7331. M32 roundabout J3 (730)

Logoe, M32 roundabout, Bristol, November 2025
Logoe, M32 roundabout, Bristol, November 2025

This year, Logoe’s visits to Bristol have been less frequent, and he hasn’t been blitzing the streets as much as he has done in the past, which, from my point of view, makes things a little more manageable. This is a nice piece painted recently on the M32 roundabout.

Logoe, M32 roundabout, Bristol, November 2025
Logoe, M32 roundabout, Bristol, November 2025

This is a lovely piece of script writing in yellow, with a deep purple drop shadow. But the piece is more than just the writing; the whole wall contributes to the outcome, with a blue background incorporating vertical rows of spots transitioning into vertical lines on the far right-hand end and a liberal scattering of signature oval spots running horizontally through the letters. Altogether a pleasing piece of script graffiti writing from Logoe.

6945. Greenbank (160)

Logoe, Greenbank, Bristol, May 2025
Logoe, Greenbank, Bristol, May 2025

I hate to labour the point, but I am going to anyway. I don’t much care for brown paint, unless it is being used in context, for example to depict a chocolate bar or a tree trunk, but decorating graffiti writing using brown colours is, to my mind, such a waste of a good design.

Logoe, Greenbank, Bristol, May 2025
Logoe, Greenbank, Bristol, May 2025

I am going to suspend my prejudice in this instance though, because Logoe has somehow made the brown colours of this piece rather attractive. His script graffiti writing is filled with layer upon layer of brown shades, set on a dark brown background. The piece is a symphony of brown, and probably because it is Logoe, I rather like it. Three Hail Marys for me.

6592. M32 Spot (197)

Logoe, M32 Spot, Bristol, December 2024
Logoe, M32 Spot, Bristol, December 2024

Logoe has been back in town again, and what I particularly like about this piece is that he has taken the whole long board over. Sometimes this space is occupied by two artists and occasionally by three, but in this instance Logoe has hogged the whole thing, and has certainly eked out his letters to fill the space on the right. I left the chair in front of the piece, because I felt it added a bit of artistic interest.

Logoe, M32 Spot, Bristol, December 2024
Logoe, M32 Spot, Bristol, December 2024

Script writing is something of a speciality for logoe, and his joined-up letters appear very much as they might on a page. The fill drifts from bright yellow on the left to pale orange on the right, and the whole thing is liberally sprinkled with little oval dots running horizontally just above the midline. Set on a blue background, the whole thing looks lovely.

6569. Wine Street

Silent Hobo and Logoe, Wine Street, Bristol, May 2024
Silent Hobo and Logoe, Wine Street, Bristol, May 2024


I took these pictures back in May this year, but even then, I think this enormous mural by Silent Hobo and Logoe had been around for quite a while. I say it is by these two artists, but I only recognise Silent Hobo’s work, but perhaps Logoe was helping out. The piece is painted on a wall which is opposite a street food market and would account for the foodie theme.

Silent Hobo and Logoe, Wine Street, Bristol, May 2024
Silent Hobo and Logoe, Wine Street, Bristol, May 2024

I have had to split the piece into two parts to showcase the vibrant scene. Silent Hobo’s is a real specialist in reflecting the mood and characters of youth culture in Bristol and has an obvious fondness for the city and its people. I find his pieces very touching.

Silent Hobo and Logoe, Wine Street, Bristol, May 2024
Silent Hobo and Logoe, Wine Street, Bristol, May 2024

The contemporary piece offers a wonderful insight into the youth of the city, into fast/street food culture, and makes some references to place, for example, the Clifton Suspension Bridge in the top left. This is a busy, bustling blockbuster by Silent Hobo’s and Logoe, pity about the tagging on the lower sections.

6474. M32 roundabout J3 (632)

Logoe, M32 roundabout, Bristol, September 2024
Logoe, M32 roundabout, Bristol, September 2024

More from the irrepressible Logoe, this time behind the bush on the M32 roundabout, where he has painted before. What is remarkable about Logoe’s most recent Bristol blitz, is that all of the pieces, and he painted many over a weekend, are really well finished, looking clean and crisp.

Logoe, M32 roundabout, Bristol, September 2024
Logoe, M32 roundabout, Bristol, September 2024

This piece of script writing is in yellow shades with a deep green drop shadow, and tidy white outline. The letters spelling LOGOE could easily be mis-read if you weren’t sure what you were looking at. As with most, if not all, of Logoe’s pieces, the writing is adorned with a scattering of brown, grey and yellow oval spots, complementing the colour palette perfectly.

6465. St Werburghs tunnel (453)

Logoe, St Werburghs, Bristol, October 2024
Logoe, St Werburghs, Bristol, October 2024

Logoe payed us one of his visits a couple of weeks back, and this is a magnificent piece of writing he left behind, that has lasted longer than many of his pieces do. I think he painted at least six pieces on this particular visit, and I will be sharing those I found over the coming days and weeks.

