I don’t think I can ever recall being disappointed with a Sepr piece in the few years that I have been enjoying street art. His distinctive cartoon style and sense of fun ooze from his works which usually raise a smile.
In this piece, marking the end of 2018, we see a sunbather being mildly abused by some birds (gulls?). One is stealing his ring, another emptying cream on his tummy, another drinking his cocktail and the last using a magnifying glass to burn his toes. Now when I first saw this, I thought someone had drawn a cock and balls on the man’s stomach, but the more I have looked at it, the more I think it is a sketch drawn by the bird with the tube of sun cream. A brilliant piece – comedy on a hoarding. Nice to see that Sepr and Epok have decorated the nearby wheely bin too.
Every once in a while, this spot gets some TLC which it surely deserves especially as much of the stuff that appears here is not great or gets tagged within an instant. This is one half of a collaborative session from Sepr (to follow) and Epok.
The piece was sprayed as an end of year celebration to see out 2018 (good riddance) and welcome in 2019. A sensational colour selection and all the hallmarks of a classic Epok piece – I love it to pieces.
Things in the Stokes Croft area have been a bit slow compared with some of the other spots in town, so it was nice to spot this quick collaboration between Ryder and T-Rex. These two nearly always paint together, and their comfortable friendship comes across in all their pieces.
I can’t quite work out where the white lines came from and the writing – I think it says ‘Spray summit innit’, and although it looks slightly incongruous I think it is part of the piece and not a tag. Fun stuff from these two.
This collaboration between Sepr and Daniel Leggs came as a lovely surprise about a week ago while taking a small detour on my way to work. I think the piece had been painted only the day before so it was thankfully free of tags.
I am familiar, as will some readers be, with the work of Sepr who I have written numerous posts about in the past, and whose work I hugely admire. This piece just serves to prolong that admiration as we witness a cat and mouse cartoon where the mouse is looking pretty smug because the cat is trapped, as a footstool, under the man’s legs. Got to love the pink crown too.
Daniel Leggs is not known to me and his Instagram account reveals little other than that he is a graffiti writer. I haven’t seen his work in Bristol before, so I am guessing he’s not from these parts. I think he might have some connection with the No Frills community, and his writing has some similarities with that of Biers. I love the rather abstract colourful fills he has used around the piece, without which it would not be half as good. Another pink crown. Great work boys.
I missed my first Thursday doors last week since I began 37 weeks ago. Just a little too much on my plate.
This week I was sifting through my archives when I found this door, which I have been looking for for a long time. I knew I had it, but I just didn’t know where.
The door in question, Number 5, has undergone many facelifts over the last few years of which I think this was the best. Currently it is free from graffiti and I think the owner is trying to keep the door and walls clean. It will be an uphill struggle, but I genuinely wish them luck. I don’t much favour graffiti on private property.
I think the owner at the time might have painted these pineapples as a way of discouraging graffiti, and it certainly worked for a while. Some (many) taggers have no respect though. The pineapples made me smile though. I am glad I found them again.
The board has been nicely grey washed, making it a perfect backdrop for this superb clean piece of wildstyle writing from Subtle. It has been a little while since I saw anything by him, but this is one of at least two recent works I know about.
It is always nice to se his work on the streets, it keeps things fresh. In my view, this is a very classy piece of writing. I hope it is the beginning of many more pieces from another one of bristol’s talented pool of graffiti writers.
Looking back a little to July, I came across this weird and wonderful piece from Thelochnessmonster tucked away on the long-term hoardings in Armada Place – a favourite haunt of this particular graffiti artist.
As with all his pieces, there is quite a lot of symbolism, much of which is quite mysterious. I’m not entirely sure what the spheres being held by the monster’s tentacles actually represent, but they are important to the piece as a whole.
Thelochnessmonster has such a distinctive style, and one that is very different from any of the other artists on the Bristol scene. I think the best word to describe his work is ‘organic’, it is a far cry from the highly geometric/designed pieces that we see more frequently in the city. Another interesting piece.