Mr Crawls returns with a new variation on his theme, which I really hoped he would, this time charming us with a woolly-hatted penguin. There is something very satisfying about the simplicity in Mr Crawls’ work, proving that artwork doesn’t need to be busy and complex to be effective. His character variation work reminds me of the work of Mr Underbite – Simple-clean-effective.
Mr Crawls, M32 Spot, Bristol, October 2023
Mr Crawls has just about managed to squeeze his penguin character within the constraints of the rather narrow column. His other birds have been a bit wider and squarer in format, so he has done well to elongate the penguin to fit in here. The expression on the penguin’s face is priceless, slightly dopey and with a sad smile. The hat is simply brilliant.
I think that Sako is an occasional visitor to Bristol, or simply doesn’t paint all that often. This is only the second piece I have featured by Sako, and it is absolutely superb in my view, cleverly painted in subtle tints of rose and turquoise. Coincidentally, there is something about the mood and tone of the piece that is similar to my earlier post today by Andrew Burns Colwill.
Sako, M32 Spot, Bristol, August 2023
Sako has used the limited space and shape of the column to perfection. There is an interesting relationship between the character and the built environment, and although I am not too sure what the story is here, I believe there is one being told. The colours are perfect together, and I would love to see more of this combination (note to self – buy these colours) on the streets. This is a great piece by Sako from back in the summer.
Although rather small, this is a rather good piece by Dopes. The choice of hoarding is challenging, being at the top of a DIY skate ramp, and on short boards that have been slapped together. On the upside, anyone who paints this spot is likely to have their work on display for a considerable period.
Dopes, M32 Spot, Bristol, September 2023
Dopes has been out and about a fair bit recently and the quality of his work is always high. Out of necessity, the letters bleed off the top of the hoarding, but in spite of that are nicely proportioned. Great colours and white rather than dark borders and 3D drop shadow. Easy on the eye stuff from Dopes.
When I selected this Zake column piece to post I realised just how far behind I am with the blog these days, and that is entirely due to the huge volume of art dropping on the streets of Bristol. I venture out about four times a week, and each time probably photograph between six and ten new pieces on average, which equates to something like 24-40 new artworks each week every week. I usually post two pieces a day, sometimes three, so we are looking at about 20 posts maximum. You can see the deficit straight away, and this doesn’t include festivals such as Upfest or Cheltenham Paint Festival, where the pieces may reach 200 or so. This is a good problem to have, I guess, and maybe I have a project for my retirement, posting from the archives.
Zake, M32 Spot, Bristol, September 2023
Zake will always be a column specialist, and many of his earliest pieces in Bristol were painted on columns only a hundred meters or so from here. In this one he has painted three faces stacked on top of one another, each with amazing depth and interesting expressions. Three for the price of one from Zake.
Since first appearing on my radar a few months back, Noise has been chugging away very nicely with reasonable regularity, sharing his large, chunky writing style in various spots around Bristol. This one has a camouflage fill, which is the third recent piece with a camouflage fill to appear on Natural Adventures in recent days, and the reason for that was a challenge organised by @worldwallstylers, encouraging artists from around the world to create a piece with a camouflage fill. It was great to see so many Bristol artists participating.
Noise, M32 Spot, Bristol, September 2023
Noise has absolutely smashed it with this piece, with both the fill and the 3D effect with the strong blue shadow. The border and outlines are bold and strong, and the big, thick letters have a real presence. It is a pity about the bicycle in the shot, which almost looks a bit ‘arty’, but isn’t meant to be, but I suppose ‘street furniture’ is nothing new when photographing street art.
Below are the two other recent camouflage pieces meeting the World Wall Stylers challenge:
Werm, New Stadium Road, Bristol, September 2023Dibz and Fade, Dean Lane, Bristol, August 2023
I thought that Creamylines might have been a bit of a flash in the pan when his pieces tailed off last year, so it was hugely exciting to find this piece recently under the M32. His work lends itself particularly well to columns, although it would probably work equally well in a landscape format.