Logoe, St Werburghs, Bristol, October 2024
Logoe, St Werburghs, Bristol, October 2024

The letters of this script writing are really bold and look quite chunky with a deep 3D drop shadow. Perhaps the most distinguishing feature of this one is the vertical stripes in oranges and greys in the background, which provide a strong foundation and springboard for the letters. Nice work from Logoe.

6451. New Stadium Road (59)

Logoe, New Stadium Road, Bristol, October 2024
Logoe, New Stadium Road, Bristol, October 2024

We are in the midst of another Logoe blitz, that is to say that a couple of weekends ago he visited Bristol and dropped in excess of six pieces about the place, which is the way he rolls. He saves up all his painting energy, there aren’t many opportunities where he lives in Wales, and paints for England on his weekend visits to our city.

Logoe, New Stadium Road, Bristol, October 2024
Logoe, New Stadium Road, Bristol, October 2024

This is a particularly nice example of his script writing style – a lovely clean piece in beautiful copper tones, really brightening up this fairly dreary spot that still bears the smoke damage on the ceiling from an arson car blaze in this little underpass a couple of years ago. Logo is a Trojan, who simply doesn’t know when to stop, and I love it.

6447. Stapleton Road

Logoe and Silent Hobo, Stapleton Road, Bristol, October 2024
Logoe and Silent Hobo, Stapleton Road, Bristol, October 2024

Logoe and Silent Hobo are good friends and on his most recent visit to Bristol, it looks like Logoe found time to hook up with his mate and collaborate on this wonder wall. The combination of writing and story telling is original and eye-catching, and goes straight into one of my favourite collaborations of 2024. Logoe has pulled out all the stops with his distinctive script writing and produces a very tight and tidy piece with transitional coloured stripes filling the letters.

Silent Hobo, Stapleton Road, Bristol, October 2024
Silent Hobo, Stapleton Road, Bristol, October 2024

Sitting on top of the writing, Silent Hobo is telling us a story of what looks like heart break, but without the context is difficult to be sure. Rather ominously, the first panel has a woman saying ‘We’ve been through this already…’

Silent Hobo, Stapleton Road, Bristol, October 2024
Silent Hobo, Stapleton Road, Bristol, October 2024

In the next frame, a woman, is it the same woman, is saying ‘love is not enough’, a phrase that would wilt the heart of anyone on the receiving end of the comment

Silent Hobo, Stapleton Road, Bristol, October 2024
Silent Hobo, Stapleton Road, Bristol, October 2024

The final part has a man, looking a little worse for wear, saying ‘OK’, which probably means not OK. The three panels could be stand-alone pieces, or part of a continuous conversation, and I guess that it is for the viewer to decide which. A magnificent collaboration from this pair.

6397. M32 Spot (194)

Logoe and Nova, M32 Spot, Bristol, September 2024
Logoe and Nova, M32 Spot, Bristol, September 2024

When Logoe hits town, he tends to hit it pretty hard. When this collaborative piece was painted earlier in the month, I think it might have been a one-off, because I didn’t find any other pieces in all the spots he usually decorates so freely. It is a collaboration with Nova, about whom I know absolutely nothing, but it is a beauty nonetheless.

Logoe, M32 Spot, Bristol, September 2024
Logoe, M32 Spot, Bristol, September 2024

More often than not Logoe writes with thin script letters, but he has switched things up in this piece of graffiti writing with great big fat chrome letters with a bold solid black drop shadow. The whole piece is very neat and tidy and well presented on a red cloudy background. Of course, there is a sprinkling of small oval dots running through the piece, just in case we weren’t sure it was by Logoe.

Nova, M32 Spot, Bristol, September 2024
Nova, M32 Spot, Bristol, September 2024

Nova has painted letters using the same colour scheme, and also incorporated little ovals, although arranged a little more orderly than Logoe’s. Another cross-reference feature is the yellow ‘o’ in both pieces.  Nova’s writing is also nicely presented, and I am intrigued to know more about the artist, but that might need to wait until the next time I bump into Logoe. A fine collaboration an a favourite wall.

6001. Frome Side (32)

Logoe, Frome Side, Bristol, April 2024
Logoe, Frome Side, Bristol, April 2024

When Logoe comes to Bristol from Wales where he lives, he tends to paint in the Eastville spots, so I imagine that he has friends who he can stay with in the area. This piece from a recent visit was painted underneath the M32 motorway, a spot that I don’t visit all that often because it is quite tricky to do with the dog.

Logoe, Frome Side, Bristol, April 2024
Logoe, Frome Side, Bristol, April 2024

This piece, which has not photographed very well because of the light conditions, follows the classic Logoe formula. Some decent script writing, nicely filled and bordered, set on a contrasting background and sprinkled with oval spots. I think that brighter colours might have suited the spot better, but remains a fine piece of graffiti writing.