Tag: Mega-tag

4946. Various locations

Asre, Dean Lane, Bristol, April 2022
Asre, Dean Lane, Bristol, April 2022

There was a period early last year, when it felt like every available space in multiple spots was being filled with a portrait mega-tag by Asre, aka Runaway Joey. These distinctive characters are based on the same central core elements, but they are ‘pimped’, so that each has a distinctive look and theme. This is a mini-gallery of pieces by Asre from April last year. At another point in time, I will have to do another of these galleries to sweep up a bunch of other Asre pieces in the first half of 2022.

Asre, Jamaica Street, Bristol, April 2022
Asre, Jamaica Street, Bristol, April 2022

This was a small piece in Jamaica Street that reflects the basic character template.

Asre, Moon Street, Bristol, April 2022
Asre, Moon Street, Bristol, April 2022

A Moon Street cheeky character wearing a red hat, beautifully picked out with the customary three layered thick border.

Asre, M32 Spot, Bristol, April 2022
Asre, M32 Spot, Bristol, April 2022

Asre shows his versatility with this quick column piece under the M32.

Asre, Dean Lane, Bristol, April 2022
Asre, Dean Lane, Bristol, April 2022

Rounding off this mini-gallery with a piece behind the fence in Dean Lane, this time the character is wearing a blue hat.

One of the curious things is that Asre’s prolific activity simply dropped off a cliff later in the year, so I guess there might have been a lifestyle change at some point. It would be nice to think that he will return to our streets in due course.

4400. Dean Lane skate park (485)

In the space of little over a week, several mega-tag faces by Awkward appeared in Dean Lane skate park. I have not seen any of Awkward’s work for simply ages, so perhaps he found some spray cans somewhere and decided to get out there and paint. The result of his endeavours is that I have decided to pull them all together in this collection, reflecting his approach.

Awkward, Dean Lane, Bristol, March 2022
Awkward, Dean Lane, Bristol, March 2022

Each of the mega-tags features a rather distressed cartoonish face and a speech bubble, with the word Awkward written in it, although you might not be able to decipher the writing if you didn’t know who the artist was.

Awkward, Dean Lane, Bristol, March 2022
Awkward, Dean Lane, Bristol, March 2022

This yellow face appears to be crying blood tears and is accompanied by the words ‘Peace Now’ – a reference to the war in Ukraine, and other global conflicts I dare say.

Awkward, Dean Lane, Bristol, March 2022
Awkward, Dean Lane, Bristol, March 2022

Awkward has been considerate and respectful with this yellow face with pyramidal eyes, inserting it into a collaboration piece that had been there for a few days, without damaging it, and perhaps even augmenting it.

Awkward, Dean Lane, Bristol, March 2022
Awkward, Dean Lane, Bristol, March 2022

This final one on the edge of the famous Dean Lane curved wall is, along with the others, rather striking, and has the words ‘Join the Cloaks’ (I think) – I don’t know what it means. Since this little starburst of pieces, I haven’t seen anything more from Awkward… perhaps when he finds some more paint.

4006. St Werburghs tunnel (262)

Although rather small and modest in scope, this little collaboration is very significant in the history of street art in Bristol. Veee, an artist from Weston-super-Mare and Stinkfish joined forces to bomb a couple of walls at the tail end of a trip that Stinkfish had made to the city. A crowd-funded project had brought the artist back to Bristol to tidy up a couple of iconic pieces he painted here some years ago.

Veee and Stinkfish, Dean Lane, Bristol, October 2021
Veee and Stinkfish, Dean Lane, Bristol, October 2021

I had actually met the artists very briefly as they sprayed a wall in Dean Lane – unfortunately, when I returned a day later their work had been over-painted, so I only have this WIP shot. It was great to meet Stinkfish, in particular, because of his global reputation – he is a street art rock star, no doubt about it.

Stinkfish, St Werburghs, Bristol, October 2021
Stinkfish, St Werburghs, Bristol, October 2021

The St Werburghs piece by Stinkfish is similar to the Dean Lane one, and it is like a mega tag. I wonder how many people know who it is by. It is interesting that Stinkfish would want to spray these little anonymous pieces about the place, but then again, I guess that is all part of the fun of spray-painting. There is another one of these that I will share soon, and of course I have to go and photograph the two renovations too.

Veee seems to be making quite a big noise at the moment, and I know that there will be plenty more pieces from him in Natural Adventures before long.

Vee and Stinkfish, St Werburghs, Bristol, October 2021
Vee and Stinkfish, St Werburghs, Bristol, October 2021

3731. Cumberland Basin

Over the last few months I have seen quite a few of these TES pieces from Tes (Slim Pickings) but haven’t posted all of them, simply because there have been so many other pieces to post. Perhaps I’ll have to do a Tes sweep up post with all of them in it.

Slim Pickings, Cumberland Basin, Bristol, June 2021
Slim Pickings, Cumberland Basin, Bristol, June 2021

I have included this one because it is a particularly bright and summery example, although I was a little disappointed that he painted it over the lovely Jelly piece that had only been there for a couple of days. The Tes is, as always, nicely worked and I love the little blue-white flashes on the red 3D shadow providing a little bit of depth.

3602. Purdown HAA Battery (26)

There are dozens of these mega-tags all over Bristol and it took me quite a long time before I realised that they were by Sage. This one at the Purdown battery has an outstanding view of North Bristol behind it… such a great location.

Sage, Purdown, Bristol, March 2021
Sage, Purdown, Bristol, March 2021

Most of these mega-tags are monochrome quick ones, but it seems that Sage has taken a wee bit more time with this one, giving his capped character  little bit of extra decoration. Often, the location can be as important as the art, and I think this is a good example of that.