Not long ago, I met Lee Roy, whilst walking our respective dogs, and he informed me that he was hanging up his spray cans for a while, which was disappointing to hear, because I like his work and the way he expresses himself through it. However, this piece might signify a return for the anti-style(ish) writer.
Lee Roy, Cumberland Basin, Bristol, December 2024
During his ‘lay-off’, he hasn’t lost his touch in the slightest, indeed, this is a rather sharp piece, beautifully presented and with an array of his favourite fill patterns and shapes. The purples and greys work well against the blight blue background, and this is a very fine ‘come back’ piece. Hoping this is more than a splash in the pan.
Lee Roy is another artist who has gone a little quiet lately, and when I do find pieces by him, I am not sure whether they are old ones or new ones, because they tend to be in spots I don’t visit all that frequently, like this on the warehouse building on the north side of the river opposite the garden centre.
Lee Roy, Cumberland Basin, Bristol, May 2024
VLAD appears to be the letters/word that Lee Roy is enjoying at the moment, and he is continuing with his flowing anti-style approach. I would say that his work, which might look untidy to casual viewers, is actually highly regarded by his peers and photographers alike. It is a very ‘street’ style of graffiti writing. I would love to see him out more this summer, although I do occasionally see him out walking his dog.
On one of my favourite walls is this slightly different piece by Lee Roy, spelling out VLAD. I am not sure if this is a one-off, or a new direction of travel, but I am guessing the former. This is a funny old wall really, sometimes a piece can last a month or two, and other times there may be half a dozen in a period of a few days. This one and its predecessor didn’t last long.
Lee Roy, Dean Lane, Bristol, January 2024
Lee Roy has worked this piece very nicely, set on a dramatic red background with yellow drops, his gold/grey/white fill is full of symbols and patterns that are commonly used in his and others’ work. Verging on anti-style, this is a great piece by Lee Roy.
I happened to meet Lee Roy yesterday, while he was chilling with his dog beside the river, and we got chatting. I spoke to him about this wonderful new piece on the cycle path that runs alongside the M32, and commented on how different it felt to his other recent work. He said that he was trying something a little bit different, and although he couldn’t put the changes into words, he used hand gestures to describe how this new approach is a little more curvy and free of blocky letters.
Lee Roy, M32 Cycle path, Bristol, September 2023
The piece spells out Leeroy, although the letters are far more cryptic than we are used to. The modest colours, similar to the kind of muted colour palette that Dog Bless the Band tends to use, sit nicely on the grey buffed wall, and the green flashes keep the eyes busy. I am looking forward to seeing where this new direction takes us. A lovely piece from Lee Roy.
Lee Roy is no stranger to Natural Adventures, nor is he a stranger to this spot on the M32 roundabout, and I have a feeling that he might have overwritten one of his own pieces to paint this one, or at least a short while after.
Lee Roy, M32 roundabout, Bristol, August 2023
In this piece we see Lee Roy’s free approach that touches on anti-style, full of energy and activity. The colours are rich and complementary, but the eye is immediately drawn to the skull, with red ‘lightening’ coming from its bloodshot eyes. This feels like a good old-fashioned piece of graffiti writing.
Lee Roy was just finishing off this piece when I turned up on my ’rounds’ and he made plenty of time to chat with me before packing up, which was kind of him. On the two occasions I have been lucky enough to meet him, I can honestly say he is one of the most gentle and likeable characters on the street art circuit (although to be honest, nearly every artist I have spoken to over the years have been thoroughly decent and generous with their time).
Lee Roy, M32 roundabout, Bristol, July 2023
There is so much to like about this one. The blood-red background is the perfect backdrop to contrast with the lighter greeny blue letters. Lee Roy’s letters are that strange combination of being quite regimented in his own style, while at the same time being disorderly and anti-style in nature… he carries off this effect perfectly. There are plenty of fills to enhance the letters, and a fabulous selection of drops in greens and orange. I like this one a lot.
I was fortunate enough to meet Lee Roy for the second time this week, when he was just finishing off a piece in this exact spot, and it reaffirmed my first impression that he is a really decent and likeable fellow, who is happy to talk about his work, and shows an interest in what I do to record and report on the pieces that I see.
Lee Roy, M32 roundabout, Bristol, June 2023
This piece of graffiti writing has a modest colour palette, but contains all the fun elements you might from Lee Roy. The letters are painted in a semi anti-style way, following the freedom he enjoys. The fills vary from letter to letter but the white accent lines are consistent, and I particularly like the yellow stars and hoops on the arrows at each end. Some nice ‘shout out’s to other artists round the piece off nicely. Lee Roy remains on a hot streak.
This was my third attempt at photographing this fine collaboration from Lee Roy and Waste, under Brunel Way, because of the rather irritating light and shadow that is cast on sunny days from the left. I got there in the end. I was lucky enough to be there when the artists were painting the piece and I got to meet Lee Roy for the first time, and what a genuinely lovely person he is – we chatted plenty.
Lee Roy, Brunel Way, Bristol, June 2023
The collaborative wall is clever in that each side is a reversed-out colour version of the other, and how different they look, using the same powerful pink and black colour scheme. Lee Roy talked to me about his rather free style and said that he used to write really tight letters, in a more traditional graffiti manner, but that he found it increasingly unenjoyable, striving for perfection and instead has adopted a more liberated style, tending towards anti-style. He certainly seems to be happy with his current work, and has been churning out pieces at a terrific rate so far this year.
Waste, Brunel Way, Bristol, June 2023
I don’t know much about Waste, other than that he is a friend of Lee Roy’s from out of town. I forget where… Cardiff? Swindon? I should have made a note. I like this piece a lot, and note that Waste has made things easy for himself, using the ‘tram-lines’ in the wall to keep his letters regular. All in all a very nice collaborative wall, which fortunately remained undogged long enough for me to get some decent photographs.
For a little while now, Lee Roy has been smashing it out of the park with his unique style of writing that is a kind of crossover between traditional graffiti writing with a touch of anti-style thrown in. I was fortunate enough to meet the artist for the first time on the other side of the wall to this piece (and might I add, what a lovely man he is), and he told me that he used to have a much more conventional and precise style, but that he enjoys the freedom he has with his current, rather organic style.
Lee Roy, Brunel Way, Bristol, May 2023
The distinctive letters wouldn’t be out of place for a Halloween piece, with lots of drips and some red blood drips too. Each letter is nicely decorated in this two-tone colour scheme, and highlighted with three thin lines to the right of each letter to give the letters a little bit of Depth. One in a string of great pieces from Lee Roy.
Lee Roy is a writer who has been knocking it out of the park this year with his distinctive style of writing. You can be pretty much guaranteed that whatever he paints will be bright and eye-catching. This is a lovely piece on the swimming bath wall in Dean Lane.
Lee Roy, Dean Lane, Bristol, April 2023
There is a bit of a cosmic theme going on here, and he even includes the words ‘cosmic gypsy’. Galaxies, planets and stars decorate the background, and there is a rather curious assemblage of toadstools at each end of the piece – perhaps hinting at the reason for the psychedelic scene? Nice one from Lee Roy.
Natural adventures 