Bragg’s Lane is a little bit off the main drag of street art spots, and although there are pieces here from time to time, I can’t think of quite such a good ‘gallery’ as there is at present. This is a fine contribution from Mr Klue and Mr Sleven, who often collaborate and who were very busy in the tunnel at the back end of last year.
I’m not entirely clear when this collaboration was painted, but it is looking bright an clean and is I tagged, so it must be relatively new. Mr Klue provides the foundation for the collaboration with his inimitable abstract style in his preferred purple and pink tones with dashes of yellow. One of his key motifs, the mad hatter’s hat, makes a welcome appearance to the right of the piece.
Mr Sleven has made great use of the shutter door to frame his bright and vibrant piece. The face appears to be that of a very unscary monster with three eyes and a mouth displaying four gold teeth spelling out LOVE. The multicoloured skin of the monster is stitched together a la Frankenstein’s monster, and the artist has spelled out his name using the same stitch technique. This is a fine collaboration and well worth seeking out, but it is a bugger for parking.
There has been a surge of activity by Mr Klue over the last month, most of it at the farm end of the tunnel which he seems to favour. This one is a tribute piece, and the first of several from an assortment of artists, to the late rapper MF DOOM whose passing in October last year seems to have been made public only recently.
MF DOOM was famous not only for his music, but also for his face mask which is the central Icon in the tribute pieces being paid to him. In this ephemeral work by Mr Klue, the mask is picked out in the middle in reds and whites, emerging from the wispy swirls all around. A fine tribute piece.
Holiday breaks are good for so many reasons, especially the opportunity to free up some time to do the things we love. There has been a big upsurge in productivity of street/graffiti art over the Christmas period in Bristol and my photograph folder for December is heaving. Having only seen a few pieces this year from Mr Sleven and Mr Klue, it was great to see this collaboration, the second in as many weeks from this pair in the St Werburghs tunnel.
These two create fully integrated collaborations, which I love, where their art becomes a synthesis of their styles, rather than two adjacent pieces in similar colour schemes. The Grinch has made a lot of appearances on the walls of Bristol this year, perhaps as a conscious/unconscious reference to COVID-19 spoiling things a bit. Here, Mr Sleven’s nicely drawn Grinch is emerging from a wispy Mr Klue atmosphere. This is a fine piece and there is a nice reference to COM.64 – the crew that these two belong to.
I managed to catch up very briefly with Mr Klue as he and Mr Sleven were just finishing off this new piece in St Werburghs tunnel. The turnover of art in this end spot is relatively high because it has a good amount of daylight, and it is always worth photographing something new, because you just can’t be sure how long it will last.
This is a true collaboration with the work and styles of both artists blending well together. The character with a TV head and outstretched arms is by Mr Sleven and the wispy orange and red abstract patterning by Mr Klue. These two collaborate quite often together and along with DNT and others form part of COM.64.
The two styles come together really well in this piece and the colours are striking. I like this one a lot.
Well I’m not sure how I missed this one first time round, but I just had a little potter around in my archives and once I found it I couldn’t really ignore it. It is a tidy collaboration from Mr Klue and DNT, who quite often get together to paint, from those heady days before coronavirus was a thing in the UK… remember that?
I can’t decide whether the shopping trolley is really annoying or actually adds a little bit of character to the photograph. No matter, it is there. The very ‘DNT’ monster embedded within the Mr Klue writing is a window into the artist’s mind and like so many of his characters is part organic, part mechanical. It looks likes the puffs of yellow smoke are puffing out of one of the legs of the character. A nice collaboration.
One of the nice things about the Cheltenham Paint Festival is the large number of Bristol-based artists that are asked to paint. Mr Klue is a particular favourite of mine. His modest demeanour betrays his obvious talent and unique abstract style
I am not overjoyed at my hopeless photography. The close-up is a little too close and I have cut off the left hand edge of the piece. This is a colourful piece that probably spells out KLUE, but might not, and presents many of the trademark features we would expect to see in one of his pieces; floating steps, wisps of smoke and coiled cones give the artist away. I am rather taken with the orange ball, a nice feature.
I mentioned in my last Mr Klue post that the artist tends to paint in spates with periods of absence interspersed with three or four sessions in quick succession and then all quiet again.
This is a modest little piece from a week or so ago near the entrance of St Werburghs tunnel. Set on a pink background, the abstract writing swirls about in a semi-solid state, which Mr Klue does so well. Usually his pieces spell out KLUE, but I am not too certain about this one.
Usually when Mr Klue hasn’t painted for a while (and we are in one of those moments now) his first new piece is often followed up with a spate of creative work and I am hoping that will be the case this time. This new piece is in his favoured spot at the far end of St Werburghs tunnel.
There is a lot going on in this abstract dreamscape which to understand would probably necessitate the unpacking of the artist’s mind. In amongst all the atmospheric swirls and recognisable elements, such as the lamp post, hat and helmet, there are the letters KLUE… I think. A wonderful piece and worth waiting for.
Mr Klue is going through a productive and creative patch at the moment, and it is a real pleasure to see his work springing up all over the place. This large piece in the tunnel at St Werburghs is a bit of a feast for the eyes.
Unfortunately, the light in the tunnel has goofed up the colours a bit and a car was parked in a place where I couldn’t swing to the right to get more natural light on the image. Why do people park in the tunnel? Sadly I can’t go back to get more pictures, because it has already gone. Turnover in the tunnel is so high at the moment, probably because we have had so much rain.
The piece itself is classic Mr Klue fare with the added bonus of a character and his top hat, most likely influenced by Carroll’s mad hatter. Mr Klue has used this imagery several times in his murals and it adds another layer of mystery to his abstract work. A grand piece.
In one of his favourite spots, Mr Klue has painted this bright and breezy piece as part of a 64 Dot Com collaboration with DNT and Mr Sleven. In this more than in other pieces you can see the letters KLUE if you look carefully, with the U and E being especially clear.
The abstract style so unique to this artist is soft and ephemeral and like a cloud looks like it might evaporate altogether at the slightest gust of wind. In this piece there is a return of some steps, a feature I always like in his work. Capping off the whole thing is a halo in yellow, which adds a touch of humour. A lovely piece.