Kid Krishna – Natural adventures

7266. Stokes Croft

Kid Krishna, Stokes Croft, Bristol, October 2025

I simply cannot fathom why it has taken me so long to post this outstanding piece by Kid Krishna in Stokes Croft, painted alongside ESKA and Hemper. It has been around since April this year, and I photographed it shortly after it was painted. These pictures are more recent, and the piece is still in great condition, looking very fresh.

The combination piece combines his CRIE letters to the right with a group of surreal cartoon-style characters, showcasing Kid Krishna’s extraordinary talent. There is a lot of colour and movement in the piece, especially the three characters on the left who appear to be having an animated conversation.

Kid Krishna is something of an enigma. He is incredibly modest about his work, has unquestionable talent, paints high-end pieces and scruffy mega-tags. I think that the overriding sense I get from him and his work is the sheer love of art and creativity. Imagination and creativity are things he has in abundance, as you can see from this awesome piece.

7133. M32 Cycle path (295)

Kid Krishna, M32 cycle path, Bristol, July 2025

Although Kid Krishna is going through one of his slower periods at the moment, it provides me with a little space to catch up on his work. This is a cracking piece on one of the less pleasant walls to paint, but, because of that, turnover tends to be quite slow. The ‘flowerbed’ is used as a public toilet, and there is a nasty piece of razor wire that has been deposited some years ago and never dealt with.

It is difficult to make out the letters CRIE in this piece, but I have to take it on trust that they are there. The pink letters appear to be breaking their way through a purple cloud, and then there is a little character, an eye with limbs and wings adding further interest to the dynamic piece. I was there yesterday and it is still intact.

6937. St Werburghs tunnel (499)

Kid Krishna, St Werburghs, Bristol, March 2025

We’re back to this wall at the entrance to St Werburghs tunnel, where photography is difficult when a single piece occupies the space, because of the street furniture and also the light conditions, which are often quite challenging. This is a roundabout way of saying that I don’t think that these photographs do justice to the outstanding piece by Kid Krishna.

The organic writing, spelling out CRIE, seems to be ‘bubbling’ or oozing out of the wall, and Kid Krishna has worked on this effect by accentuating the brickwork of the wall around the piece. The range of colours and starbursts fill the abstract piece with energy, providing a feast for the eye. Kid Krishna is on a roll!

6894. Stokes Croft

Kid Krishna, Stokes Croft, Bristol, April 2025

There is no doubt about it, Kid Krishna has been smashing it recently, and indeed for quite a while now, and his recent spell has seen him turn out some outstanding work, including this intriguing piece in Stokes Croft. It is great to see Kid Krishna and others returning to this area (thanks to some new hoardings), which ten years ago was at the centre of the Bristol graffiti/street art scene.

This portrait/writing combination is quite extraordinary, and takes Kid Krishna’s work to another level. There is a sharpness and realistic feel to the piece that expands on his more abstract work more commonly seen. What this piece also demonstrates is his capacity to create some really high-end artwork. The portrait of a tattooed woman on the left, gazing heavenwards, is exceptional and shows off Kid Krishna’s ability to paint fie detail, depth and texture. To the right, the writing has a transparent quality and looks to be fragmenting or melting – the whole piece plays with us in this juxtaposition of character and letters. Brilliant!

6843. M32 roundabout J3 (671)

Kid Krishna, M32 roundabout, Bristol, March 2025

By the time this post publishes, I will be on the way to my last Arsenal football match of the season, which will feel like a bit of an anticlimax after beating Real Madrid 3-0 last Tuesday. I have had to write this piece last night, to make sure I am not too rushed in the morning. This is, of course, a wonderful piece generated from the complicated and brilliant mind of Kid Krishna.

The whole combination piece (there is a character on the left) looks like an assimilation of the character into the highly disguised and intricate letters. There are so many discrete components to the piece, it is difficult to know where to start really, and I think it is one of those pieces when you can use the maxim that ‘the whole is greater than the sum of the parts’. The graffiti writing is technically brilliant, and worthy of a long look – and the character with the helmet… what is that all about?

6830. M32 roundabout J3 (668)

The council, for whatever reason, seem to like buffing the walls of the M32 roundabout with a neutral grey paint. I am not too sure what the purpose is, other than to give people doing community service a civic activity. That the exercise is costly and futile doesn’t really come into the equation. Once buffed, the wall becomes an inviting canvass for street/graffiti artists.

Kid Krishna didn’t waste too much time creating this CRIE piece in blue lettering with some yellow splashes. The piece carries a couple of messages: ‘drugs don’t work’ and ‘fight the power’, which suggests the artist is working through a few things, as are we all, at the moment. A nice ‘virgin wall’ piece.

6821. The Carriageworks (48)

Kid Krishna, The Carriageworks, Bristol, March 2025

There was a time, when the Carriageworks was being redeveloped, that I thought we’d never see graffiti or street art appear on the arches again. That is true for the two right-hand arches, which have now been replaced with large windows, but the left-hand arches continue to play host to the occasional piece. This is a beauty from Kid Krishna.

The artist has a real eye for form and colour and combines these with his letters CRIE, to create a whole that is greater than the sum of its parts. I can almost see the emergence of a masked character in the purple section – is it real, or am I imagining things? Clever and technically brilliant work from Kid Krishna.

6760. M32 roundabout J3 (656)

Kid Krishna, M32 roundabout, Bristol, February 2025

There is a clarity to Kid Krishna’s work at the moment which probably reflects his recently overhauled lifestyle, which is really good to see. The colours and design of this piece are outstanding and have a sense of purpose about them.

Although Kid Krishna conceals them well, the letters here spell CRIE, or that is what I have to believe, because that is what he told me all of his pieces spell. There is a wonderful structure to this piece, with each letter hosting a different colour regime, and being composed of ‘slabs’ or shapes. This is a tidy and sophisticated piece of graffiti writing.

6653. M32 roundabout J3 (649)

Kid Krishna, M32 roundabout, Bristol, December 2024

This pair of walls at one of the tunnel entrances on the M32 roundabout has been used before in this way not so long ago by Daz Cat. This time it is the turn of Kid Krishna, and a couple of his classic CRIE pieces.

These distinctive roller-brushed pieces can be found all over Bristol, and on their own might not appear to be all that impressive, but as a collection, they most certainly are. The two pieces here are similar but not the same, each differing in detail. It has been a pretty busy 2024 for Kid Krishna, and I expect 2025 to be much the same.

6607. North Street

Kid Krishna, North Street, Bristol, November 2024

When I say that this piece is in North Street, I wouldn’t want to send people off to Bedminster unintentionally. This is the North Street that is part of the A38 that branches off the Bear Pit roundabout. The piece by Kid Krishna is on the hoarding outside what used to be the Blue Mountain.

The combination piece contains the usual cryptic writing from Kid Krishna, spelling CRIE, and the character aspect is in the form of a partial skull. I think that there is some special part of Kid Krishna’s brain that is able to visualise and create these pieces, which are really quite different from much of the other stuff on the streets of Bristol. Often his characters are partial or hinted at, rather than being overt full-on, which makes it all the more intriguing.

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