I met Logoe for the first time a couple of weeks ago at this spot while he was painting a collaboration with Silent Hobo, one of his old mates. Their collaboration, I don’t think even lasted a day, and I only have one WIP photograph of it, such is the ephemeral nature of street art in popular spots. Logoe comes across as a lovely bloke and was more than happy to talk about his work and his trips to Bristol.
Unlike his collaboration piece, this one has lasted well and I believe is still there, or at least it was last time I visited this spot. The delicate colours work really well on this script LOGOE entering. With many of his pieces Logoe likes to add a little quote or phrase and here he gives us:
“They say (she) dodged a bullet… but it put her in the ground”
This sounds like a lyric, but I am not too sure what from. Anyhow, it works well with this lovely piece. Logoe also told me that he had missed out a word. I am guessing it was the word ‘she’ that I inserted in brackets.
This is the first of a swathe of wonderful pieces by Logoe, who seems to have sparked into life with at least five pieces in a little over a week. It took me a moment to recognise the artist, because it is such a long time since I last saw any of his work.
The script-style writing spells out Logoe and the vertical fill autumn colours in the letters is truly exceptional, looking like huge paint drips on the wall. Many of Logoe’s pieces have some philosophical or song writing in them, scrawled over his work, and here it says ‘I sware on my muver’s life’. A lovely piece, and watch this space for a whole lot more.
The third piece by Smut on Natural Adventures, and I couldn’t put it any better than the artist himself does… “Everybody loves Smut”. Well if not everybody, at least I do, and that’s what matters.
As with his other pieces, it is the sharpness of his lines that really catches the eye, and the script form of the whiting is rather seductive. This is a really accomplished piece, as the fills demonstrate. I’m looking forward to meeting the artist at some point in the future, if only to find out about the techniques used.
Rather embarrassingly, and I had the slightest concern about this, this piece is not by Pl8o after all, although I don’t know who it is by. Everything I have written about Pl8o still stands. I will change the captions to reflect this.
An artist I used to write about quite a lot was Ysae, but he seemed to disappear off the scene for a while. Maybe this is by him, there is a signature, or is that a shout out. The dangers of thinking I know more than I actually do. It happens.
I am rather looking forward to producing a gallery of work by Pl8o and when I have collected a few more pieces by him I will do so. The reason I say this is that he has been playing with all sorts of ideas around his letters and is going through something of a script writing phase, but it is the development of these ideas that is fun to witness.
In this piece Pl8o has gone with a much more curvy and flowing script style and incorporated some drips and floating ovals to embellish the letters. The colours are perhaps not my favourite, but work well together and certainly stand out in the orange gloom of St Werburghs tunnel. A nice piece.
This piece, and one or two other recent ones, mark a slight change in style for Pl8o, whose large block letters might be more familiar to regular readers. This time he has gone with something more akin to script lettering and it all comes together rather well.
It is always refreshing to see artists try something different, switching things up a bit. I like this piece a lot, but I think that prepping the wall with a slightly more solid wash would have been beneficial. Other than that a fun new direction from Pl8o.
I simply haven’t posted enough of Stiv’s work, but I guess the same could be said for a majority of Bristol artists. With publishing only two posts each day on Natural Adventures I am never going to be able to cover everything. At the end of each month I would guess that I only post about a third to a half of the pieces I record. Something for me to do in retirement perhaps?
I think that thhis tribute piece must be in some way connected to the tribute collaboration with Frank Riot at the other end of the tunnel, because both are dedicated to a friend who died two years ago and was connected to the music industry. The letters are utterly awesome and the movement and vibe dancing off the piece give off a sense of sound and dance. A fine piece with meaning.
An artist that I feel I don’t see nearly enough of is Logoe. I first encountered his work in April 2017 while he was collaborating with Silent Hobo, and it was on that occasion that I was told that Logoe was returning to painting on the streets after a long lay-off, and that he had been a bit of a legend in the past – Silent Hobo’s words.
This piece is typical of his thin hand-written style letters. The letters are beautifully picked out spelling Logoe, but it is the additional decorations that bring the writing to life. The dots through the middle and horizontal thin lines that at first I thought were drips add real interest. It is always really good to stumble across one of these.
I am seeing more and more work by Dasco, but I think I have only ever posted one piece by this artist before. I have quite a few in my archive, and I think I’ll have to dig them out and post them, because pretty much everything I have seen is really very good. I think that my lack of Dasco posts is basically down to knowing nothing at all about the artist.
This particular recent piece of graffiti writing from Dasco in Dean Lane is absolutely masterful. The more I look at and study it the better it seems to get. Using the tried and tested black, white and red colour combination (Decay would approve) Dasco has crafted a beautiful and stylish font, elaborate and fancy without being precious. I need to find out more about this great graffiti writer.