Greenbank – Natural adventures

7325. Greenbank (175)

Lewse, Greenbank, Bristol, November 2025

Lewse is an established graffiti writer in Bristol but is bafflingly underrepresented in Natural Adventures. I have dozens of Lewse pieces in my archives, but have only published a handful over the years. Reasons for this might be that I think that the artist likes to stay a little under the radar.

There is a confidence and experience oozing from this work, as if Lewse has nothing to prove. Some great letter shapes are beautifully filled with earthy colours and the writing is beautifully complemented by a steady white 3D drop shadow with dots running through the midline. Classy.

7272. Greenbank (174)

Avem808, Greenbank, Bristol, August 2025

It gives me great pleasure to ‘discover’ an artist that is new to me, and Avem808 fits the bill really nicely. Following yesterday’s post of a lively piece by the artist in Peel Street Green, I recalled this piece from Greenbank back in August and thought I’d publish them consecutively, something I rarely do on Natural Adventures.

This clean and tidy piece, spelling AVEM is similar to the Peel Street Green one in that it appears to have a flat surface which is lifted from the hoarding with the help of a lovely golden two-tone 3D drop shadow. It is interesting that Avem808 doesn’t use any white highlight lines on his letters to give depth, preferring to retain a ‘flat’ surface to the letters. He has incorporated, however, some little starbursts which add variety and interest. Nice work from Avem808… looking forward to finding more.

7232. Greenbank (173)

Nips, Greenbank, Bristol, September 2025

For a long while I have feared that this hoarding in Greenbank would be removed on completion of the development behind it, but for one reason or another (I just checked on the Interweb, and it appears that the original developer went bankrupt) work has stalled, giving the spot a stay of execution.

This is a lovely piece by Nips, a rather underrated graffiti writer in my opinion, whose work is notable for the wonderful fills she incorporates into her work. The letters ‘NIPS’ are bounded with three borders, white, yellow and orange, that provide a great buffer between her work and the piece she overwrote, without the need for any buffing. The light conditions can be difficult in this spot, and the photographs are a little mottled with light and shade, perhaps not doing the piece justice.

7181. Greenbank (172)

Hire and Sait Bare, Greenbank, Bristol, August 2025

I mentioned a couple of days back that Hire and Sait Bare have formed a collaborative partnership this summer which seems to be proving rather fruitful. This is a lovely colour-themed collaboration from the pair on the long hoarding on the Bristol to Bath cycle path.

Hire has written the most common of his letter forms HIRE, with some nice script letters in yellow that are far removed from his early pieces that were much more jagged and harsh. He has gone for an interesting interstitial fill within the boundary of the letters, which creates an interesting effect. The writing is painted on a background with a rather subtle pink cloud set on a grey buff.

Sait Bare, Greenbank, Bristol, August 2025

Sait Bare has written BARE using the same yellow colour and background, which brings some synergy to the collaboration, but his letter style is quite different. There is a nice transition from solid green and bubbles through to solid yellow and some subtle green patterning. As a pair, these two are working well together and I look forward to more collaborations.

7173. Greenbank (171)

Esme Lower, Greenbank, Bristol, August 2025

What a nice thing to see, another piece from Esme Lower, who appears to be getting a little more active on the streets of Bristol lately. Her letters MELO are, I am assuming, a conflation of the end of esME and the start of LOwer.

Her artwork in this piece is beautifully thought out, with her merged letters decorated with some lovely daisies around the outside. Such is the fill running through that if you didn’t know it spelled MELO, you might have missed the letters altogether. A nice confident piece.

7151. Greenbank (170)

Rtiiika, Greenbank, Bristol, August 2025

This is another clear and unambiguous message painted at the Bristol Mural Collective’s Palestine protest paint jam held last month on the long hoarding at Greenbank. The piece is by Rtiiika, which, although unsigned, is so characteristic of her style.

‘Gaza is starving’ – ‘Let aid in now’, two messages that have been persistently ignored by the Israeli Government. Every day brings new stories of the war crimes being committed by the Israeli Government, and still the international community does nothing to stop this. Trump is impotent and has been played by Netanyahu. Is it only me that sees the parallels between the Israeli state’s behaviour now and their justifications, and the behaviours and justifications of the Nazis during WWII? Surely the irony isn’t lost? One might have expected more compassion from a people who experienced some of the worst persecution in modern history. BTW, this does not make me an antisemite, just in case anyone was wondering, but it makes me very much opposed to the fascist elements of the Israeli Government.

Sorry, but I had to go there. Normal service will resume immediately.

7149. Greenbank (169)

Over the course of this year, a new and rather memorable word has appeared in the form of several pieces of graffiti writing… the word is ‘PUTRID’. The convention I use when naming graffiti writers I know nothing about is to call them by their written word, so Putrid is Putrid until I know any better.

This is a really nicely presented piece of graffiti writing with some nice letter shapes filled with soft blues and greys that bleed into one another. The thin black drop shadow and thin black borders are really effective, separating the letters from the yellow and orange bubbly background. Look out for more from Putrid here on Natural Adventures.

7136. Greenbank (168)

This piece is another belter from the recent Bristol Mural Collective paint jam, protesting for peace in Gaza and Palestine. Ailish has painted an abstract piece filled with doodles and symbols surrounding a central phrase ‘this is inhumane’, a sentiment that we all feel but are so powerless to do anything about.

It almost feels trite talking about the artwork when the subject matter is so serious, but it is the artwork and the public nature of it that helps to convey the message and build on support for innocent Palestinians. The patterns and shapes are made up with the colours of the Palestinian flag, as is the centrepiece, creating an overall busy piece wit(a simple strong message. Great work from Ailish.

7132. Greenbank (167)

Nice One has been producing some outstanding sketch-style portraits recently, and this is an absolute belter on the long hoarding at Greenbank. Incidentally, it looks like this hoarding might be around for a little longer, as the building work on one of the developments appears to have halted for a few months now – perhaps they ran out of money. It is a bizarre sight, almost as if time is standing still, with supplies and equipment simply left in situ and not a worker anywhere to be seen.

Back to the portrait piece. Nice One creates these sketches using spray cans, almost as if they are pencils on a piece of paper, scaling up his drawings in a unique and effective way. Nice One brings something thoughtful and different to the Bristol scene, which has such a wide spectrum of styles and talent. We are privileged.

7127. Greenbank (166)

Amy McHugh, Greenbank, Bristol, August 2025

Another powerful combination of imagery and words from the Bristol Mural Collective paint jam that was themed on Palestine. This particular piece by Amy McHugh is visually impactful using the image of a dove of peace carrying a flower, and shedding a tear.

The colours, as with most of these paint jam pieces, pick up on the colours of the Palestinian flag, which are all represented. The words “None of us are free until we’re all free – Palestine” are interesting, especially their approximation to the Jewish poet Emma Lazarus who wrote in 1883, “Until we are all free, we are none of us free.” It is a sentiment I believe many of us can agree with, but I fear we might be in for a long wait.

This is a strong message of support for Palestine and the people of Gaza and the West Bank by Amy McHugh.

	paulh121 on 7350. Hillgrove Street (9…
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	paulh121 on 7350. Hillgrove Street (9…
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	scooj on Thursday doors – 11 Dece…
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