4427. St Werburghs tunnel (290)

Every year, it seems that Mr Klue takes some time out from painting walls, which is a pity, but it makes his return all the sweeter when it does happen. Mr Klue has been busy lately creating his outstanding pieces at the ‘farm end’ of St Werburghs tunnel, which seems to be his safe, ‘go-to’ spot.

Mr Klue, St Werburghs, Bristol, April 2022
Mr Klue, St Werburghs, Bristol, April 2022

This piece returns to a running theme in Mr Klue’s art, which is a portrayal of the Mad Hatter from Lewis Carroll’s Alice in Wonderland – a rich source of inspiration for many street artists. The exaggerated top hat with the 10/6 ticket is matched up with a shirt and tie along with a smoking cigarette. There is something slightly unsettling, but also endearing about this piece. It is always good to see Mr Klue’s work, and I hope this will be a sustained effort from the fabulous abstract artist.

4327. Dean Lane skate park (475)

There are all sorts of conventions in the world of graffiti and street art, and broadly speaking most artists remain within the boundaries, albeit on a vast spectrum. There are some artists who seem to linger on the fringes of convention, either through their content or style, and I would class Taboo as one of those.

Taboo, Dean Lane, Bristol, March 2022
Taboo, Dean Lane, Bristol, March 2022

Although Taboo’s writing and character combinations are reasonably conventional, his lettering style and incorporation of characters is not, and this is what sets him apart from other artists. In this piece ‘reality is not enough’ his unusual letters, spelling out ‘Taboo’ in chrome, serve as a backdrop to a C. S. Lewis character from Alice in Wonderland, the caterpillar puffing on a hookah. This is wonderful hallucinogenic stuff, and I am rather sure that the author would probably approve.

3483. Brunel Way bridge (91)

I mentioned recently that the turnover on certain walls in Bristol is accelerating and that there is a bit of a squeeze on available wall space largely due to gentrification. As a result, wonderful pieces like this one, part of a larger collaboration, by 3Dom and Feek just don’t last as long as they deserve to. I was lucky to have photographed this when I did, because it got over painted within a few days.

3Dom and Feek, Brunel Way, Bristol, February 2021
3Dom and Feek, Brunel Way, Bristol, February 2021

The split face, part monster part smiley, bearing a devilish halo is by 3Dom and is a seriously classy piece. The artwork is fantastic and the incredible details expertly painted. I particularly like the sparkling tooth.

Feek, Brunel Way, Bristol, February 2021
Feek, Brunel Way, Bristol, February 2021

On the monster’s outstretched hand is a Humpty Dumpty character with an axe and wearing a Mad Hatter’s tea party hat and with what I presume is an Alice character eating cake. Could the whole thing be a Lewis Carroll-inspired crazy surreal Alice and Jabberwocky scene? No matter what it is, the artwork and skill displayed by both artists is a real treat to behold.

3183. Cheltenham 2020 (1)

The first of this year’s Cheltenham Paint Festival pieces is from the tireless John D’oh with this clever Alice in Wonderland reference. As is often the case with John D’oh’s work, this piece is having a bit of a swipe at McDonalds and other corporate fast food  outlets and the impact they have on obesity and poor health.

John D'oh, Paint Festival 2020, Cheltenham, September 2020
John D’oh, Paint Festival 2020, Cheltenham, September 2020

In this scene, a rather plump Alice is being tempted to ‘drink me, eat me, buy one get one free, go large for 30p, free soft drink with every large meal’. Seeing it like this in a Dinseyfication drills home the message rather well. Many more from John D’oh to come from the paint festival.