Creamylines, M32 Spot, Bristol, July 2023
I like to think of his work as being similar to stained glass, with each element being surrounded by a solid line, like lead around glass. The way the colours work together would also not look out of place in a window with light shining through. As with much of his work, the sun is prominent with rays emanating out across a scene strewn with little characters and eyes. Great stuff from Creamylines.
It would seem that Slakarts has been busy with real life lately, and his pieces are few and far between and tend to be ‘quick ones’ in contrast to the more sophisticated and designed pieces he was painting throughout 2021, 2022 and at the start of this year.
Slakarts, M32 Spot, Bristol, July 2023
In this piece, Slakarts returns to his base character, cunningly fitted onto the column, with a slight stretch. Great fills and superb cutting-in of the black outlines throughout the piece. The selfish part of me wants to see more Slakarts pieces on the street for me to enjoy, but I am also happy that he might be busy with work/family or other distractions keeping him off the streets.
I have a feeling that Zake might be slowing down a little, having had an incredible start to the year with an increase in both quality and quantity of his original character pieces. This incredible piece is painted on one of the columns (if not, a different face of the same column) where I first encountered Zake’s work back in July 2018, so it feels like a bit of a full circle, and my goodness, how he has developed over that time.
Zake, M32 Spot, Bristol, May 2023
The long face (an inevitability on columns) has a double set of eyes, which are thankfully closed, and is spewing fiery water from the mouth. The colour selection works beautifully, and as ever Zake’s work is so full of depth, afforded by clever use of light and shade. This is a really striking piece, noticeable from quite some distance.
I don’t quite understand why, but I have posted very few pieces by 3rdeye on this blog, perhaps because he only paints occasionally, but I’m sure I have more in my archives somewhere. 3rdeye pieces are a rare thing, especially outside of festivals, so it was a considerable surprise and delight when I stumbled across this piece a little while back.
3rdeye, M32 Spot, Bristol, May 2023
Painted on a utility box and wall at the top end of the M32 Spot, underneath the motorway, 3rdeye has split the piece into two parts. On the utility box is one of his imaginary characters, perched on top of an eye with a thought cloud saying “sexual chocolate”. I have no idea what this means and won’t be asking.
3rdeye, M32 Spot, Bristol, May 2023
On the adjacent wall, there are several cleverly concealed characters, painted in 3rdeye’s distinctive style, together with some letters, but I can’t quite make out what they are… it looks like E A E, but that doesn’t seem right. The piece is nicely signed at the top and demonstrates the strength in depth of talent in Bristol.
This recent collaborative wall is one I didn’t see coming, and I think that it demonstrates the camaraderie that exists in the street/graffiti art world, which is often perceived as being aggressive, territorial and threatening, which it can be, but mostly isn’t. The three artists are Werm, Pekoe and Fade, an artist who is new to Natural Adventures, but whose work I expect to be posting a fair amount from now on.
Werm, M32 Spot, Bristol, May 2023
To the left, the very productive Werm treats us to gold and electric blue graffiti writing, painted in his ever-evolving style. Recently Werm has been writing quite small letters in the centre of the piece and extending the letters outwards with intricate designs. His work is tending towards an overall symmetry, not unlike Elvs’ and Hypo’s work at the moment. A classy piece of writing.
Pekoe, M32 Spot, Bristol, May 2023
The rose between two thorns (sorry guys) is by Pekoe, whose portrait pieces are part of the binding DNA of contemporary Bristol street art. The girl in the picture appears to be a little haunted and unhappy, often a feature of Pekoe’s work. The big hair is dutifully decorated with yellow blocks of marks and the cheeks decorated with an anarchy symbol and heart. I am tying to work out if the pink in the eyes was added by Pekoe or a tagger – it looks a little out of place to me.
Fade, M32 Spot, Bristol, May 2023
To the right is a tidy piece by Fade, who tells me he has spent the last 15 years in New York photographing skaters and street scenes – his work is amazing – but has returned to Bristol and picked up a spray can again, to great effect. I expect to see a lot more from Fade as he gets his eye back in and decorates the streets of our city.
An unusual grouping of artists, but nonetheless a fine collaborative wall.
Natural adventures 