Greenbank – Natural adventures

7449. Greenbank (180)

There was a definite slow-down in the amount of new street art work during January, probably thanks to the rather wet weather we have been having in Bristol. On the odd day when it hasn’t rained artists have been out and about, and this is a rather nice piece from Lis on the long hoarding at Greenbank.

The piece was painted alongside Weas, and it is not the first time these two have painted together. Who doesn’t like a frog perched on a toadstool? Especially one as well painted and characterful as this. As well as the frog and his throne, there is plenty of plant life accompanying them. A fine natural scene presented in a cartoonish style, and a great improvement/development on some of Lis’ early toadstool pieces.

7446. Greenbank (179)

Weas (Weasel), Greenbank, Bristol, January 2026

Although Weas’ (Weasel) work isn’t the most polished that you’ll see, because he tends to paint his little character tags rather quickly, he clearly has a talent which is evident in this piece of graffiti writing on the hoarding at Greenbank.

His letters, spelling out WEASEL, are filled with subtle swirls on a blue base, creating a slightly psychedelic effect, and the orange border creates a clean finish, with a slender black 3D drop shadow rounding things off. He has managed to weave in a couple of his characters, and added a rather more crude one to the left. I rather like this piece, and would like to see more of these from Weas.

7440. Greenbank (178)

Avem808, Greenbank, Bristol, January 2026

What an absolute pleasure it was to come across this combination piece by Avem808, while walking the dog along the Bristol to Bath cycle path behind Greenbank Cemetary. I have only seen a handful of pieces by the artist, but each of them has been a cracker.

I think this is the first combination piece I have seen by Avem808 and it is composed of the letters AV and EM bookending a cartoon crocodile character in the middle. The blended letter fills are very well done, and he has an interesting take on the 3D drop shadow that seems to go in all directions, possibly to a vanishing point in the middle somewhere. A refreshing piece and I hope, an indication of what is to come this year.

7408. Greenbank (177)

Nips has had a strong winter and managed to get out often, when others have preferred the warmth and comfort of their homes. This is one of a string of winter pieces and continues with her consistency and quality.

The bronze/brown letter fills are beautifully accompanied by a turquoise midline and dots that run through all of her letters. It is interesting that she left out any decoration in the tittle (dot of the i), making it a point of interest. Set on a purple background, the piece is finished with a black drop shadow some beaded dots and small starbursts. Great work from Nips.

7367. Greenbank (176)

Esme Lower, Greenbank, Bristol, January 2025

Before Christmas, I had a little jaunt through my archives and managed to pull out a few wonderful pieces that I missed first time round. This is a gorgeously colourful and upbeat piece by Esme Lower from January this year.

The simple letters filled with great colours spell out MELO, the central letters of her name combined. The 3D drop shadows are unruly, drifting off in all sorts of directions, but it kind of works. I particularly like the white dot highlights, which are an unconventional take on creating depth to the piece. Nice, clean work from Esme Lower, and part of her exploration and improvement.

7325. Greenbank (175)

Lewse, Greenbank, Bristol, November 2025

Lewse is an established graffiti writer in Bristol but is bafflingly underrepresented in Natural Adventures. I have dozens of Lewse pieces in my archives, but have only published a handful over the years. Reasons for this might be that I think that the artist likes to stay a little under the radar.

There is a confidence and experience oozing from this work, as if Lewse has nothing to prove. Some great letter shapes are beautifully filled with earthy colours and the writing is beautifully complemented by a steady white 3D drop shadow with dots running through the midline. Classy.

7272. Greenbank (174)

Avem808, Greenbank, Bristol, August 2025

It gives me great pleasure to ‘discover’ an artist that is new to me, and Avem808 fits the bill really nicely. Following yesterday’s post of a lively piece by the artist in Peel Street Green, I recalled this piece from Greenbank back in August and thought I’d publish them consecutively, something I rarely do on Natural Adventures.

This clean and tidy piece, spelling AVEM is similar to the Peel Street Green one in that it appears to have a flat surface which is lifted from the hoarding with the help of a lovely golden two-tone 3D drop shadow. It is interesting that Avem808 doesn’t use any white highlight lines on his letters to give depth, preferring to retain a ‘flat’ surface to the letters. He has incorporated, however, some little starbursts which add variety and interest. Nice work from Avem808… looking forward to finding more.

7232. Greenbank (173)

Nips, Greenbank, Bristol, September 2025

For a long while I have feared that this hoarding in Greenbank would be removed on completion of the development behind it, but for one reason or another (I just checked on the Interweb, and it appears that the original developer went bankrupt) work has stalled, giving the spot a stay of execution.

This is a lovely piece by Nips, a rather underrated graffiti writer in my opinion, whose work is notable for the wonderful fills she incorporates into her work. The letters ‘NIPS’ are bounded with three borders, white, yellow and orange, that provide a great buffer between her work and the piece she overwrote, without the need for any buffing. The light conditions can be difficult in this spot, and the photographs are a little mottled with light and shade, perhaps not doing the piece justice.

7181. Greenbank (172)

Hire and Sait Bare, Greenbank, Bristol, August 2025

I mentioned a couple of days back that Hire and Sait Bare have formed a collaborative partnership this summer which seems to be proving rather fruitful. This is a lovely colour-themed collaboration from the pair on the long hoarding on the Bristol to Bath cycle path.

Hire has written the most common of his letter forms HIRE, with some nice script letters in yellow that are far removed from his early pieces that were much more jagged and harsh. He has gone for an interesting interstitial fill within the boundary of the letters, which creates an interesting effect. The writing is painted on a background with a rather subtle pink cloud set on a grey buff.

Sait Bare, Greenbank, Bristol, August 2025

Sait Bare has written BARE using the same yellow colour and background, which brings some synergy to the collaboration, but his letter style is quite different. There is a nice transition from solid green and bubbles through to solid yellow and some subtle green patterning. As a pair, these two are working well together and I look forward to more collaborations.

7173. Greenbank (171)

Esme Lower, Greenbank, Bristol, August 2025

What a nice thing to see, another piece from Esme Lower, who appears to be getting a little more active on the streets of Bristol lately. Her letters MELO are, I am assuming, a conflation of the end of esME and the start of LOwer.

Her artwork in this piece is beautifully thought out, with her merged letters decorated with some lovely daisies around the outside. Such is the fill running through that if you didn’t know it spelled MELO, you might have missed the letters altogether. A nice confident piece.

	China Dream on Thursday doors – 12 Febr…
	bushboy on Thursday doors – 19 Febr…
	skat on Mozart balls
	Suzette Benjamin on Thursday doors – 19 Febr…
	Dan Antion on Thursday doors – 19 Febr…

	China Dream on Thursday doors – 12 Febr…
	bushboy on Thursday doors – 19 Febr…
	skat on Mozart balls
	Suzette Benjamin on Thursday doors – 19 Febr…
	Dan Antion on Thursday doors – 19 Febr…

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