As with several other prolific artists, I have started to post more than one piece at a time if they are from around the same time in the same location, simply because I have a backlog of unpublished pictures that is swelling immeasurably, thanks to Upfest 2022 and a short trip to Porto, with its emerging street art scene.

Klashwhensober, Frome side, Bristol, May 2022
Klashwhensober, Frome side, Bristol, May 2022

The first piece is a beautifully colourful and happy SOBA piece that is filled with a natural scene including clouds, some birds and a superb purple flower. There is more going on here, though, with a green line that looks liked barbed wire running across the piece. I’ll need to ask Klashwhensober what it is all about next time I see him. I like the KLASH block letters on the ‘H’ too.

Klashwhensober, Frome side, Bristol, May 2022
Klashwhensober, Frome side, Bristol, May 2022

His second piece, which might have been his first piece, is another set of SOBA letters, with an icy theme happening. The letters are filled with what looks like cracked ice, and the bottom of the letters are fragmenting in frozen blocks and falling to the ground. A fire in the centre of the piece provides an additional burst of colour. Both pieces are nicely done and very ‘Klashwhensober’ish’ in style.

4487. Brunel Way (159)

This is a very welcome piece from Mr Underbite, who has managed to get under my skin completely, with his character pieces. This is the second time he has painted this spot, on the pathway alongside the Bristol Avon, and in  doing so has made a bit of a claim on this little wall.

Mr Underbite, Brunel Way, Bristol, May 2022
Mr Underbite, Brunel Way, Bristol, May 2022

The view referred to by the character is of the Avon Gorge and Clifton suspension bridge, which is just to the right and beyond this wall. The character has paint brushes sticking out of the top of his head, and he seems to be in the mood for painting. I am so enjoying the journey with Mr Underbite.

4486. Dean Lane skate park (498)

One of the highlights of the last few weeks has been the appearance of a couple of Cheo pieces, something there has been a distinct lack of over the last two years. Here he has combined with Kopsky, an artist I am not familiar with.

Cheo, Dean Lane, Bristol, May 2022
Cheo, Dean Lane, Bristol, May 2022

The central character is classic Cheo. A caricature in a cartoon style with all the trappings of hip-hop culture. Beautifully painted and finished. It really has been way too long without his quality on the streets. I hope that this pieces is something of a renaissance.

Cheo and Kopsky, Dean Lane, Bristol, May 2022
Cheo and Kopsky, Dean Lane, Bristol, May 2022

The letters Arne by Kopsky and are obviously the work of a very accomplished writer. I’m not too sure what the letters spell out, but the greyscale tones are a perfect foil for Cheo’s colours. I love the tape and plasters ‘attaching’ the piece to the wall. Fine work indeed in this collaboration.

4485.M32 roundabout J3 (411)

This is the first Petro piece I have seen for a little while, but like all his pieces it is most welcome. Spelling out the word PETRO, the letters have a rather organic feel to them not really conforming to any specific convention, but immediately identifiable as a Petro piece. I love the “age 49 3/4” which made me laugh. A fine piece.

Petro, M32 roundabout, Bristol, May 2022
Petro, M32 roundabout, Bristol, May 2022

Having returned from Porto in the small hours of this morning, I have had time to reflect on the comparative street art scenes in Porto and in Bristol. My conclusion is that the two cities have very different styles, Porto’s seemingly in its infancy and Bristol’s, a mature and extraordinarily diverse and accomplished scene. Both are exciting and vibrant but in different ways.

4484. Upfest 2022 (10)

Shortly after painting this vibrant piece for Upfest, Rtiiika had a leaving paint jam on Cattle Market Road with her Bristol Womxn Mural Collective friends. I am not too sure where she is leaving to or how long for, but I am certain she will be back.

Rtiiika, Upfest22, Bristol, May 2022
Rtiiika, Upfest22, Bristol, May 2022

This is a beautifully designed piece with Rtiiika’s classic stylised figures all jumbled up together. A mash up of shoes, hats, legs, boobs and willies, some in outline and some in solid fill make this a dynamic and fun piece. Even though Rtiiika has left Bristol, I have several more of her pieces in my archive which I hope to find time to post. One of my favourite Rtiiika pieces.

4483. Upfest 2022 (9)

One of the most pleasurable parts of the new format for Upfest, was the opportunity to meet artists in the weeks before the festival weekend while they were completing their allocated walls, and none more so than Ant Carver who I also met last year. The technique and painting methods he uses means that he paints over several days, and I think I caught up with him on three separate occasions while he painted this extraordinary portrait piece.

Ant Carver, Upfest 22, Bristol, May 2022
Ant Carver, Upfest 22, Bristol, May 2022

The first stage to his work is creating a matrix on the wall which he photographs and then superimposes his draft onto on his mobile phone. The lines act as a grid which he uses to map out a sketch on the wall, and he can create his outlines with pin-point accuracy. I believe that the piece is one he had painted on canvass for an exhibition.

Ant Carver, Upfest 22, Bristol, May 2022
Ant Carver, Upfest 22, Bristol, May 2022

Ant Carver, I think, uses spray cans for some of the work, but much of it is painted with brushes. The fine detail in the piece is achieved with the brushes, something that would be difficult to achieve using spray paint alone.

Ant Carver, Upfest 22, Bristol, May 2022
Ant Carver, Upfest 22, Bristol, May 2022

I have a feeling that This piece, and indeed last year’s 75 x 75 piece are about aspects of mental health. I am not too certain that Ant Carver completed the piece, because the candle doesn’t look finished to me. I’ll need to check up on that.

Ant Carver, Upfest 22, Bristol, May 2022
Ant Carver, Upfest 22, Bristol, May 2022

All in all another very pleasing and special piece from Ant Carver, on a new wall for Upfest, which is in a really great spot for maximum exposure. Great work from this modest and really likeable artist.