I have grown so accustomed to seeing NEVERGIVEUP’s work dominating The Bearpit, that it was a pleasant surprise recently to see one of his monsters turn up in Dean Lane. In the short space of time that he has been living in Bristol, he has really let his presence be known. He is prolific and unappologetic…when he sees a wall he paints it.
I haven’t yet seen his work at the M32 or in Stokes Croft yet, but I guess it is just a matter of time. Another fine monster from this young Polish master.
This is a wall that has required a bit of a makeover, having had a rather tired piece on it for a couple of years now. Of course, who should come along to spruce it up a bit…NEVERGIVEUP, who is becoming a bit of a presence in The Bearpit.
It is another monster to join his previous recent works, and is really rather nicely sprayed. The way he marks the detail using black lines on the underside of the tongue and the surface of the skin of the monster have an illustration quality and is a rather different technique to ones I have seen before. A good piece.
It would appear that NEVERGIVEUP, or nevergiveup familia as he tags himself, is making a takeover bid for The Bearpit. I would think that he probably has about seven or eight pieces down there at the moment, and they are not getting tagged. How he is managing to do this, I don’t know.
This is one of his series of monsters – he appears to have moved on from bunnies. I like the way that he is moving about from idea to idea, and I also like the way he is saturating the area, a bit like Laic217 was doing before. I am sure that at some point he will move back to Dean Lane or maybe try to spray in some new places. It is the succession of pieces and artists that makes writing about street art in Bristol so much fun to do.
Looking back a little to July, I came across this weird and wonderful piece from Thelochnessmonster tucked away on the long-term hoardings in Armada Place – a favourite haunt of this particular graffiti artist.
As with all his pieces, there is quite a lot of symbolism, much of which is quite mysterious. I’m not entirely sure what the spheres being held by the monster’s tentacles actually represent, but they are important to the piece as a whole.
Thelochnessmonster has such a distinctive style, and one that is very different from any of the other artists on the Bristol scene. I think the best word to describe his work is ‘organic’, it is a far cry from the highly geometric/designed pieces that we see more frequently in the city. Another interesting piece.
A theme used by many street artists is the depiction of a monster – I guess this is so that they can be creative and use their imagination as there is no template for a monster really.Another common theme is to seen a character using a spray can. This monster piece by NEVERGIVEUP in The Bearpit brings these themes nicely together.
NEVERGIVEUP is taking over the mantle of most prolific artist in Bristol and is varying his style, which started with his customary bunnies. He is a versatile and young artist and I’m sure will develop his styles over time. He is certainly fearless in spraying walls not previously sprayed, but is respectful of other’s work too.
The Bearpit has had a little bit of a renaissance since Upfest, and there are som decent works there, in amongst the throw ups and tagging.
This is a wonderful and very large piece by Nol from this year’s Upfest, which was sprayed on the wall of a school next to South Street park. The thing about these walls in local schools is that they are only accessible during the festival. After that is only pupils, their parents and teachers that get to see them, which makes them rather exclusive.
Last year Nol worked with Edo Rath in the car park opposite the Tobacco Factory, but Edo couldn’t make it to Upfest this time so Nol had to work solo. Edo was there in spirit though, and just to make certain, Nol had attached a face mask of Edo to the lift platform…a nice touch.
This was a large undertaking, and it was something of an accomplishment by Nol to complete this wall over the three days, given the rain interruptions. I managed to catch up with him a couple of times and asked him how much pink paint this wall would take. He said that typically a can will cover about one square metre. He used seven cans of pink for this piece. That is a lot of paint.
The phrases ‘good things come to those who wait’ and ‘fortune favours the brave’ come to mind with this piece. During Upfest, I never got to see this piece completed, which actually happened with many of the pieces this year. However I returned during the week after, and thought I’d see whether this piece was on view still to the public. It was not. But I just happened to be there at the exact time the contract firm were collecting the lift, and blagged my way into the school yard to take some pictures of the final piece. Such luck, and there were two other pieces I got to photograph as well.
This is a bold, fun and larger-than-life work, and ideal for a school playground. Nol is a gentleman who seemed happy to talk while he was working, and this is some wall.
First impressions count, and when I was doing my first walk around Upfest on the Saturday, this piece leapt out at me and grabbed my attention. Although I tend to have many favourites much of the time, I think I would have to say that this was the outstanding piece for me at Upfest 2017.
This friendly monster is by Bisser, a 27 year old Belgian artist and according to his Upfest biography notes ‘he’s influenced by graffiti, street art, muralism, cartoons and comics. His visual style is figurative and is very recognisable’.
The first thought I had when I saw this monster was of the book ‘Where the Wild Things Are’, by Maurice Sendak. So much expression, a simple idea beautifully executed. This piece deserves a permanent wall. Maybe if he comes to Upfest again he’ll get one – he certainly ought to on the back of this.
I chatted for a while with Bisser, and he is such a decent unassuming, modest fellow. He told me that his name in Flemish (I think that’s what he said) means ‘taken twice’ in relation to exams/college work – I think the equivalent in English would be ‘retake’. He adopted the name because he had to do his art exams a second time after first failing them. I like it that he has found strength and even a moniker from facing up to challenges. My favourite piece at Upfest.
This is a beautifully worked piece from Bristol-based Bill Giles, an illustrator and designer who occasionally takes to the walls. He specialises in creating grotesque monsters whose flesh melts away and his design work is finely detailed. This monster seems to reflect much more the uplifting atmosphere of Upfest with its bright colours and sunglasses, an altogether fun piece.
Bill Giles is part of an artist collective called ‘Cretin‘ based in Bristol that specialises in designs and illustrations of monsters. Membership of Cretin includes SPZero76, Paul Roberts (Monsters), Loch Ness and Dom Williams – there’s a lot of talent there.
Hey, there’s a whole bunch of not very scary monsters in this work from Nol, and I think Edo Rath. Michael Nol is a rather tall Dutch artist (not that you can see from these images) and Edo Rath enjoys painting clean lines and happy characters. Together the pair have formed a collective called Noodle Inc.
I was able to take a couple of snaps while this piece was in progress, and it is interesting to see how the piece is constructed, with a full outline, and then systematic filling from left to right.
I have touched on this in a previous post, and I am intrigued by artists go about their business in such different ways. some add layers, some freestyle completely, some use templates, some work from the centre outwards and so on. All interesting.
I think these guys will be making a return for Upfest 2017. Watch out for more scary monsters.
This is a fun little piece in Dean Lane by Guts, another artist new to these pages. I met him on the same occasion as I met Jimmer Wilson and Lumagro. I have absolutely no idea what the in joke is about, but it made me laugh anyway…”Joe Habgood Rides Scooters”.
This is the type of childish speech bubble that absolutely encapsulates graffiti, I think. A public space sprayed and a cheeky message. Harmless but subversive. It works for me, probably because I have a tendency to be a bit childish too – just ask Mrs Scooj or the Scoojlings. Great colours and great monster face. I like this…and it is still there some weeks on.
If you want to read more about Guts or several other Bristol artists, then I cannot recommend highly enough Auntie G’s fabulous blog post on a recent Bristol exhibition ‘3 is the Magic Number’ – A superb insight into the Bristol art scene and interesting commentary on the crossover between fine art and street art.
Natural adventures 